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Part of
Performing Metaphoric Creativity across Modes and Contexts
Edited by Laura Hidalgo-Downing and Blanca Kraljevic Mujic
[Figurative Thought and Language 7] 2020
► pp. 343–346

Index

A

  • Adoption narratives 281, 284–285, 288, 307
  • Advertisements 12, 35–38, 120, 122, 133–134, 137, 261–264
  • Analogy 11, 27n3, 43, 47–54, 66, 318, 338 ; See also musical analogy
  • Architectural review 9, 198–200
  • Art 19, 23–24, 35, 39–40, 98, 101, 115, 125, 212, 312–313, 334–335, 339
    • appreciation of artworks 23–26, 38, 39
    • performing art/arts 267, 334
  • Artefact 202, 208, 212
    • creative artefact 72–73, 93
  • Audience 3, 9, 15, 25, 34, 65–66, 72, 78, 80–82, 91–92, 94, 98, 101, 120, 221, 241, 261, 268, 272, 282, 287, 290, 294, 307, 316, 318, 323, 326, 328–330, 335

B

  • Ballet 26, 30
  • Beethoven, Ludwig van 43, 61–64
  • Blending 153–154, 157–159, 162, 164, 170, 318
  • Built space 197–199, 201, 203–205, 208, 210, 214, 216

C

  • Calvin Seibert23
  • Cancer 13, 14, 31, 33, 35, 221–225, 227–240, 242–246
    • breast cancer 31, 224, 229, 233, 235–237, 244
  • Cartoons 3, 8, 10, 12–13, 153–159, 161–164, 166, 169–170, 175–176, 178, 181–182, 184–185, 189
  • Children’s picture books281
  • Cinematic discourse 12, 97–98, 108, 115
    • mise-en-scène 12, 97, 100, 104, 113–114
  • Coding 15, 311–312, 316–317, 325, 327, 333, 335, 338–339
  • Cognitive
    • cognitive processes 7, 97–98, 101, 323
    • Cognitive Linguistics 2, 6, 13, 61, 170, 198, 203, 212, 249, 252, 265, 274, 335
    • Cognitive stylistics 249, 274 See ImaginationSee Inference, inferences
  • Complexity Theory 97–98
  • Composition 21, 62, 313–314, 318, 320–321, 329
    • compositionality 311, 313, 328
  • Conceptual
    • conceptual incongruity 120–125, 129–131, 133
    • Conceptual Metaphor Theory 1, 14, 23, 55, 57, 97–98, 175
    • Conceptualization, conceptualizations 11, 19–20, 38–39, 71, 78, 81–86, 89–90, 93–94, 97, 111–112, 163, 165–166, 231, 250–252, 254, 257, 268, 271, 273–275, 283 ; See also conceptual metaphor
  • Contextual
    • contextually-triggered metaphors 78, 92
    • factors of metaphoric creativity 4–6, 159 ; See also contextual creativitysee also contextual metaphors
  • Creativity
    • adaptive 5, 13, 159, 175–176
    • and flow 3, 15, 20–22, 114, 318
    • and novelty 5, 48–49, 65–66, 157, 159, 261
    • artistic creativity 9, 21, 260
    • contextual creativity81
    • creative mind40
    • creative thought47
    • creativity as product and as process 2–4, 15, 72
    • dimensions of 5–6
    • eminent creativity101
    • everyday creativity 8, 101
    • levels of analysis 2–4
    • metaphoric/metaphorical creativity 1–10, 25, 35, 39, 72–73, 78, 82, 93, 153–154, 159, 160, 221–222
    • multimodal metaphorical creativity 11, 35 ; See also creative metaphor
  • Cross-cultural differences 221–222
  • Cultural models 153–154, 157, 162, 164, 170

D

  • Dance 3, 6, 11, 19–20, 26–35, 39, 45, 52, 66, 125, 311–312, 320, 326–328, 335–336
    • dancer 30–32, 34–35, 318, 333–336, 340
  • Discourse
    • Critical Discourse Analysis 7, 13, 81, 153–154
    • Discourse Analysis 2, 7, 77, 79, 250
    • discourse patterns 4, 14–15, 222
    • discourse practices 1, 7–8, 78, 81
    • discourse strategies 81–82
    • multimodal discourse 1, 13–14, 249, 251–252, 254–261, 264, 267, 269, 271–274
    • of adoption 283, 285, 293, 303, 307
    • political discourse 80, 82, 164, 166, 251–252, 264, 268–269, 271, 273
    • scientific discourse225
  • Drama 320, 325–326, 328, 335–336, 339

E

  • Economic crisis 181–184
  • Embodiment 99, 104, 135, 177, 198, 198n1, 253, 274
    • embodied metaphorical experience21
    • embodied simulation 6, 177
    • embodied source domain 19–20, 39 ; See also embodied metaphors
  • Emergent
    • creativity 4–5
    • metaphoricity 4, 6, 98–99
    • structure 158, 168, 170
  • Emotion 5–6, 9, 15, 21, 38, 40, 58n6, 78, 85–86, 90–92, 112, 115, 146, 303, 312, 314–315, 319, 326–328, 330–335
    • emotional experiences 33, 107
    • emotional messages 31–32, 34
    • emotional reactions 25, 33
  • Enactment 6, 13, 25, 39, 264, 266, 269, 335
  • Evaluation 79–80, 85, 90, 92, 125, 154, 199–201

F

  • Figurative
    • language 1, 2, 5, 10, 13–14, 98, 119, 121, 135–136, 141–142, 145–146, 197, 249, 254, 271, 274, 323
    • thought 14, 249–251, 255–259, 264, 267, 271, 273–274
    • sustainability of figurative thought 250, 255
  • Figures of speech 14–15, 323–325

G

  • Genre 5, 64, 71, 78, 80, 109–110, 162, 197, 199, 211, 216–217, 222, 265, 287, 290, 323, 325, 336
  • Gesture, gestures 26, 52, 99, 102, 251, 260, 265–267, 274–275, 314, 329, 334–335

H

  • Haydn, Josef; The Creation 44, 48–50, 52–54, 56, 57, 61
  • Humor 4, 12–15, 103, 120, 125–126, 131, 135, 146, 155–159, 168, 293, 296, 337
    • humorous effect 126, 129, 134, 159
  • Hyperbole 12, 14–15, 119–121, 131–132, 134–135, 137–138, 141–142, 142n3, 144, 146, 249, 250n1, 251, 267, 272, 275, 323–324

I

  • Identity 91, 102, 104, 108, 111–112, 281–283, 288, 293, 295–296, 298–299, 307
  • Ideology 12, 79, 156, 168, 265
  • Igor Stravinsky20
  • Image schema, image schemas 21, 78, 82, 85–86, 91, 98
  • Imagination 6, 20, 37, 48, 53, 54, 60, 66, 263, 290, 325
  • India 14, 58, 313, 315, 320, 326, 337–339
  • Inference, inferences 45, 126, 224, 249, 251, 274, 311–312, 314–315, 321–322, 324, 326
  • Intertextuality 4, 14, 20n1, 97 ; See also intertextual metaphors
  • Irony 12, 15, 119–121, 126–129, 131–135, 137–139, 141–145, 157, 324, 326
    • situational irony 128, 131, 137–139, 141

K

  • Kinesthetic training 31, 34
  • Kinetic experience13

M

  • Masako Kamiya23
  • Meme 175, 180–181, 187
  • Metaphor
    • as attractor 97, 99–100, 104–108
    • city metaphors 111–113
    • conceptual metaphor 19, 21, 23–26, 31, 35–37, 39, 43, 45, 47–48, 54–55, 57–60, 61, 66, 79–80, 82–83, 87–90, 159, 223, 250, 272, 298
    • contextual metaphors 82–83, 85, 87, 91, 284, 288, 291
    • conventional metaphor 3–4, 31, 111, 170, 292
    • creative metaphor 2, 8, 12, 14–15, 39, 94, 120, 122, 124, 129, 189, 222
    • dead metaphor 186, 188, 190, 191
    • dissemination metaphors229
    • efficient metaphors188
    • embodied metaphors 21–22, 25, 31, 35, 78, 82, 84–86, 90–92, 94
    • extended metaphor 82, 249, 250–252, 250n1, 254, 256–257, 262, 268, 272–274
    • food metaphors 104–108
    • intertextual metaphors 222, 236
    • invasion and colonization metaphors 227, 229
    • journey metaphors 80, 231, 244, 245
    • metaphor clustering 4, 14, 136, 222
    • metaphor evolution 13, 175, 181–182, 184, 188, 190–192
    • metaphor extension 4, 14, 79, 82, 85, 91, 222, 251, 254, 262, 274–276, 314
    • metaphor mixing 4, 14, 222
    • metaphoreme 100, 115
    • metaphorgenesis 175, 177–179
    • metaphorical concepts 19, 35, 39, 257, 259
    • metaphorical thought 19–20, 46–47, 254–257
    • metaphoricity 4, 6, 20, 39–40, 189, 222
    • migration metaphors246
    • novel metaphorical mappings 35, 40
    • overarching metaphor112
    • pictorial metaphor 284–288, 294, 302, 304–307
    • theory-constitutive metaphors 221–222
    • visual metaphor, visual metaphors 98, 122, 176, 272, 284
    • Zaltman metaphor elicitation technique35See also Conceptual Metaphor Theorysee also multimodal metaphorsee also musical metaphor
  • Metonymy 12, 14–15, 43, 47–48, 60–65, 82, 85–86, 89, 119–122, 125, 129, 134–135, 137–139, 141–142, 154, 157–158, 170, 179, 249–251, 250n1, 262, 265, 267, 273, 323
    • metonymic associations of contiguity251See also musical metonymy
  • Migrant crisis 12, 151, 153, 160–161, 169–170
  • Mode
    • affordances of modes 9, 13, 283
    • aural mode 44, 93, 205, 207, 286, 339
    • visual mode, visual modes 71, 73, 86, 89, 284, 286–287, 302
  • Motion 9, 13, 15, 199, 201, 211–214, 216
  • Multimodality 2, 9, 14–15, 93, 189, 197, 249–251, 257, 260–261, 264, 273, 283, 287, 307, 311, 313
    • multimodal creativity 14, 19–20, 39, 146, 249, 252, 267, 274
    • multimodal expression20
    • multimodal metaphor 14, 77, 86, 93, 122, 158, 182, 251, 269, 273, 281, 284
    • multimodal metaphorical creativity 11, 35
  • Music
    • musical metaphors 20n1, 23, 54
    • musical metonymy 43, 48, 61–62, 65, 135
    • musical utterances 45–48, 52, 54, 56–58, 60–62, 65
    • the pastoral 11, 55–57, 61–62, 64
    • sine-wave speech 46–47, 65
    • sonic analogs 52, 57–58, 60, 64–66
    • Sound maker 21–23
    • tone-painting 51–53, 60
    • topic theory 55–56, 56n5, 66 See Raga (South Asian music)

N

  • Narrative 98–99, 104, 108, 111, 113–115, 128, 259, 282–283, 284, 325, 335, 337
  • Natyasastra 326–328, 335

P

  • Painting 6, 11, 20, 23–25, 49, 115, 167
  • Performance 2–3, 5–7, 9–11, 15, 19–22, 24–25, 30–32, 34–35, 40, 52n2, 58–60, 71–77, 81–82, 86, 91, 93, 101–102, 107, 114, 203, 257, 311, 317–319, 323, 328, 335, 339
    • metaphorical performances 39–40
    • performance artworks24
    • performativity 6, 15, 311–312, 315, 318, 327–328 See Rasa theory
  • Personification 14, 166, 168, 179, 204, 221, 223, 225, 232, 239, 241, 245–246, 249, 250n1, 251, 264, 267, 273, 323
  • Persuasion 252, 267, 269
  • Poetics 312, 314, 324, 327, 338
  • Poetry 15, 59, 260n3, 311, 313, 316–321, 323, 325–326, 328, 338–339
  • Popularization 134, 136, 142
    • of science 13, 221–222, 224, 238, 240

R

  • Raga (South Asian music) 11, 58–60
  • Rasa theory 15, 311, 329–330, 334–335
  • Reception 7, 9, 12, 15, 48, 52, 326
  • Recontextualization 1, 5, 12–14, 71–74, 78–79, 81–82, 90–93, 153–154, 159–160, 162, 166, 170, 188, 221–222, 240–241, 246
  • Repetition 4, 60–61, 61n7, 79, 97, 101, 115, 208, 210, 296, 305
  • Rhythm 21–22, 49, 114, 202, 205–210, 327

S

  • San Francisco Symphony Orchestra20
  • Sanskrit 312–316, 320, 326–327
  • Satire 3, 8, 14, 157, 252, 271–273
  • Semantic and stylistic cohesion 254–255, 257
  • Semiotics 43, 55, 267
  • Senses 8–9, 15, 35, 113, 197–198, 204–211, 211n6, 215–217, 327
    • sensory experience, sensory experiences 13, 198, 200, 204, 216
  • Simile 54, 281, 284–285, 288, 290, 295–301, 304, 306–307
    • successful/fulfilled similes 296–298, 300, 306–307
    • unsuccessful/unfulfilled similes 293, 296–297, 301, 306–307
  • Social
    • social action 7–8, 15, 84–85, 88, 92, 154
    • social critique 7, 71, 78
    • social media119
    • social networks 175, 178, 180
    • social practice 11–12, 14, 71–73, 77–78, 81
  • Songs
    • Peace on Earth 11, 71, 73–77, 83–85, 93
    • Please 11, 71, 75–76, 79, 83–90, 93
    • Sunday Bloody Sunday 11, 71, 73–76, 83, 85
    • U2 8, 11, 71, 73–81, 83, 90, 91, 93
  • Stylistics 14, 281, 283
    • cognitive stylistics 249, 252, 274
  • Symbol 75, 167–169, 178–179, 182, 184, 190, 264–265, 267, 273, 305

T

  • Textual patterns4
  • Texture 203, 208–210, 260n3
  • “The Troubles” 11, 71, 74
  • Tokyo 12, 97, 101–102, 105, 108–114
  • Trope 126, 324–326

U

  • Understatement 12, 119–121, 131–134, 137, 141–142, 142n3, 144, 275, 324

V

  • visual pun 14, 249, 251–254, 258, 262, 273

W

  • Willem de Kooning24
Published online: 29 May 2020
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https://doi.org/10.1075/ftl.7.index