Falling to one’s death in multiple
landscapes
From blending to typology
This paper discusses whether He fell to
his death is a possible counterexample to Goldberg’s (1995) Unique
Path Constraint, which bans simultaneous motion in multiple
landscapes in caused motion/resultative constructions. On the face
of it, He fell to his death involves the blending
of motion in a physical landscape (as hinted at by
fell) and motion in a metaphorical landscape
(dying is conceptualised as telic motion). A possible solution to
this apparent violation is the claim that He fell to his
death is not an instance of the resultative
construction and/or that to his death is metonymic
for the place where one is presumed to have died. This paper argues
that neither option is feasible: the example at hand instantiates
the resultative construction and metonymy is not relevant. Instead,
our ability for blending intimately connected facets of a complex
event and the satellite-framed nature of English are held to be
decisive factors for the licensing of the example under
discussion.
Article outline
- 1.Introduction
- 2.Multiple landscapes
- 3.To one’s death is not a result phrase, or is
it?
- 3.1Defining result(ative) phrases
- 3.2The role of simultaneity
- 4.To one’s death as a metonymy
- 4.1Access to the target
- 4.2Metaphoric motion
- 4.3Revealing the target
- 4.4Verb variation
- 4.5Other prepositional phrases
- 4.6Interim conclusion
- 5.Ecological motivation
- 6.Conclusions
-
Acknowledgements
-
Notes
-
References