Review published In:
GestureVol. 10:1 (2010) ► pp.109–115
Book review
. Musical gestures: sound, movement, and meaning New York and London:: Routledge, (2010).
Reviewed by
References
Brinner, Benjamin
(1993) Freedom and formulaity in the “Suling” playing of Bapak Tarnopangrawit. Asian Music 24 (2), 1–37. 
Feld, Steven
(1988) Aesthetics as iconicity of style, or ‘lift-up-over sounding’: Getting into the Kaluli groove. Yearbook for Traditional Music 201, 74–113.
Keil, Charles
(1987) Participatory discrepancies and the power of music. Cultural Anthropology 2 (3), 275–283.
Massumi, Brian
(2002) Parables for the virtual: movement, affect, sensation. Duke University Press.
Mazzola, G. & Paul Cherlin
(2009) Flow, gesture, and spaces in free jazz: towards a theory of collaboration. Springer.
McNeill, David
(2005) Gesture and thought. University of Chicago Press.
Cited by
Cited by 2 other publications
Brezas, Spyros, Stella Paschalidou, Chrisoula Alexandraki, Makis Bakarezos, Christine Georgatou, Konstantinos Kaleris, Maximos Kaliakatsos-Papakostas, Emmanouil Kaniolakis-Kaloudis, Evaggelos Kaselouris, Yannis Orphanos, Helen Papadaki, Nektarios A. Papadogiannis, Katerina Tzedaki, Nikolas Valsamakis & Vasilis Dimitriou
2024. Research in the Department of Music Technology and Acoustics of the Hellenic Mediterranean University: An Overview and Prospects. WSEAS TRANSACTIONS ON ACOUSTICS AND MUSIC 11 ► pp. 1 ff. 
Zanolla, Serena, Sergio Canazza, Antonio Rodà, Antonio Camurri & Gualtiero Volpe
2013. Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. Entertainment Computing 4:3 ► pp. 213 ff.
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