Part of
The Conversation Frame: Forms and functions of fictive interaction
Edited by Esther Pascual and Sergeiy Sandler
[Human Cognitive Processing 55] 2016
► pp. 4562
References (24)
References
Cheney, D.L. (1992). How monkeys see the world: Inside the mind of another species. Chicago: University of Chicago Press.Google Scholar
Coulson, S., & Pascual, E. (2006). For the sake of argument: Mourning the unborn and reviving the dead through conceptual blending. Annual Review of Cognitive Linguistics, 4(1), 153–181. DOI logoGoogle Scholar
Coulson, S. (2001). Semantic leaps: Frame-shifting and conceptual blending in meaning construction. Cambridge: Cambridge University Press. DOI logoGoogle Scholar
Coulson, S., & Pagán Cánovas, C. (2013). Understanding timelines. Journal of Cognitive Semiotics, 5(1–2), 198–219.Google Scholar
Fauconnier, G. (2005). Compression and emergent structure. Language and Linguistics, 6(4), 523–538.Google Scholar
. (2009). Generalized integration networks. In V. Evans & S. Purcell (Eds.), New directions in cognitive linguistics (pp. 147–160). Amsterdam: John Benjamins. DOI logoGoogle Scholar
. (2010). Causal compressions in language and thought. In G. Fauconnier (Ed.), Ten lectures on cognitive construction of meaning. Beijing: FLTR Press.Google Scholar
Fauconnier, G., & Turner, M. (1994). Conceptual projection and middle spaces (UCSD Department of Cognitive Science Technical Report No. 9401). San Diego.Google Scholar
. (1998). Conceptual integration networks. Cognitive Science, 22(2), 133–187. DOI logoGoogle Scholar
. (2002). The way we think: Conceptual blending and the mind’s hidden complexities. New York: Basic Books.Google Scholar
Fillmore, C.J. (1982). Frame semantics. In Linguistic Society of Korea (Ed.), Linguistics in the Morning Calm (pp. 111–137). Seoul: Hanshin Publishing Company.Google Scholar
Minsky, M. (1975). A framework for representing knowledge. In P.H. Winston (Ed.), The Psychology of Computer Vision (pp. 211–277). New York: McGraw-Hill.Google Scholar
Mitani, J.C., Call, J., Kappeler, P.M., Palombit, R.A., & Silk, J.B. (2012). The evolution of primate societies. Chicago: University of Chicago Press. DOI logoGoogle Scholar
Mithen, S. (1996). The origin of art: Natural signs, mental modularity, and visual symbolism. In E. Maschner (Ed.), Darwinian archaeologies (pp. 197–217). New York: Plenum. DOI logoGoogle Scholar
Pagán Cánovas, C. (2010). Erotic emissions in Greek poetry: A generic integration network. Cognitive Semiotics, 6, 7–32. DOI logoGoogle Scholar
Pascual, E. (2006). Fictive interaction within the sentence: A communicative type of fictivity in grammar. Cognitive Linguistics, 17(2), 245–267. DOI logoGoogle Scholar
Recanati, F. (1995). Le présent épistolaire: Une perspective cognitive. L’Information Grammaticale, 66, 38–44. DOI logoGoogle Scholar
Schank, R.C., & Abelson, R.P. (1977). Scripts, plans, goals, and understanding: An inquiry into human knowledge structures. Hillsdale, NJ: Lawrence Erlbaum Associates.Google Scholar
Talmy, L. (2000). Toward a cognitive semantics, volume 1: Concept structuring systems. Cambridge, MA: MIT Press.Google Scholar
Thomas, F.-N., & Turner, M. (1996). Clear and simple as the truth: Writing classic prose. Princeton: Princeton University Press.Google Scholar
Turner, M. (2006). Compression and representation. Language and Literature, 15(1), 17–27. DOI logoGoogle Scholar
. (2008). Frame blending. In R. Rossini Favretti (Ed.), Frames, corpora, and knowledge representation (pp. 13–32). Bologna: Bononia University Press.Google Scholar
. (2014). The origin of ideas: Blending, creativity, and the human spark. New York: Oxford University Press.Google Scholar
Cited by (11)

Cited by 11 other publications

Illán Castillo, Rosa & Pagán Cánovas Cristóbal
2022. Time moves more often in poetry. In Time Representations in the Perspective of Human Creativity [Human Cognitive Processing, 75],  pp. 41 ff. DOI logo
Besada, José L., Anne-Sylvie Barthel-Calvet & Cristóbal Pagán Cánovas
2021. Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha. Frontiers in Psychology 11 DOI logo
Besada, José L. & Cristóbal Pagán Cánovas
2020. Timelines in Spectral Composition: A cognitive approach to musical creativity. Organised Sound 25:2  pp. 142 ff. DOI logo
Pagán Cánovas, Cristóbal
2020. Learning formulaic creativity: Chunking in verbal art and speech. Cognitive Semiotics 13:1 DOI logo
Abdel-Raheem, Ahmed
2018. Mental models, (de)compressions, and the actor’s process in body-swap movies. Cognitive Linguistic Studies 5:2  pp. 376 ff. DOI logo
Vouvaris, Petros & Dimitris Tasoudis
2018. B(l)ending time, (de)compressing identity: Creative thought and meaning construction in Copy Shop (2001). Musicae Scientiae 22:1  pp. 88 ff. DOI logo
Cánovas, Cristóbal Pagán & Javier Valenzuela
2017. Timelines and multimodal constructions: Facing new challenges. Linguistics Vanguard 3:s1 DOI logo
Piata, Anna & Cristóbal Pagán Cánovas
2017. Powerful rhyme and sluttish time: A cross-linguistic study of time personification in poetic discourse. Language and Literature: International Journal of Stylistics 26:1  pp. 18 ff. DOI logo
TURNER, MARK
2017. Conceptual compression and alliterative form – a response to Harbus. English Language and Linguistics 21:2  pp. 221 ff. DOI logo
Turner, Mark
2019. Compression and Decompression in Mathematics1. In Interdisciplinary Perspectives on Math Cognition [Mathematics in Mind, ],  pp. 29 ff. DOI logo

This list is based on CrossRef data as of 5 january 2025. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.