Article published In:
Information Design Journal
Vol. 24:1 (2018) ► pp.6779
References
AIGA
(2016, April  20). Diversity & Inclusion Initiative [Online]. Retrieved from [URL]
Almeida Junior, L., & Nojima, V. L.
(2010) Retórica do design gráfico: Da prática à teoria. São Paulo: Blucher.Google Scholar
Bardzell, S.
(2010) Feminist HCI: Taking stock and outlining an agenda for design. In: Proceedings of the CHI 2010: HCI For All (pp. 1301–1310). Atlanta: SIGCHI Conference on Human Factors in Computing Systems.Google Scholar
Barnard, M.
(2005) Graphic design as communication. New York: Routledge.Google Scholar
Benveniste, E.
(1995) O vocabulário das instituições indo-européias, v. II. Campinas: Ed. Unicamp.Google Scholar
Berger, J.
(2008) Ways of seeing. London: Penguin Classics.Google Scholar
Bomeny, M. H. W.
(2009) O panorama do design gráfico contemporâneo: A construção, a desconstrução e a nova ordem (Doctoral dissertation). Universidade de São Paulo, Faculdade de Arquitetura e Urbanismo, São Paulo.
Braun, S. G.
(2016, June 28). Space, time, and body asunder: Mapping the voices of the hiroshima archive [Online]. Retrieved from [URL]
Buchanan, R.
(1995) Rethoric, humanism and design. In R. Buchanan & V. Margolin (Eds.), Discovering design: Explorations in design studies (pp. 23–66). Chicago: University of Chicago Press.Google Scholar
Carrier, D.
(2002) Rosalind Krauss and American philosophical art criticism: From formalism to beyond postmodernism. London: Praeger.Google Scholar
Collins, M. & Papadakis, A.
(1989) Post-modern design (pp. 179–195). New York: Rizzoli.Google Scholar
Crow, D.
(2010) Visible signs: An introduction to semiotics in the visual arts. Switzerland: AVA Publishing.Google Scholar
Dass, A.
(2013, November 20). Humanae: Work in progress [Online]. Retrieved from [URL]
Dixon, C. & Baines, P.
(2013) Signs: Lettering in the environment. London: Laurence King.Google Scholar
Dobson, T. & Dobson, S. C.
(2017) Tip of the icon: Examining socially symbolic indexical signage. Dialectic, 1(1), 61–90. DOI logoGoogle Scholar
Drabinski, E.
(2013) Queering the catalog: Queer theory and the politics of correction. The Library Quarterly, 83(2), 94–111. DOI logoGoogle Scholar
Drucker, J.
(1994) The visible word: Experimental typography and modern art. Chicago: University of Chicago Press.Google Scholar
Emanuel, B.
(2017) A retórica da Interação (Doctoral dissertation). Universidade do Estado do Rio de Janeiro, Escola Superior de Desenho Industrial, Rio de Janeiro.
Engelke, A.
(2017, September). Pureza e poder: os paradoxos da política identitária. Piauí, 1321, 40–45. Retrieved from [URL]Google Scholar
Foucault, M.
(1996) A ordem do discurso. São Paulo: Loyola.Google Scholar
(2000) As palavras e as coisas: uma arqueologia das ciências humanas. São Paulo: Martins Fontes.Google Scholar
Giacomin, J.
(2014) What is human centered design? The Design Journal, 17(4), 606–623. DOI logoGoogle Scholar
Gorter, D., Marten, H. F., & Mensel, L.
(Eds.) (2012) Minority languages in the linguist landscape. Basingstoke: Palgrave MacMillan. DOI logoGoogle Scholar
Hendren, S.
(2016, February 19). An icon is a verb: About the project. The Accessible Icon Project [Online]. Retrieved from [URL]
Kim, H. H.
(Ed.) (2018) Graphic design discourse: Evolving theories, ideologies, and processes of visual communication. New York: Princeton Architectural Press.Google Scholar
Kinross, R.
(1994) Fellow Readers: Notes on Multiplied Language. London: Hyphen Press.Google Scholar
Kruger, B.
(1994) Remote control: Power, cultures, and the world of appearances. Cambridge, London: MIT Press.Google Scholar
LaRossa, B.
(2017, March 11). The architecture of graphic design’s discourse. Design Observer. Retrieved from [URL]Google Scholar
Lavin, M.
(2001) Clean new world: Culture, politics, and graphic design. Cambridge, London: MIT Press. DOI logoGoogle Scholar
Lupton, E., & Miller, A.
(1996) Design writing research: Writing on graphic design. London: Phaidon.Google Scholar
Lupton, E.
(1996) Mixing messages: Graphic design in contemporary culture. New York: Princeton Architectural Press.Google Scholar
McCoy, K.
(2009) Typography as discourse. In H. Armstrong (Ed.), Graphic design theory: Readings from the field (pp. 81–83). New York: Princeton Architectural Press.Google Scholar
Northeastern University
(2016) Design for diversity: An IMLS national forum project [Online] Retrieved from [URL]
Oudshoorn, N., Neven, L., & Stienstra, M.
(2016) How diversity gets lost: Age and gender in design practices of information and communication technologies. Journal of Women & Aging, 28(2), 170–185. DOI logoGoogle Scholar
Poynor, R.
(2003) No more rules: Graphic design and postmodernism. London: Laurence King.Google Scholar
Ribeiro, D.
(2017) O que é lugar de fala? Belo Horizonte: Letramento, Justificando.Google Scholar
Spinillo, C. G.
(2012) Graphic and cultural aspects of pictograms: An information ergonomics viewpoint. Work, 41(Suppl 1), 3398–3403. DOI logoGoogle Scholar
Steinweber, P., & Koller, A.
(2007, June 30). Similar diversity [Online]. Retrieved from [URL]Google Scholar
West, E.
(2015, June 4). Signing for a gender neutral future. Two Twelve [Online]. Retrieved from [URL]Google Scholar