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Article published In:
International Journal of Chinese Linguistics
Vol. 7:1 (2020) ► pp.140–157

试论普通话声调的本调

——兼谈五度值记调法的性质

| Nankai University
本文提出对普通话声调描写的改进意见：把以单字调为基础的观念改为以连读调为基础。普通话的声调描写应为：阴平55、阳平35、上声11、去声53。理由可以有三点：1、连读调更接近于本调。2、单字调带有边界成分。3、连读调更接近实际语言交际。另外我们还找到两个理论依据。一个是麦迪森的平调定义，一个是赵元任的双数调原则。文章列出大量的声学和感知实验的证据来支持我们的意见。同时指出：普通话声调的这种轴对称结构表现出最大区别原理的最佳对立状态。讨论认为，五度值是一种半调值、半调位的记调法，具有相当的模糊性。实际语言中极少有分为五级调阶的。
Keywords: 普通话声调, 五度值记调法, 本调, 单字调, 连读调
Article outline
  • 1.单字调和连读调
    • 1.1连读调更接近于本调
    • 1.2单字调带有边界成分
    • 1.3连读调更接近实际语言交际
  • 2.平调定义和双数调原则
    • 2.1麦迪森的平调定义
    • 2.2赵元任的双数调原则
  • 3.对于本调的说明
    • 3.1阴平调
    • 3.2阳平调
    • 3.3上声调
      • 3.3.1上声本调
      • 3.3.2检验与证据
    • 3.4去声调
  • 4.声调系统的轴对称结构
  • 5.余论：五度值的性质
  • 笔记
  • 参考文献

Article language: Chinese

Published online: 30 June 2020
DOI logo
https://doi.org/10.1075/ijchl.00008.shi
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