Creative Dynamics

Diagrammatic strategies in narrative

Author

Christina Ljungberg | University of Zurich

Hardbound – Available

ISBN 9789027243478 | EUR 90.00 | USD 135.00

e-Book –

ISBN 9789027273222 | EUR 90.00 | USD 135.00

How do readers make sense of a picture, a photograph, or a map in literary narratives in which visual signs play a critical role? How do authors accomplish their various objectives in constructing such complex texts? What strategies and techniques do they use to project fictional worlds and to provide their readers with the means for orienting themselves there? This book investigates the dynamics of the imaginary diagrams created by cartographers, photographers, and writers of narratives, giving ample evidence of how mapping practices have inspired the imagination of a vast number of authors from Thomas More up to contemporary writers. A special focus is on the effects created by the projection of photographs into the narrative space, and how our seemingly effortless interpretation of photographs and even maps masks complex cognitive processes. The theoretical horizon of this study encompasses the fields of cartography, mental maps, iconicity research, and the spatial turn in cultural studies.

[Iconicity in Language and Literature, 11] 2012. vii, 190 pp.

Publishing status: Available

https://doi.org/10.1075/ill.11

Table of Contents

Preface | p. vii

Introduction | pp. 1–12

1. Mapping practices | pp. 13–40

2. Cartographic writing | pp. 41–66

3. Reading as remapping: Cartographic performances | pp. 67–94

4. Postcolonial mappings | pp. 95–116

5. Remapping the past: The case of photography | pp. 117–148

6. Cognitive approaches to textual interpretation | pp. 149–170

Author index | pp. 183–185

Subject index | pp. 187–190

“Christina Ljungberg offers a grand tour of mental spaces created by literary narratives. She explores the signs of real and imaginary territories as well as classical and contemporary depictions of rural, urban, and maritime realms. Ljungberg examines the devices of cartographic writing and discovers mappings and re-mappings in writings from Thomas More to postcolonial novelists. The analytic panorama resulting from her investigations give ample support to her main thesis, namely that imaginary spaces are mental diagrams.”

Winfried Nöth, PUC São Paulo

“This well-illustrated study brings together two fresh approaches for an understanding of the modern novel: iconicity studies and cartography. Casting new light on the role played by maps and photographs in fiction of the past three centuries, it is a pleasure to read.”

John J. White, King’s College London

“Too often, theory hangs in the air, swinging at a distance from any entanglement with concrete matters, while no less frequently singular texts and their historical settings are left unduly opaque because insufficiently theorized. In contrast, this book illuminates photography (light writing) and contextualizes cartography (‘map writing’) in an arresting manner. Christina Ljungberg stops readers in their tracks, forcing them to think anew about familiar topics and to consider carefully what is typically overlooked. But this book is itself a map of a complex terrain, hence a means by which we can orient ourselves to nothing less than the world of texts, maps, and photographs. It facilitates exploration, at every turn inviting us to take a path we would likely have missed but for the author's intimate familiarity with a vast landscape and, of equal relevance, her deft skill at cultural cartography.”

Vincent M. Colapietro, The Pennsylvania State University

“This fresh investigation of maps in fictional works makes clear how high-canon literature is multimodal, just as basic human communication is. Ljungberg clarifies the cognitive operations we use to make sense of verbal and visual diagrams in literature and culture. The result is a penetrating and insightful study at the intersection of cognitive science and the arts.”

Mark Turner, Case Western University

Cited by

Cited by 8 other publications

Order by:

Bushell, Sally

2020. Reading and Mapping Fiction,

Conley, Tom

2017. Deleuze and the Baroque diagram. In Dimensions of Iconicity [Iconicity in Language and Literature, 15],

Igl, Natalia

2019. Chapter 6. Framing the narrative. In Experiencing Fictional Worlds [Linguistic Approaches to Literature, 32], ► pp. 97 ff.

Ljungberg, Christina

2015. Cartosemiotics. In International Handbook of Semiotics, ► pp. 759 ff.

Pelkey, Jamin

2021. Zhuangzi, Peirce, and the butterfly dreamscape: concentric meaning in the Qiwulun 齊物論. Chinese Semiotic Studies 17:2 ► pp. 255 ff.

Pelkey, Jamin

2022. Tonal iconicity and narrative transformation. In Iconicity in Cognition and across Semiotic Systems [Iconicity in Language and Literature, 18], ► pp. 135 ff.

Smid, Robert

2018. On Cartographic Techniques in Literature. Zeitschrift für Anglistik und Amerikanistik 66:2 ► pp. 221 ff.

[no author supplied]

2013. Books of Critical Interest. Critical Inquiry 39:3 ► pp. 639 ff.

This list is based on CrossRef data as of 16 april 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects