Part of
Iconic InvestigationsEdited by Lars Elleström, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 12] 2013
► pp. v–viii
Edited by Lars Elleström, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 12] 2013
► pp. v–viii
Table of contents
List of contributors
Introduction: Instrumental and formal iconic signs
Part I. Iconicity and conceptualization
Iconicity by blending
The Bashō code: Metaphor and diagram in two haiku about silence
Iconicity in gotoochi-kitii ‘localized
Hello Kitty’
Grammar-internal mimicking and analogy
To draw a bow 引: A dimension of iconicity in metaphor variation at the level of linguistic instantiation
Spatiotemporal aspects of iconicity
Part II. Visual iconicity
From diagrams to poetry: Peircean iconicity and diagrammaticalization strategies in Klaus Høeck’s poetry
The iconized letter: Russian Cubo-Futurist and French Lettriste experiments
The semantics of structure: Iconicity in the poetry of William Carlos Williams and E. E. Cummings
Visual iconicity in Latin poetry
Shared and direct experiential iconicity in digital reading games: Interactivity’s implications in Weir’s Silent Conversation
Iconicity, intermediality, and interpersonal meanings in a Social Semiotic Space
Model and icon
Degrees of indetermination
in intersemiotic translation
Part III. Auditory iconicity
Sound, image and fake realism: Sound figures in audiovisuals
Opera, oratorio, and iconic strategies
On some iconic strategies in concept albums within the Italian singer-songwriter tradition: Storia di un impiegato (1973) by Fabrizio De André and Il giorno aveva cinque teste (1973) by Roberto Roversi and Lucio Dalla
Iconically expressible meanings in Proto-Indo-European roots and their
reflexes in daughter branches
The lexical iconicity hierarchy and its grammatical correlates
Author index
Subject index
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