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Operationalizing Iconicity
Edited by Pamela Perniss, Olga Fischer and Christina Ljungberg
[Iconicity in Language and Literature 17] 2020
► pp. 213–230

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Iconicity and systematicity in visual morphology

| University of British Columbia
| University of Arizona
| University of British Columbia
| University of British Columbia
| Tilburg University
Visual representations are an ideal place to look at the balance of iconicity and systematicity, given that visual images often look like what they represent but also can be characterized along a scale from highly photorealistic to highly schematic or cartoony. Here we examine the contrast between different styles by presenting participants with “visual morphology” of upfixes – representations like hearts or lightbulbs that float above faces – where the face and/or upfix are either cartoony or photorealistic. Overall, we find that cartoony images, relative to photorealistic images, are easier to process, and therefore demand less attention and facilitate responding. We argue that these results support the view that drawings, and visual morphology, draw on schematic knowledge stored in long-term memory.
Article outline
  • 1.Introduction
  • 2.Methods
    • 2.1Stimuli
    • 2.2Participants
    • 2.3Procedure
    • 2.4Data analysis
  • 3.Results
    • 3.1Accuracy
    • 3.2Response times
    • 3.3Eye-tracking: Dwell times
    • 3.4Eye-tracking: Number of fixations
    • 3.5Eye-tracking: Entry time
  • 4.Discussion
  • 5.Conclusion
  • References
Published online: 13 May 2020
DOI logo
https://doi.org/10.1075/ill.17.13ken
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Cited by (1)

Cited by one other publication

Cohn, Neil & Tom Foulsham
2022. Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji. Memory & Cognition 50:7 ► pp. 1381 ff. DOI logo

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