This paper is concerned with ‘Classical Art Memes’, a category of internet memes that distinctively derives its visual input from classical and medieval art. I specifically show that humor in Classical Art Memes arises from incongruity among different stylistic varieties, namely a colloquial linguistic expression in the text and a classical-style artwork in the image. Given that stylistic incongruity cross-cuts modalities, I further argue that Classical Art Memes make a case for what I call ‘multimodal stylistic humor’. The analysis is based on a small corpus of when-memes, whereby the image complements a when-clause. The findings of the study suggest that humor in Classical Art Memes serves to convey affective meanings that emerge from the embodied affect in the image that is textually recontextualized in contemporary terms. Such meanings ultimately convey a critical commentary on knowable features of modern life.
Archakis, Argiris, Sofia Lampropoulou, Villy Tsakona, and Vasia Tsami. 2014. “Linguistic varieties in style: Humorous representations in Greek mass culture texts.” Discourse, Context & Media 31: 46–55.
Attardo, Salvatore. 1994. Linguistic Theories of Humor. Berlin: Mouton de Gruyter.
Attardo, Salvatore. 2001. Humorous Texts: Α Semantic and Pragmatic Analysis. Berlin: Mouton de Gruyter.
Attardo, Salvatore. 2009. “A commentary on Antonopoulou and Nikiforidou.” In Cognitive Poetics: Goals, Gains and Gaps, ed. by Geert Brône, and Jeroen Vandaele, 315–317. Berlin: Mouton de Gruyter.
Bakhtin, Mikhail. 1986. Speech Genres and Other Late Essays (trans. by Vern W. McGee). Austin: University of Texas Press.
Burgress, Jean. 2007. “Vernacular creativity and new media.” Unpublished PhD dissertaion, Queensland University of Technology. [URL] (accessed 8 August 2018).
Dancygier, Barbara, and Eve Sweetser. 2014. Figurative Language. Cambridge: Cambridge University Press.
Dancygier, Barbara, and Lieven Vandelanotte. 2017. “Internet memes as multimodal constructions.” Cognitive Linguistics 28(3): 565–598.
Davis, Corey B., Mark Glantz, and David R. Novak. 2016. “‘You can’t run your SUV on cute. Let’s go!’: Internet memes as delegitimizing discourse.” Environmental Communication 10(1): 62–83.
Dawkins, Richard. 1976. The Selfish Gene. Oxford: Oxford University Press.
Ekman, Paul. 1989. “The argument and evidence about universals in facial expressions of emotion.” In Handbook of Social Psychophysiology, ed. by Hugh Wagner, and Antony Mansted, 143–164. New York: John Wiley.
Fairclough, Norman. 1992. Discourse and Social Change. Cambridge: Polity Press.
Gal, Noam, Limor Shifman, and Zohar Kampf. 2013. “‘It Gets Better’: Internet memes and the construction of collective identity.” New Media and Society 17(1): 1–17.
Gendron, Maria, Debi Roberson, Jacoba Marietta van der Vyver, and Lisa Fieldman Barrett. 2014. “Perceptions of emotion from facial expressions are not culturally universal: Evidence from a remote culture.” Emotion 14(2): 251–262.
Herring, Susan. 2007. “A faceted classification scheme for computer-mediated discourse.” Language@Internet 41, article 1. [URL] (accessed 8 May 2018).
Jack, Rachel, Oliver Garrod, Hui Yu, Roberto Caldara, and Philippe Schyns. 2012. “Facial expressions of emotion are not culturally universal.” Proceedings of the National Academy of Sciences of the United States of America 109(19): 7241–7244.
Knobel, Michele, and Colin Lankshear. 2007. “Online memes, affinities, and cultural production.” In A New Literacies Sampler, ed. by Michele Knobel, and Colin Lankshear, 199–227. New York: Peter Lang.
Kövecses, Zoltán. 2000. Metaphor and Emotion: Language, Culture, and Body in Human Feeling. Cambridge: Cambridge University Press.
Milner, Ryan M.2013. “Pop polyvocality: Internet memes, public participation, and the Occupy Wall Street movement.” International Journal of Communication 71: 2357–2390.
Norrick, Neal. 1989. “Intertextuality in humor.” Humor 2(2): 117–139.
Partington, Alan Scott. 2006. The Linguistics of Laughter: A Corpus-Assisted Study of Laughter-Talk. Abingdon: Routledge.
Raivio, Oskari. 2016. “Classical Art Memes as an affinity space. A faceted classification on an online entertainment page.” MA thesis, University of Helsinki. [URL] (accessed 18 August 2017).
Ross, Andrew S., and Damian J. Rivers. 2017. “Digital cultures of political participation: Internet memes and the discursive delegitimization of the 2016 U.S presidential candidates.” Discourse, Context & Media 161: 1–11.
Shifman, Limor. 2007. “Humor in the age of digital reproduction: Continuity and change in internet-based comic texts.” International Journal of Communication 11: 187–209.
Shifman, Limor. 2011. “An anatomy of a YouTube meme.” New Media and Society 14(2): 187–203.
Shifman, Limor. 2013. “Memes in a digital world: Reconciling with a conceptual troublemaker.” Journal of Computer-Mediated Communication 18(3): 362–377.
Shifman, Limor. 2014. Memes in Digital Culture. Cambridge, MA: MIT Press.
Soriano, Salinas, Fontaine Johnny Cristina, and Klaus Scherer. 2015. “Surprise in the GRID.” Review of Cognitive Linguistics 13(2): 436–460.
Stryker, Cole. 2011. Epic Win for Anonymous: How 4chan’s Army Conquered the Web. New York: Overlook Duckworth.
Tsakona, Villy. 2009. “Language and image interaction in cartoons: Towards a multimodal theory of humor.” Journal of Pragmatics 41(6): 1171–1188.
Tsakona, Villy. 2018. “Intertextuality and/in political jokes.” Lingua 2031: 1–15.
Wiggins, Bradley E., and Bret G. Bowers. 2014. “Memes as genre: A structurational analysis of the memescape.” New Media and Society 17(11): 1886–1906.
2023. Effects and perception of multimodal recontextualization in political Internet memes. Evidence from two online experiments in Austria. Frontiers in Communication 7
2023. ¿Cómo se representa la guerra entre Rusia y Ucrania en Twitter? Análisis retórico de los memes más populares. Palabra Clave 26:2 ► pp. 1 ff.
Hietala, Iida
2023. Nurturing an aesthetic tribe: Consuming and (re)producing ‘Quarantine Art’. Marketing Theory 23:2 ► pp. 295 ff.
Sampietro, Agnese
2023. El auge de los ‘stickers’ en WhatsApp y la evolución de la comunicación digital. Círculo de Lingüística Aplicada a la Comunicación 94 ► pp. 271 ff.
Yus, Francisco
2023. Meme-Mediated Humorous Communication. In Pragmatics of Internet Humour, ► pp. 245 ff.
Khustenko, A. A.
2022. Specificity of Semiotic Organization of Internet Memes of Professional Community of Lawyers in Social Networks. Nauchnyi dialog 11:4 ► pp. 258 ff.
Vlachou, Sofia & Michail Panagopoulos
2022. An Examination of Classical Art Impact and Popularity through Social Media Emotion Analysis of Art Memes and Museum Posts. Information 13:10 ► pp. 468 ff.
2021. Proceedings of the 2021 International Conference on Multimodal Interaction, ► pp. 773 ff.
Stwora, Anna
2021. On the Popcultural Life of Historical Works of Art in Humorous Advertising. Świat i Słowo 36:1 ► pp. 167 ff.
Tsakona, Villy & Vasia Tsami
2021. “Did you hear the crunch sound?”: Humor and metapragmatic stereotypes in the Greek Master Chef contest. Journal of Pragmatics 172 ► pp. 197 ff.
Vásquez, Camilla & Erhan Aslan
2021. “Cats be outside, how about meow”: Multimodal humor and creativity in an internet meme. Journal of Pragmatics 171 ► pp. 101 ff.
Wagener, Albin
2021. The Postdigital Emergence of Memes and GIFs: Meaning, Discourse, and Hypernarrative Creativity. Postdigital Science and Education 3:3 ► pp. 831 ff.
This list is based on CrossRef data as of 18 october 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers.
Any errors therein should be reported to them.