“Diversity is a code word. And what it means is white genocide!”
The cinematic representation of neofascist rhetoric in four dramatic race-related films
Maria Bourou | National and Kapodistrian University of Athens
Although the language of extreme nationalism has been well-investigated, no studies have been concerned with the
cinematic representation of racism. This article discusses the most prominent rhetorical strategies employed by neofascist
characters in four race-related movies. Adopting a CDA perspective, it examines instances of hate speech targeted at minorities
and identifies how immigrants and other social groups are constructed as antagonistic. Direct verbal attacks against minorities
were found to be particularly humiliating due to the recurrent use of racial slurs, culture-specific stereotypes, directives and
contemptuous remarks targeting the immigrants’ background. Deemed to possess an innate inclination to criminality, immigrants were
presented as a threat to white rights, jobs and public safety. Modern multicultural environments, resembling dystopias, were
characterised as the ideal places within which unlawfulness could thrive. The government was held responsible for abandoning the
native population that was inflicted by ‘anti-white racism’. Finally, xenophobia and antisemitism intersected with gender-related
bias.
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Cited by
Cited by 1 other publications
Römer-Pieretti, Max, Julio Montero-Díaz & Elias Said-Hung
2023. The Semiotics of Xenophobia and Misogyny on Digital Media. In News Media and Hate Speech Promotion in Mediterranean Countries [Advances in Media, Entertainment, and the Arts, ], ► pp. 111 ff.
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