Article published in:
Discourse Theory: Ways forward for theory development and research practice
Edited by Benjamin De Cleen, Jana Goyvaerts, Nico Carpentier, Jason Glynos, Yannis Stavrakakis and Ilija Tomanić Trivundža
[Journal of Language and Politics 20:1] 2021
► pp. 145161
Derrida, Jacques
1976Of Grammatology. London: Johns Hopkins University Press.Google Scholar
1988Limited Inc. Evanston: Northwestern University Press.Google Scholar
2002Without Alibi. Stanford: Stanford University Press.Google Scholar
2007 “A Certain Impossible Possibility of Saying the Event.” Critical Inquiry 33(2): 441–461. CrossrefGoogle Scholar
Griffin, Michael
1999 “The Great War Photographs.” In Picturing the Past, ed. by Bonnie Brennen and Hanno Hardt, 121–157. Urbana: University of Illinois Press.Google Scholar
2012 “Images from Nowhere: Visuality and News in 21st Century Media.” In Visual Cultures: A Transatlantic Perspective, ed. by Volker Depkat and Meike Zwingenberger, 159–189. Heidelberg: Universitaetsverlag Winter.Google Scholar
Hariman, Robert, and John Lucaites
2007No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy. Chicago: University of Chicago Press.Google Scholar
Laclau, Ernesto
1990New Reflections on the Revolution of Our Time. London: Verso.Google Scholar
1996 “The Death and Resurrection of the Theory of Ideology.” Journal of Political Ideologies 1(3): 201–220. CrossrefGoogle Scholar
2007Emancipation(s). London: Verso.Google Scholar
Laclau, Ernesto, and Chantal Mouffe
1985Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. London: Verso.Google Scholar
Lucy, Niall
2004A Derrida Dictionary. New York: Wiley. CrossrefGoogle Scholar
Machin, David
2004 “Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media.” Visual Communication 3(3): 316–336. CrossrefGoogle Scholar
Machin, David, and Adam Jaworski
2006 “Archive Video Footage in News: Creating Likeness and Index of the Phenomenal World.” Visual Communication 5(3): 354–366. CrossrefGoogle Scholar
Perlmutter, David
1998Photojournalism and Foreign Policy: Icons of Outrage in International Crises. London: Praeger.Google Scholar
Sekula, Allan
1982 “On the Invention of Photographic Meaning.” In Thinking Photography, ed. by Victor Burgin, 84–109. Houndmills: Macmillan. CrossrefGoogle Scholar
Stavrakakis, Yannis
1999Lacan and the Political. London: Routledge.Google Scholar
Šumič, Jelica
2004 “Anachronism of Emancipation or Fidelity to Politics.” In Laclau: A Critical Reader, ed. by Simon Critchley and Oliver Marchart, 182–198. London: Routledge.Google Scholar
Tomanić Trivundža, Ilija
2015Press Photography and Visual Framing of News. Ljubljana: Fakulteta za družbene vede.Google Scholar
Vezvonik, Andreja, and Ljiljana Šarić
2020 “Subjectless Images: Visualization of Migrants in Croatian and Slovenian Public Broadcasters’ Online News.” Social Semiotics 30(2): 168–190. CrossrefGoogle Scholar
Vobič, Igor, and Ilija Tomanić Trivundža
2015 “The Tyranny of the Empty Frame.” Journalism Practice, 9(4): 502–519. CrossrefGoogle Scholar
Waisbord, Silvio
2018 “The Elective Affinity between Post-truth Communication and Populist Politics.” Communication Research and Practice 4(1): 17–34. CrossrefGoogle Scholar
Zarzycka, Marta, and Martijn Kleppe
2013 “Awards, Archives, and Affects: Tropes in the World Press Photo Contest 2009–11.” Media, Culture & Society 35(8): 977–995. CrossrefGoogle Scholar
Zelizer, Barbie
2007 “On ‘Having Been There’: ‘Eyewitnessing’ as a Journalistic Key Word.” Critical Studies in Media Communication 24(5): 408–428. CrossrefGoogle Scholar
2010About to Die: How News Images Move the Public. New York: Oxford University Press.Google Scholar
Cited by

Cited by 1 other publications

De Cleen, Benjamin, Jana Goyvaerts, Nico Carpentier, Jason Glynos & Yannis Stavrakakis
2021. Moving discourse theory forward. Journal of Language and Politics 20:1  pp. 22 ff. Crossref logo

This list is based on CrossRef data as of 27 april 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.