‘If you see [blank], say [blank]’
From something to /something/
The September 11 terrorist attacks emerged as a turning point on security standards, contouring many aspects of
public life ever after. Two decades later, the see something, say something campaign stands as one of the New
York City trademarks. Its ubiquity across subway platforms intends to raise public awareness by transferring security
responsibilities to the general public.
Language is neither innocent nor merely instrumental, any more than is not neutral. This paper disentangles the
construction of something in the current context, where the elusive definition of terrorism has enabled distorted
perceptions of risk and certainty. The paper adopts a multimodal critical discourse analysis, focusing on the campaign’s use of
ambiguity and its lexical and semiotic choices. Ultimately, it intends to crystallize how language resonates with a broader
preemptive and never-ending War on Terror rhetoric while paving the way to further analyze the activation of the target of this
campaign: you.
Article outline
- 1.Introduction
- 1.1The subway as a public policy target
- 2.Materials and methods
- 3.The construction of something
- 3.1From context to language; from language to context
- 3.2Semantic vs. poetic meanings
- 3.3A forward-looking, never-ending preemption
- 3.4From something to something
- 4.Discussion
- Conflicts of interest: None to declare
- Acknowledgments
- Note
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References