Part of
Cognitive Grammar in LiteratureEdited by Chloe Harrison, Louise Nuttall, Peter Stockwell and Wenjuan Yuan
[Linguistic Approaches to Literature 17] 2014
► pp. 83–100
Edited by Chloe Harrison, Louise Nuttall, Peter Stockwell and Wenjuan Yuan
[Linguistic Approaches to Literature 17] 2014
► pp. 83–100
Chapter 6. Constructing a text world for The Handmaid’s Tale
Cited by
Cited by 10 other publications
Harrison, Chloe
2017. Finding Elizabeth: Construing memory inElizabeth Is Missingby Emma Healey. Journal of Literary Semantics 46:2 ► pp. 131 ff. 
2020. ‘The truth is we’re watching each other’: Voiceover narration as ‘split self’ presentation inThe Handmaid’s Tale TV series. Language and Literature: International Journal of Stylistics 29:1 ► pp. 22 ff.
Harrison, Chloe & Louise Nuttall
2019. Chapter 8. Cognitive grammar and reconstrual. In Experiencing Fictional Worlds [Linguistic Approaches to Literature, 32], ► pp. 135 ff.
Montoro, Rocío
2015. The Year’s Work in stylistics 2014. Language and Literature: International Journal of Stylistics 24:4 ► pp. 355 ff.
Norledge, Jessica
2021. Chapter 3. Modelling an unethical mind. In Style and Reader Response [Linguistic Approaches to Literature, 36], ► pp. 43 ff.
2022. Reading Dystopian Minds. In The Language of Dystopia [Palgrave Studies in Language, Literature and Style, ], ► pp. 93 ff.
2022. Building Dystopian Worlds. In The Language of Dystopia [Palgrave Studies in Language, Literature and Style, ], ► pp. 61 ff.
Panagiotidou, Maria-Eirini
2022. Paradise lost: Cognitive grammar, nature, and the self in Diane Seuss’s ekphrastic poetry. Journal of World Languages 8:3 ► pp. 623 ff.
Rundquist, Eric
2020. The Cognitive Grammar of drunkenness: Consciousness representation inUnder the Volcano. Language and Literature: International Journal of Stylistics 29:1 ► pp. 39 ff.
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