Chapter published in:Style, Rhetoric and Creativity in Language: In memory of Walter (Bill) Nash (1926-2015)
Edited by Paul Simpson
[Linguistic Approaches to Literature 34] 2019
► pp. 101–112
Chapter 6Discourse presentation and point of view in “Cheating at Canasta” by
This chapter examines the closing section of William Trevor’s short story, “Cheating at Canasta” (2007). Focussing on shifts in narrative viewpoint in the passage, the chapter teases out the complex transitions in viewpoint features, showing how Mallory, the story’s focaliser, engages in changing perceptions of, and reactions to, his immediate environment. Viewpoint transitions at the level of narrative style, it is argued, engender parallel shifts in the character’s changing cognitive purview, including memory, response and flashback as well as his internal assumptions and hypotheses. The author shows how a subtle understanding of the passage (and indeed the story as a whole) can enable an appreciation of the quality of the writing, concluding that stylistic analyses help to show not just how we understand literary texts but also why and how we appreciate them.
Keywords: focaliser, politeness, speech presentation, text worlds, thought presentation, turn taking
- 1.1The text
- 2.Stylistic analysis
- 2.1Textual proportions devoted to external narration, speech presentation and a combination of internal narration and thought presentation.
- 2.2Speech presentation
- 2.3Viewpoint, internal text-world variation and thought presentation
- 3.Concluding remarks
Published online: 28 November 2019
Semino, E. & Short, M.
Cited by 1 other publications
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