Table of contents
List of tablesix
Preface
Part 1. Introduction
1. An orientation
2. Similarities and differences across the psychology of art
3. Competing psychological approaches to the arts: Clinical and scientific
4. The status of the scientific psychology of art
Part 2. The psychology of literature: An overview
5. The psychology of literature: Comparisons with other psychologies of art
6. A scientific psychology of literary content: Obstacles and steps towards a solution
Part 3. The psychological relevance of brief literary forms
7. Poetry, autobiographies, and titles: Their contribution to cognition, creativity, and physiognomic perception
8. Literary names, indices, and clichés: Their contribution to physiognomic perception, emotions, and thinking
9. Quotations: Their psychological usefulness
Part 4. The psychological content of quotations: Person perception and attitudes to aging
10. Person perception and the psychological attributes of the body
11. A study of quotations on the psychological implications of the body
12. Prologue: Aging and the arts
13. Aging’s memorable lines: A study of quotations about growing old
14. The preoccupations of aging: The subject matter of quotations
15. Evaluations of aging in quotations
Part 5. Conclusion
16. Implications of a content-oriented psychology of literature
Notes
References cited
Index
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