Chapter 11
“Getting personal with you”
Affect and authenticity in confessional videos of YouTube
lifestyle and beauty influencers
Since the Middle Ages, confession has been one
of the ‘most highly valued techniques for producing truth’ (Foucault 1978). While
confessional monologues have been researched in reality TV discourse
(Lorenzo-Dus 2009;
Tolson 2006), the
communicative potential of confessional talk for Social Media
Influencers has been largely underexplored. This chapter aims to
fill this gap by exploring confession as a distinct genre in the
communicative repertoire of lifestyle and beauty YouTubers. In this
regard, we first map this genre in terms of its key themes, formal
features and media production choices. Drawing on Giaxoglou’s (2021) notion
of affective positioning, we also examine how the influencers and
their audiences are affectively positioned in the discourse of
confessional videos through the deployment of verbal, non-verbal, as
well as other material (camera) and graphic (emojis) resources. We
conclude this chapter by demonstrating how this type of positioning
intersects with the production of an authentic selfhood on
YouTube.
Keywords: confession, affect, authenticity, YouTube, (affective) positioning, intimacy, vulnerability, multimodality, lifestyle and beauty influencers, social media influencers, content creators
Article outline
- 1.Introduction
- 2.Confessional talk, emotion and authenticity
- 3.Collecting and analysing confessional videos
- 4.Confessional videos as a genre
- 5.Getting personal with you
- 5.1Conflicting characters: Vulnerable Amy vs. Exploitative Amy
- 5.2Affective tellers and supportive listeners
- 5.3Affective reactions from benevolent confessors
- 6.I’m burnt out
- 6.1Conflicting characters: Professional/Fake Amy vs. Personal/True Amy
- 6.2Affective/authentic tellers and intimate listeners
- 6.3Ventriloquising the confessor’s affective reactions
- 7.The affective self and “self authenticity”
- 8.Conclusion: Displaying affect in pursuit of authenticity
-
Notes
-
References
This content is being prepared for publication; it may be subject to changes.