Article published in:
Distributed LanguageEdited by Stephen J. Cowley
[Pragmatics & Cognition 17:3] 2009
► pp. 596–610
Languaging in Shakespeare’s theatre
Evelyn Tribble | University of Otago
The enshrinement of William Shakespeare’s plays in printed editions has led to the assumption that they were performed with an ideal of exact verbatim reproduction of the language. Evidence drawn from alternative versions of the plays circulating in Shakespeare’s lifetime and from our knowledge of the material practices of playing in early modern England presents us with a very different picture. Performing practices in this period were marked by a tension between improvisational here-and-now languaging practices, including the use of gesture in playing, and a new set of expectations based upon an emergent conception of plays as written documents.
Keywords: gesture, distributed language, theatre, Shakespeare, written language bias
Published online: 02 December 2009
https://doi.org/10.1075/pc.17.3.06tri
https://doi.org/10.1075/pc.17.3.06tri
Cited by
Cited by 1 other publications
Worgan, Simon F.
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