Dinda L. Gorlée | John Benjamins

Gorlée, Dinda L. 2006 Marshall, Gottfried R., dir. 2004. La traduction des livrets: Aspects théoriques, historiques et pragmatiques Heterolingualism in/and Translation, Meylaerts, Reine (ed.), pp. 191–195 | Review

Gorlée, Dinda L. 2004 Sallis, John. 2002. On translation Target 16:1, pp. 166–169 | Review

Heikkinen, Heidi and Dinda L. Gorlée 2003 Linde, Zoé De & Neil Kay. 1999. The semiotics of subtitling Target 15:1, pp. 193–195 | Review

Gorlée, Dinda L. and Louise W. Rayar 1999 Šarćevič, Susan. 1997. New Approach to Legal Translation Target 11:2, pp. 383–388 | Review

Gorlée, Dinda L. and Louise W. Rayar 1998 Morris, Marshall, ed. 1995. Translation and the Law Target 10:1, pp. 178–182 | Review

Gorlée, Dinda L. 1997 Intercode Translation: Words and Music in Opera Target 9:2, pp. 234–269 | Article

Opera is a synchronization of different media of artistic expression, with a dual emphasis on music and drama. Operatic scholarship has voiced different views on the fusion of verbal and musical discourse, the two extremes being logocentrism and musicocentrism. The interlingual translation of the… read more

Gorlée, Dinda L. and Arjan van Baest 1997 Kaindl, Klaus. 1995. Die Oper als Textgestalt: Perspektiven einer interdisziplinären Übersetzungswissenschaft Target 9:2, pp. 374–378 | Review

Gorlée, Dinda L. 1989 Wittgenstein, Translation, and Semiotics Target 1:1, pp. 69–94 | Article

Wittgenstein discusses interlingual and intersemiotic translation, both in its own right and, more often, as an object of comparison. In his Tractatus Logico-Philosophicus (1922), he puts forth a pictorial view which can be construed in Saussurian terms. This rule-governed notion of translation is,… read more