In this paper, I investigate how the structure of and discursive performance on North American YouTube eating shows contribute to the creation of intimacy and informality. In a typical eating show, the performer eats copious amounts of food while talking to their non-copresent audience, making… read more
This editorial introduction establishes the theoretical basis for the special issue Formality and Informality in Online Performances with a focus on (in)formality, Goffman’s (1959) notion of front– and backstage and the internet as a stage, as well as the performance of self. Further attention… read more
In this chapter, we examine how pick-up artists (PUAs; a male community preoccupied with interacting with women) talk about women in their online discourse. To this end, we take and test three approaches: (1) introspection and elicitation, (2) manual tagging of a small specialized corpus, and… read more
This paper analyzes fronting constructions in spoken Korean(ized) English. Non-canonical syntax is an important means of structuring discourse, but its use by speakers of Expanding Circle Englishes has so far received only insufficient attention in studies of World Englishes. Taking a… read more
In this chapter, I investigate discursive practices in
eating shows, so-called Mukbang, on YouTube.
Originally a South Korean phenomenon, the object of this study are
the globalized, Anglophone, and asynchronous instantiations of these
shows. Based on a corpus of English-language eating shows,… read more