Aspects of Góngora's 'Soledades'
This study of Góngora’s Soledades is intended to summarize and discuss some of the problems which seemed important for a better understanding of these poems. Special attention is paid to the two opposing ‘camps’ that developed over time; one mainly focussing on the form and the other on the content of Soledades. In this volume the authors tries to integrate the methods and results of both of the ‘camps’.
[Purdue University Monographs in Romance Languages, 1] 1980. iv, 139 pp.
Publishing status: Available
© John Benjamins Publishing Company
Table of Contents
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Preface
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ix–xiii
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Introduction
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1–8
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1. Towards a poetics of the soledades
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9–55
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2. Two modes of contradiction in the soledades
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57–79
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3. The architecture of time
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81–113
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Notes
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115–132
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Bibliography
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133–139
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Cited by
Cited by other publications
Cardoso, Humberto Huergo
2010. Algunos lugares oscuros de lasSoledadesde Góngora. Notas sobre el pasaje de la cetrería.
Bulletin of Hispanic Studies 87:1 ► pp. 17 ff. 
Chemris, Crystal
2010. Violence and the Trajectory of Early Modern Subjection inLazarillo de Tormes,Fuenteovejuna, and theSoledades.
Symposium: A Quarterly Journal in Modern Literatures 64:2 ► pp. 105 ff.
David T. Gies
2005.
In The Cambridge History of Spanish Literature,
Pueyo Zoco, Víctor
2012. SOBRE LA CATEGORÍA DEL “MEDIADOR EVANESCENTE”: PÍCAROS, BUFONES Y PROSTITUTAS EN EL UMBRAL DE LA MODERNIDAD.
Journal of Spanish Cultural Studies 13:2 ► pp. 149 ff.
Read, Malcolm K.
2013. Further thoughts on the history of the unconscious: Sor Juana Inés de la Cruz.
Journal of Iberian and Latin American Studies 19:2 ► pp. 159 ff.
Taylor, Claire
2019.
In Electronic Literature in Latin America,
► pp. 153 ff.
This list is based on CrossRef data as of 06 november 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.
Subjects
Literature & Literary Studies
BIC Subject: DSB – Literary studies: general
BISAC Subject: LIT000000 – LITERARY CRITICISM / General