Regressive cross-linguistic influence in multilingual speech
rhythm
The role of language similarity
While previous work on multilingual speech rhythm has
found evidence of progressive cross-linguistic
influence of a first or second language (L1, L2) on a
third language (L3), regressive cross-linguistic influence (rCLI) in
rhythm remains understudied. In the current study, we tested the
roles of order
of acquisition and of language similarity in shaping
rCLI from syllable-timed Spanish as L3 to
stress-timed English and German as
L1/L2. In a picture narration task, adult sequential trilinguals (L1 English-L2 German-L3 Spanish, L1
German-L2 English-L3 Spanish) and sequential bilingual controls (L1
English-L2 German, L1 German-L2 English) produced semi-spontaneous
speech in each of their languages, which was analyzed
in terms of the rhythm metric VarcoV. Results showed
evidence of rCLI in English (the typologically more similar language
to Spanish) but no evidence of rCLI in German; however, rCLI in
English was found only when English was the L1. On the basis of
these findings, we propose the Similarity Convergence
Hypothesis (SCH), which claims that previously acquired
languages that are more similar to a later-acquired language are
relatively more vulnerable to rCLI from this
language.
Keywords: speech rhythm, cross-linguistic influence, regressive cross-linguistic influence, speech production, prosody, English, German, Spanish, VarcoV, cross-linguistic similarity, order of acquisition
Article outline
- 1.Introduction
- 2.Background
- 2.1Phonological rCLI
- 2.2Speech rhythm
- 2.2.1Acquisition of rhythm
- 2.2.2Rhythm metrics
- 2.3Research question and hypotheses
- 3.Methods
- 3.1Participants
- 3.2Materials and procedure
- 3.3Acoustic analysis
- 4.Results
- 4.1L3 Spanish rhythm
- 4.2rCLI in English
- 4.3rCLI in German
- 5.Discussion
- 6.Conclusion
-
References
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