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eight German poems, completed an underlining task, and filled out a brief questionnaire. Results show that these target features
are clearly of importance for readers’ perception of pronounced levels of joy and sadness. Words featuring alliteration, assonance
or consonance were significantly more often underlined as distinctively joyful than were words that lack these features. Our study
shows also that words that feature a dominant stress peak and are placed in more advanced positions within the poems were more
likely to be identified as emotional (distinctively joyful and sad) when compared to words in earlier and unstressed
positions.
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Cited by (9)
Cited by nine other publications
Crone, J. H.
2023. Free Verse and Prose Rhythm. Poetics Today 44:3 ► pp. 325 ff.
Richter, Sandra, Toni Bernhart, Felix Dieterle, Gabriel Viehhauser, Gunilla Eschenbach, Jonas Kuhn, Nadja Schauffler, André Blessing, Markus Gärtner, Kerstin Jung, Nora Ketschig, Anna Kinder, Julia Koch, Thang Vu & Andreas Kozlik
2023. Der Klang der Lyrik. Poema: Jahrbuch für Lyrikforschung / Annual for the Study of Lyric Poetry / La recherche annuelle en poésie lyrique :1 ► pp. 39 ff.
Nikolsky, Aleksey
2020. “Talking Jew’s Harp” and Its Relation to Vowel Harmony as a Paradigm of Formative Influence of Music on Language. In The Origins of Language Revisited, ► pp. 217 ff.
Postarnak, Svetlana, São Luís Castro & Susana Silva
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