Article published In:
Translation in the Theatre
Edited by Cristina Marinetti
[Target 25:3] 2013
► pp. 365384
References
Agamben, Giorgio
1998Homo Sacer: Sovereign Power and Bare Life. Stanford: Stanford University Press. DOI logoGoogle Scholar
Barber, Karin
2003 “Text and Performance in Africa.” Bulletin of the School of Oriental and African Studies 6 (3): 324–333. DOI logoGoogle Scholar
Barthes, Roland
1974S/Z. An Essay. Translated by Richard Miller. New York: Hill and Wang.Google Scholar
Benjamin, Walter
1994The Correspondence of Walter Benjamin, ed. by Gershom Scholem, and Theodor Adorno. Chicago: University of Chicago Press.Google Scholar
Berman, Antoine
1992 “Translation and the Trials of the Foreign.” Translated by Lawrence Venuti. In The Translation Studies Reader, ed. by Lawrence Venuti, 284–297. London and New York: Routledge.Google Scholar
2000The Experience of the Foreign: Culture and Translation in Romantic Germany. Translated by S. Heyvaert. Albany: University of New York Press.Google Scholar
Budick, Sanford, and Wolfgang Iser
(eds) 1996The Translatability of Cultures. Configuratons of the Space Between. Stanford: Stanford University Press.Google Scholar
Calderón de la Barca, Pedro
1991The Painter of his Dishonour. Translated by A.K.G. Paterson. Warminster: Aris & Phillips.Google Scholar
1995The Painter of Dishonour. Translated by David Johnston, and Laurence Boswell. Bath: Absolute Classics.Google Scholar
Certeau, Michel de
1988The Writing of History. New York: Columbia University Press.Google Scholar
Conquergood, Dwight
2002 “Performance Studies. Interventions and Radical Research.” TDR/The Drama Review 46 (2): 145–156.   DOI logoGoogle Scholar
Crimp, Martin
2009 “Playwright to Playwright: Mart in Crimp meets Molière.” The Guardian 14 December.Google Scholar
Cronin, Michael
2003Translation and Globalization. London and New York: Routledge.Google Scholar
Fawcett, Antoinette, Karla L. Guadarrama García, and Rebecca Hyde Parker
(eds) 2010Translation: Theory and Practice in Dialogue. London and New York: Continuum.Google Scholar
Fauconnier, Giles, and Mark Turner
2002The Way We Think: Conceptual Blending and the Mind's Complexities. New York: Basic Books.Google Scholar
Frayn, Michael
2008Stage Directions: Writing on Theatre 1970–2008. London: Faber and Faber.Google Scholar
García Lorca, Federico
1999The House of Bernarda Alba. Translated by John Edmunds. Oxford: Oxford World's Classics.Google Scholar
1999 Unpublished script of The House of Bernarda Alba. Translated by Frank McGuinness. Lyric Theatre, Belfast.Google Scholar
Gumbrecht, Hans Ulrich
1997In 1926. Living at the Edge of Time. Cambridge, Mass. and London: Harvard University Press.Google Scholar
Hare, David
1991Writing Left-Handed. London: Faber & Faber.Google Scholar
Jackson, Shannon
2004Professing Performance. Theatre in the Academy from Philology to Performativity. Cambridge: Cambridge University Press.   DOI logoGoogle Scholar
Johnston, David
2010 “Metaphor and Metonymy: The Translator-Practitioner's Visibility.” In Staging and Performing Translation: Text and Theatre Practice, ed. by Roger Baines, Cristina Marinetti, and Manuela Perteghella, 11–30. Basingstoke: Palgrave Macmillan.Google Scholar
Kearney, Richard
2003Strangers, Gods and Monsters. Interpreting Otherness. London and New York: Routledge.Google Scholar
Kelly, Stephen
2012 “An Absence of Ghosts: Cultural and Theatrical Translation in the British Reception of The Mysteries-Yiimimangaliso.” Quaderns: revista de traducció 191: 69–75.Google Scholar
Murdoch, Iris
1978The Sea, The Sea. London: Chatto & Windus.Google Scholar
Needham, Alex
2012 “Theatres Taking Fewer Risks as Funding Dries Up, Warn Playwrights.” The Guardian 19 February.Google Scholar
Pavis, Patrice
1992Theatre at the Crossroads of Culture. London and New York: Routledge.   DOI logoGoogle Scholar
Ricoeur, Paul
2006On Translation. Translated by Eileen Brennan. Abingdon and New York: Routledge.Google Scholar
Robinson, Douglas
2001Who Translates: Translator Subjectivities Beyond Reason. Albany: State University of New York Press.Google Scholar
States, Bert O
1975Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California Press.Google Scholar
Steiner, George
1975After Babel. Aspects of Language and Translation. Oxford: Oxford University Press.Google Scholar
Taves, Ann
2011 “Brain-Mind.” In “Key Words in Material Religion.” Material Religion; The Journal of Objects, Art and Belief 7 (1): 26–33.   DOI logoGoogle Scholar
Tornqvist, Egil
1991Transposing Drama. Studies in Representation. London: Palgrave Macmillan. DOI logoGoogle Scholar
de Vega, Lope
1992Two Plays. The Great Pretenders and The Gentleman from Olmedo. Translated by David Johnston. Bath: Absolute Classics.Google Scholar
2004 Unpublished script of The Gentleman from Omedo. Translated by David Johnston. Newbury: Watermill Theatre.Google Scholar
Waisman, Sergio
2005Borges and Translation. The Irreverence of the Periphery. New Jersey: Associated University Presses.Google Scholar
Zatlin, Phyllis
2005Theatre Translation and Film Adaptation: A Practitioner's View. Clevedon: Multilingual Matters. DOI logoGoogle Scholar
Zito, Angela
2011 “Body.” In “Key Words in Material Religion.” Material Religion; The Journal of Objects, Art and Belief 7 (1): 15–25.Google Scholar
Cited by

Cited by 8 other publications

Chacón, María Del Mar González
2023.  ‘Walking the boundaries’: Lynne Parker’s unpublished version of Federico García Lorca’s La Casa de Bernarda Alba . Studies in Theatre and Performance 43:3  pp. 325 ff. DOI logo
Grass, Delphine
2023. Translation as Creative–Critical Practice, DOI logo
Marcoux, Danièle
2019. Vidal Claramonte, Carmen África (2017) : « Dile que le he escrito un blues », Del texto como partitura a la partitura como traducción en la literatura latinoamericana. Madrid : Iberoamericana/Vervuert, 186 p.. Meta: Journal des traducteurs 64:2  pp. 562 ff. DOI logo
Martínez Pleguezuelos, Antonio Jesús
2021. Translating the queer body. Babel. Revue internationale de la traduction / International Journal of Translation 67:1  pp. 99 ff. DOI logo
Tarantini, Angela Tiziana
2021. Setting the Scene. In Theatre Translation,  pp. 11 ff. DOI logo
Vassallo, Helen
2022. The retranslation pact: Performability and “writing forward” in Darina Al Joundi’sThe Day Nina Simone Stopped Singing. Translation Studies 15:2  pp. 188 ff. DOI logo
Vidal Claramonte, M. Carmen África
Wells, Naomi
2018. Translanguaging and Collaborative Creative Practices: Communication and Performance in an Intercultural Theatre Group. In Translanguaging as Everyday Practice [Multilingual Education, 28],  pp. 195 ff. DOI logo

This list is based on CrossRef data as of 8 march 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.