Article published in:
Audiovisual Translation: Theoretical and methodological challenges
Edited by Yves Gambier and Sara Ramos Pinto
[Target 28:2] 2016
► pp. 261275
References
Agost, Rosa
2004 “Translation in Bilingual Contexts: Different Norms in Dubbing Translation.” In Topics in Audiovisual Translation, ed. by Pilar Orero, 63–82. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Alfaro de Carvalho, Carolina
2012 “Quality Standards or Censorship? Language Control Policies in Cable TV Subtitles in Brazil.” Meta 57 (2): 464–477. CrossrefGoogle Scholar
Anderson, Benedict
1991Imagined Communities. Reflections on the Origin and Spread of Nationalism. 2nd ed. London: Verso.Google Scholar
Artegiani, Irene, and Dionysios Kapsaskis
2014 ”Template Files: Asset or Anathema? A Qualitative Analysis of the Subtitles of The Sopranos .” Perspectives: Studies in Translatology 22 (3): 419–436. CrossrefGoogle Scholar
Butler, Ivan
1971To Encourage the Art of the Film: The Story of the British Film Institute. London: Robert Hale.Google Scholar
Camus Camus, Carmen
2008 “Translation, Censorship and Negotiation in Western Films.” In Translation and Negotiation: Proceedings of the Seventh Annual Portsmouth Translation Conference held on 10 November 2007, ed. by Carol O’Sullivan, 77–93. Portsmouth: University of Portsmouth.Google Scholar
Chiaro, Delia
2009 “Issues in Audiovisual Translation.” In The Routledge Companion to Translation Studies, ed. by Jeremy Munday, 141–165. London: Routledge.Google Scholar
Chomentowski, Gabrielle
2014 “Du cinéma muet au cinéma parlant: La politique des langues dans les films soviétiques.” Cahiers du monde russe 55 (3/4): 295–320. CrossrefGoogle Scholar
Colvin, J. Brandon
2013 “Examining Ethnic Exhibition: The Success of Scandinavian-Language Films at Chicago’s Julian Theater in the 1930s.” Film History: An International Journal 25 (3): 90–125. CrossrefGoogle Scholar
Cornu, Jean-François
2014Le doublage et le sous-titrage: Histoire et esthétique. Rennes: Presses Universitaires de Rennes. CrossrefGoogle Scholar
Danan, Martine
1991 “Dubbing as an Expression of Nationalism.” Meta 36 (4): 606–614. CrossrefGoogle Scholar
Delabastita, Dirk
2002 “From Aesop to Zweig and from Martial to Martial Arts Fiction: Charting the History of Literary Translation into English.” Target 14 (1): 149–171. CrossrefGoogle Scholar
de Luna Freire, Rafael
2015 “The Introduction of Film Subtitling in Brazil.” Trans. Rita Isadora Pessoa. MATRIZes 9 (1) 187–210. Online at www​.revistas​.usp​.br​/matrizes​/article​/viewFile​/100680​/99416. Accessed August 21, 2015.
Dinhofer, Al
1981 “Spanish-Track Tests of U.S. Pics Shun Puerto Rico; Subtitles Rule. ”Variety 24 August 1981.Google Scholar
Dries, Josephine
1996 “Circulation des programmes télévisés et des films en Europe.” In Gambier 1996, 15–32.Google Scholar
Ďurovičová, Nataša
2010 “Vector, Flow, Zone: Towards a History of Cinematic Translatio .” In World Cinemas, Transnational Perspectives, ed. by Nataša Ďurovičová, and Kathleen E. Newman, 90–120. New York: Routledge.Google Scholar
Ernesto
2012 “Netflix Caught Using ‘Pirated’ Subtitles in Finland. ” 19 October 2012. https://​torrentfreak​.com​/netflix​-caught​-using​-pirated​-subtitles​-in​-finland​-121019/. AccessedDecember 15, 2015.
Gambier, Yves
ed. 1996Les transferts linguistiques dans les medias audiovisuels. Paris: Presses Universitaires du Septentrion.Google Scholar
2006 “Orientations de la recherche en traduction audiovisuelle.” Target 18 (2): 261–293. CrossrefGoogle Scholar
Gambier, Yves, and Henrik Gottlieb
eds. 2001(Multi) Media Translation: Concepts, Practices, and Research. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Garnemark, Rosario
2013 “Ingmar Bergman, maternité et franquisme: traduction et censure d’Au seuil de la vie .” Trans. Nathalie Diu, and Marie-Christine Guyon. L’Écran Traduit 2, online at http://​ataa​.fr​/revue​/archives​/2104. Accessed August 21, 2015. Originally published in 2012 as “Ingmar Bergman, maternidad y Franquismo: Traducción y censura de En el umbral de la vida .” Meta 57 (2): 310–324.
Gottlieb, Henrik
1998 “Subtitling.” In Routledge Encyclopedia of Translation Studies, ed. by Mona Baker, 244–248. London: Routledge.Google Scholar
2012 “Subtitles – Readable Dialogue?” In Eye Tracking in Audiovisual Translation, ed. by Elisa Perego, 37–81. Roma: Aracne Editrice.Google Scholar
Halligan, Finn
2000 “A War of Words.” Screen International 24 March 2000, 121.Google Scholar
Hermans, Theo
1991 “Translational Norms and Correct Translations.”In Translation Studies: The State of the Art. Proceedings of the First James S Holmes Symposium on Translation Studies, ed. by Kitty M. van Leuven-Zwart, and Ton Naaijkens, 155–169. Amsterdam: Rodopi.Google Scholar
Holmes, James S.
2000 “The Name and Nature of Translation Studies.” In The Translation Studies Reader, ed. by Lawrence Venuti, 172–185. London: Routledge.Google Scholar
Hughes, Chris J., Mike Armstrong, Rhianne Jones, and Michael Crabb
2015Responsive Design for Personalised Subtitles. BBC Research and Development White Paper. Online at http://​www​.bbc​.co​.uk​/rd​/publications​/whitepaper295. Accessed December 15, 2015. Crossref
Keegan, Rebecca
2014 “ ‘Frozen’: Finding a Diva in 41 Languages.” Online at http://​www​.businessmirror​.com​.ph​/index​.php​/en​/lifestyle​/show​/26674​-frozen​-finding​-a​-diva​-in​-41​-languages. Accessed (Wayback Machine) August 21, 2015.
Lambert, José
1988 “West-European Traditions in Translational Policy: A Report on Research in Progress.” In Translation, Our Future: Proceedings of the Xlth World Congress of FIT, ed. by Paul Nekeman, 128–133. Maastricht: Euroterm.Google Scholar
1994 “Ethnolinguistic Democracy, Translation Policy and Contemporary World (Dis)Order.” In Trasvases culturales: literatura, cine, traducción, ed. by Federico Eguíluz, Raquel Merino, et al., 23–36. Vitoria: Universidad del Pais Vasco, Departamento de Filología inglesa y alemana.Google Scholar
Mac Dhubhghaill, Uinsionn
2006 “Harry Potter and the Wizards of Baile na hAbhann: Translation, Subtitling and Dubbing Policies in Ireland’s TG4, from the Start of Broadcasting in 1996 to the Present Day.” Mercator Media Forum 9 (1): 47–58.Google Scholar
Maltby, Richard, and Ruth Vasey
1994 “The International Language Problem: European Reactions to Hollywood’s Conversion to Sound.” In Hollywood in Europe: Experiences of a Cultural Hegemony, ed. by David W. Ellwood, and Rob Kroes, 78–79. Amsterdam: VU University Press.Google Scholar
Mazdon, Lucy, and Catherine Wheatley
2013French Film in Britain: Sex, Art and Cinephilia. New York: Berghahn.Google Scholar
Media Consulting Group, and Peacefulfish
2007Study on Dubbing and Subtitling Needs and Practices in the European Audiovisual Industry: Final Report. Paris: Media Consulting Group / London: Peacefulfish. http://​edz​.bib​.uni​-mannheim​.de​/daten​/edz​-b​/gdbk​/07​/ksj​/study​_dub​_subtitle​_en​.pdf
Mereu, Carla
2013 “ ‘100% Italian’: The Coming of Sound Cinema in Italy and State Regulation on Dubbing.” California Italian Studies 4 (1): 1–24.Google Scholar
Meylaerts, Reine
2011 “Translation Policy.” In Handbook of Translation Studies, ed. by Yves Gambier, and Luc van Doorslaer, vol. 21, 163–168. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Moal, Stefan
2013 “Traduire l’audiovisuel en langue minoritaire: Un sixième sens? Le cas du doublage en Breton.” In Le bon sens en traduction, ed. by Jean-Yves Le Disez, and Winibert Segers, 143–156. Rennes: Presses Universitaires de Rennes.Google Scholar
Morgan, Hazel
2001 “What Do You Do with Dirty Words in the Subtitles?Independent Wednesday 25 July 2001. Online at http://​www​.independent​.co​.uk​/voices​/commentators​/hazel​-morgan​--what​-do​-you​-do​-with​-dirty​-words​-in​-the​-subtitles​-9204115​.html. Accessed August 21, 2015.
Munday, Jeremy
2008Introducing Translation Studies. 2nd ed. London: Routledge.Google Scholar
Nakkula, Maisa
1996 “Le sous-titrage à la télévision finlandaise: un choix quotidien.” In Gambier 1996, 99–108.Google Scholar
O’Connell, Eithne
1994 “Media Translation and Lesser-Used Languages: Implications of Subtitles for Irish-Language Broadcasting.” In Trasvases culturales: literatura, cine, traducción, ed. by Federico Eguíluz, Raquel Merino, et al., 367–373. Vitoria: Universidad del Pais Vasco, Departamento de Filología inglesa y alemana.Google Scholar
2000 “The Role of Screen Translation: A Response.” Current Issues in Language and Society 7 (2): 169–174. CrossrefGoogle Scholar
O’Hagan, Minako
2007 “Impact of DVD on Translation: Language Options as an Essential Add-On Feature.” Convergence: The International Journal of Research into New Media Technologies 13 (2): 157–168. CrossrefGoogle Scholar
Paquin, Robert
2000 “Le doublage au Canada: politiques de la langue et langue des politiques.” Meta 45 (1): 127–133. CrossrefGoogle Scholar
Pearson, Bryan
2006 “India’s Subtle Subtitle Strategy.” Variety 19 February 2006, 211.Google Scholar
Pérez González, Luis
2014Audiovisual Translation: Theories, Methods and Issues. London: Routledge. CrossrefGoogle Scholar
Razlogova, Elena
2015 “The Politics of Translation at Soviet Film Festivals during the Cold War.” SubStance 44 (2): 66–87. CrossrefGoogle Scholar
Redi, Riccardo
2014 “La legislazione.” In Storia del cinema italiano. Volume IV: 1924/1933, ed. by Leonardo Quaresima, 395–403. Venezia: Marsilio Editori / Roma: Centro Sperimentale di Cinematografia.Google Scholar
Romero-Fresco, Pablo
2013 “Accessible Filmmaking: Joining the Dots between Audiovisual Translation, Accessibility and Filmmaking. In Journal of Specialised Translation 20. http:/​/http://​www​.jostrans​.org​/issue20​/art​_romero​.php. Accessed December 15, 2015.
Sapiro, Gisèle
2012 “Editorial Policy and Translation.” In Handbook of Translation Studies, ed. by Yves Gambier, and Luc van Doorslaer, vol. 31, 32–38. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Toury, Gideon
1995Descriptive Translation Studies and Beyond. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Turquety, Benoît
2015 “Orality and Objectification: Danièle Huillet and Jean-Marie Straub, Filmmakers and Translators.” SubStance 44 (2): 47–65. CrossrefGoogle Scholar
Vandaele, Jeroen
2015Estados de Gracia: Billy Wilder y la censura franquista (1946–1975). Leiden: Brill Rodopi. CrossrefGoogle Scholar
Vandekerckhove, Reinhild, Annick De Houwer, and Aline Remael
2009 “Between Language Policy and Linguistic Reality: Intralingual Subtitling on Flemish Television.” Pragmatics (19) 4: 609–628. CrossrefGoogle Scholar
van Staden, Cobus
2014 “Moomin/Mūmin/Moemin: Apartheid-Era Dubbing and Japanese Animation.” Critical Arts: South-North Cultural and Media Studies 28 (1): 1–18. CrossrefGoogle Scholar
von Flotow, Luise
2009 “Frenching the Feature film, Twice: Or le synchronien au débat .” In New Trends in Audiovisual Translation, ed. by Jorge Díaz Cintas, 86–102. Clevedon: Multilingual Matters. CrossrefGoogle Scholar
Cited by

Cited by 4 other publications

Božović, Petar
2019. How should culture be rendered in subtitling and dubbing?. Babel. Revue internationale de la traduction / International Journal of Translation 65:1  pp. 81 ff. Crossref logo
Di Giovanni, Elena
2020.  In The Palgrave Handbook of Audiovisual Translation and Media Accessibility,  pp. 397 ff. Crossref logo
Li, Ping & Chuanmao Tian
2021. Translation Policy, Social System, and Ideology: A Study on the English Translation of Modern Chinese Fiction for America During the CWRAJ. SAGE Open 11:3  pp. 215824402110469 ff. Crossref logo
Zanotti, Serenella
2018.  In Reception Studies and Audiovisual Translation [Benjamins Translation Library, 141],  pp. 133 ff. Crossref logo

This list is based on CrossRef data as of 23 april 2022. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.