Index

• Ackerley, Chris 261, 265, 271

• adaptation 65–66, 89, 97, 99, 104, 106, 119, 234–36, 240, 245–46, 249–51

• ad hoc self-interpretation169

• agency 3, 10, 106, 110, 257, 266–67
  • cultural23

• allographic translators 6, 114, 205

• allusions 78, 179–80, 182–83, 188–89, 194, 254

• ambiguity 45, 220

• Attardo, Salvatore 10–12, 37, 45–46, 48, 60, 116, 118, 120–37, 184–85, 193, 227–28, 231, 251, 263, 271

• audience 6, 8–9, 97–99, 107–9, 113, 117, 119–20, 122, 125–26, 128–30, 134–35, 138–39, 145, 148–49, 158–69

• audience laughter 161, 164, 168, 170

• Audiovisual Translation 11, 45, 60, 83, 137, 172, 212, 231, 252, 272

• authenticity contract 141–42, 148–49, 154, 161, 164, 169–71

• authorial freedom205

• author-translator 72, 190, 192–93, 203, 213, 215, 217, 230

• autobiography 9, 39, 83, 195–97, 205, 211, 214, 261, 265, 271

• Auto-translation 83, 253, 272

• Bachmann-Medick, Doris 3–5, 11

• barriers, cultural 197, 265

• Barthes, Roland 42, 69, 82, 269, 271

• Beckett, Samuel 10, 12, 84, 88, 91, 103, 111, 114, 116, 261, 264–65, 268–69, 271–72

• Bell, Allan 152, 172, 194

• Benjamins, John 11, 39, 111–12, 137, 139, 172–75, 194, 214, 254, 272, 274

• bicultural competence196

• bilingual interaction 9, 141–42

• bilingualism 19, 82, 114, 205, 212, 226

• bilingual writers 68, 206, 212, 217

• blood, donate 9, 113, 119, 121, 125, 135

• Borges, Jorge Luis 64, 68, 82–83, 267

• Bourdieu, Pierre 15, 37, 144, 172

• broadcasting 141–43, 148–49, 152, 154, 170, 173–74
  • ethos of148

• Calabrian 5, 113, 115, 118, 129–31, 135, 140

• cases, hybrid 115, 134

• Castillo Ortiz, Pedro Jesús 5, 9, 141–74

• Chaves, Thomas David 7, 15–38

• Chiaro, Delia 21, 65, 68, 82, 137, 141–43, 212, 215–16, 220, 223, 228, 231, 234, 259

• children’s books 179, 181–82

• choice, self-translator’s 79, 209

• Chovanec, Jan 137, 151–52, 172–74, 193, 272

• code-mixing 121–22, 125, 128, 130, 138, 151

• collaborative translation 257, 271–72

• comedians 6, 8, 115–17, 121–22, 127, 134–36, 138, 140, 151, 154–56, 237

• comedy 5, 7, 9, 11–12, 105, 113–140, 151, 154, 172, 174, 213, 220–21, 231, 254, 272–73

• commedia dell’arte97

• communities 3, 5, 229–30, 234

• compensation 58, 66, 135, 170, 238, 242, 250, 264, 272

• competence, cultural 249, 251

• compositions, multimodal 238, 249–50

• complexity 17, 41, 169–70, 228

• confrontations 91, 95, 100, 105

• constraints 3, 20, 47, 147, 206, 257

• contact 2, 170, 244, 252

• context, communicative 141–42, 172

• conventions 88, 91, 94, 110, 149, 267

• Conversation Analysis 142, 173
  • applying 9, 141–42

• coordination, turn-taking 152, 164, 169–70

• Cordingley, Anthony 5, 11–12, 38, 83, 113–15, 137–38, 179, 193, 211–13, 231, 236, 252, 271–73

• corpus 59, 88, 90, 101, 186, 220

• creative rewriting 9, 195, 198, 204, 210

• creative solutions 36, 65, 69, 74, 207

• creative subversion 6, 8, 63–64, 67, 77, 80–81

• creativity 38, 81, 121, 195, 198, 205–6, 210–12

• creators 6, 80, 186, 239–240, 268

• culture, hybrid 11–12, 38, 83–84, 137–38, 193, 211–13, 231, 252, 272–73

• Cultural Studies 83, 253

• Delabastita, Dirk 41, 48–50, 58, 60, 65, 68–69, 83, 116, 137, 260, 272

• Descriptive Translation Studies 180, 191, 194

• devices 20, 30, 50, 153, 220, 264

• dialects 5, 98, 105, 122, 130, 135, 172

• Dialogue Interpreting 152–54, 164, 172

• differences, cultural 11, 206, 219

• directionality 10, 58–59, 257, 265

• Discourse Analysis173
  • Critical 147–48

• DM55 118, 121, 136

• Dore, Margherita 2–12, 65, 68, 113–140, 150–51, 191, 193, 197, 212, 223, 252–53, 257, 259–60, 266, 272

• double entendre 67, 72, 78, 126, 228

• dramatic texts 88–90, 97, 99, 108

• dubbing 145–46, 223

• dubbing translation 243, 253

• dynamics of humor 137, 172

• Eco, Umberto 6, 12, 114, 137, 179, 194, 216, 222, 231

• elements
  • comic 20, 24, 28
  • extralinguistic 238, 242

• ELF (English as a Lingua Franca) 241, 251–52

• engagement, social 116, 121

• English as a Lingua FrancaSee ELF

• English version 44, 47, 74–75, 77, 126, 140, 186, 188, 240–42, 249

• Enli, Gunn 141–42, 148–49, 161, 170–72

• equivalence 21, 36, 49, 66, 144, 181, 200, 219, 248
  • formal259
  • functional244
  • linguistic 80, 220, 260

• Ergil, Başak 6, 8, 87–112, 266

• estrangement 8, 70, 105–6, 216, 228–29

• Evangelista, Elin-Maria 3–4, 6, 12, 114–15, 137, 196, 205–6, 212

• everyday encounters 11, 137, 172–74, 193, 224, 272

• exile 19, 65–66, 70, 84, 114

• exogenous 114–15, 134

• expectations 47, 149, 161, 171, 221, 227–28, 234–35, 237, 242

• factors 19, 21, 70, 114, 134, 147–48, 151–53, 207, 219, 230, 242

• family 2, 10, 18, 26, 70, 76, 118–19, 122–23, 127, 193, 196

• features 6, 19, 35, 49–50, 58, 91–92, 164, 244, 258, 263, 271

• fiction 18, 23, 42–43, 46, 71, 83

• fidelity 77, 81, 154, 210, 221

• FLSee foreign language

• freedom 3, 6, 10, 20–21, 32, 37, 114–16, 120, 195–96, 205–6, 209–10, 265, 271
  • creative 4, 25

• Freud 20, 45, 229, 231

• Friedman, Ursula Deser 6, 8, 63–84, 260, 266–67

• function 48, 58, 144, 147, 192, 220, 230, 234, 240, 263, 265

• gains 6, 10, 16, 76, 115, 195–98, 205–6, 222–23

• Gamalinda, Eric 15, 29–31, 37

• General Theory of Verbal Humo(u)r 42, 48, 221 See GTVH

• Gentes, Eva 5, 12, 41, 61, 113, 116, 138, 269, 272

• Godot 88–89, 91–93, 101, 103–5

• Gogol, Nikolai 93, 102

• groups, laughable126

• Grutman, Rainier 3–4, 6, 10–12, 18–19, 29, 38, 68, 83, 114, 134, 252, 257–74

• GTVH 42, 45, 48, 58, 60

• Güle Güle Godot 93, 101–5, 112

• Hickey, Leo 116, 138

• Hokenson, Jan Walsh 19, 38, 67–68, 83, 196, 212, 217, 231

• humor 15, 20–22, 25, 36–38, 45–46, 48, 50–51, 54, 56–61, 84–85, 136–39, 172–75, 213, 231–32, 254, 258, 274
  • political humor 20, 22, 36
  • absurdist92
  • black92
  • cultivated17
  • dark/black53
  • and translation11

• humo(u)r studies 12, 35, 45, 110–11, 138, 213, 257, 260

• humour 5–7, 9–12, 37–39, 65–69, 81, 87–90, 92, 97–99, 101–2, 104–5, 109–10, 113–75, 181–85, 188–91, 195–204, 208–9, 215–32, 234–38, 242–43, 257–60
  • absurdist 92, 111
  • taboo 9, 113, 126

• Humourizing 87–111

• Humour negotiation 11, 137

• Humour Research 137, 232, 252–53, 274

• Huston, Nancy 8, 10, 41–49, 50, 58, 60–61, 68, 114, 260, 262–63, 272

• Hutchby, Ian 142, 148, 150, 152, 154, 166, 173

• hybridity 19, 215–16, 224

• Iaia, Pietro Luigi 10, 233–54

• identities 11, 19, 113, 115, 120, 144, 212, 215–16, 221, 223, 227

• ideologies 141–44, 147, 173, 182, 192

• illness, chronic 8, 113, 115, 135

• improvisation 98, 101, 108, 138

• incongruity 17, 20, 22, 32, 35, 45–48, 73, 126, 128, 226–27, 230

• insider-outsider 218, 226, 229–30

• intention 37, 58, 88, 159, 191, 257, 267, 269

• intentionality 10, 233, 236, 241–42, 257, 267–68

• interactants 146, 150–51

• interactional humo(u)r 11, 117, 137, 139, 150–53, 172–74, 193, 272

• interdiscipline 45–46, 61, 85, 232, 274

• interpreting 9, 141–43, 146–52, 154, 159, 161, 164, 166, 169–74, 213

• interpreting standards 141–42

• intertextuality 8, 19, 65–66, 70, 106, 213

• invisibility 84, 144, 175, 254

• irony 6, 8, 17, 22, 24, 28, 104–6, 204, 206, 257, 259

• jab line(s) 25, 117, 124, 126, 128–29, 132

• Jewish humour 258–59

• jokes 20–22, 25, 66–68, 72–73, 81–82, 116–17, 120–22, 128, 131–32, 137–38, 151, 162–63, 166–67, 212–13, 216–17, 220–23, 226–29, 243, 251–52, 273–74
  • linguistic264
  • newspaper261
  • off-colour259
  • poetic32
  • racist138
  • satirical157
  • short222

• Katan, David 141–44, 147–48, 170, 173

• knowledge resources 28, 48 ; see also GTVH

• Lacaba, Jose 15, 17, 26, 28, 35, 37–38

• Lang, Peter 83, 137, 172–73, 194, 212, 273

• language of jokes 82, 137, 212, 231

• languages, minoritized93

• language variation 113, 115–16, 118, 134

• laughing 11, 32, 137, 139, 156, 158–59, 162–63, 165–67, 172, 189, 191, 193, 271–72

• laughter 17, 20, 22, 36, 38, 156–58, 160–63, 165, 167, 169, 201, 242, 244

• Lefevere, André 89, 111, 212

• Licsi Espino, Federico Jr 15, 17, 23–26, 28, 37–38

• literary nomadism 216, 225–26

• literary self-translation 18, 38, 65, 67, 69, 81, 83, 212

• literary texts 3, 6–8, 115, 182

• literary translators 12, 77

• literature 4–5, 7, 19–21, 23–24, 37, 67–69, 80, 82, 111, 114, 116, 217–18, 230–31

• losses 6, 9, 58, 76, 92, 179, 187, 189, 195–96, 222–23, 264–65

• manipulations 111, 170, 192, 195, 198, 212
  • deliberate169
  • functional 120, 223
  • oriented192
  • target-oriented209
  • textual9

• meddah 98, 102, 107–9

• media, social 235, 246, 249, 253

• mediated authenticity 149, 152, 161, 172

• mediators 143, 174

• memes 10, 233–54, 238–39, 241
  • internet 251–54

• mockery 17, 28–29, 34

• multimodality 233–34

• Nabokov, Vladimir 56, 69, 271

• negotiation 8, 88, 95, 100, 110, 149, 215–17, 222–23, 231

• Nida, Eugene 15, 28, 38, 200, 212, 258–59, 273

• Noonan, Will 12, 69, 84, 91–92, 111, 116, 128, 138, 264, 273

• Oittinen, Riitta 181–83, 186–87, 190, 192–94

• omission 118, 125, 145, 241

• opposition 22, 25, 64, 100, 113, 122, 128, 135, 221

• orality, prefabricated 148, 172

• Ouyang, Yu 64, 66, 84, 196, 213

• Pai, Hsien-yung 8, 63, 65–67, 76–80, 82, 84, 260

• Palmieri, Giacinto 5–6, 12, 68, 84, 115–17, 134, 138, 213, 215–16, 220–21, 231, 254, 273

• paratexts 94, 111–12

• parody 30, 32, 182

• participants 10, 48, 150–53, 161, 169–70, 191, 227, 233, 235–38, 241, 246–51

• Pavlicek, Maria 141–42, 174, 196, 213

• perception 2, 110, 117, 241, 243, 250

• performances 6–8, 84, 90, 96, 98–99, 102, 107–9, 116–17, 121, 139, 143, 148

• Petkovic, David 4, 6, 10, 215–32, 267, 269–70

• picture books 9, 179, 181–83, 186–87, 192–93

• Pöchhacker, Franz 141–42, 174, 196, 213

• poems 17–18, 22–23, 25, 27, 30–32, 34–36, 84, 103, 217, 270

• poetics 38, 264, 269, 272

• poetic satire 7, 15–39

• poetry 7, 13, 20–23, 26–27, 29, 32, 36, 204, 206, 229, 232

• political satire 7, 15, 22, 30, 36, 98, 102, 104–5, 183

• power 21, 36–37, 43, 143, 145, 164, 173, 192, 202, 273

• pragmatics 136, 138, 173

• prestige 15, 37, 114, 129–30

• punch line(s) 17, 25, 117, 122, 126, 128–29, 131, 133, 151, 203, 222–23

• punning 6, 8, 41–61, 83, 262–64

• puns 41, 45–59, 64–69, 72–73, 78, 81–82, 198–200, 203, 257, 260–64, 268, 271–72

• purposes 5, 23, 33–34, 46, 53, 136, 150, 192–93, 207, 235, 237

• Raskin, Victor 22, 38, 45, 48, 60, 119, 128, 138, 221, 228, 231

• receivers, implied 233, 237–38

• reception 87, 89, 94, 100, 105, 110, 234

• re-creation 179, 189–90, 195

• representation 91–92, 98, 105, 121, 143, 145–46, 149, 238, 245, 248, 250

• resistance 21, 36, 268

• retranslations 89, 94, 101, 266

• reworkings 8, 87–90, 92–94, 97, 100–104, 106–10

• Richters, Marlisa Amanda 8, 41–60, 210, 213, 260

• routines 8, 113, 117, 119, 121, 127, 136, 266

• Rutter, Jason 66, 84, 116, 123, 139

• Sasaki, Anna 4, 9–10

• Script Opposition 8, 10, 48, 51–58, 133, 225, 238

• second language 3, 12, 114, 134, 137, 195, 206, 212

• self-interpreting 9, 141–75

• Self-reflection 12, 84, 138, 273

• self-translated texts 6, 9, 17, 44, 65, 68, 81, 103, 120, 257

• self-translation 3–5, 7–12, 15–19, 35–38, 41, 63–71, 83–84, 87–89, 100–101, 104–10, 113–39, 179–81, 190–93, 196–97, 208–17, 219–23, 226–54, 257–58, 265–67, 269–74
  • oral 12, 84, 138, 213, 220, 231, 254

• self-translators 4, 6, 9–10, 19, 49, 65–66, 68–69, 81, 114, 195–96, 203–6, 210–11, 224, 238–39, 257–59, 265–69, 272

• Semantic Script Theory of Humo(u)r (SSTH) 48, 185 See SSTH

• sense of humour 11, 204, 208, 216

• Şensoy, Ferhan 8, 87–88, 93, 98, 101–5, 109–10, 112, 266

• Shakespeare, William 8, 69, 92, 106

• Source Text (ST) 8–9, 21, 49–50, 55–56, 63–65, 67–69, 73–82, 89–90, 114, 190, 195–98, 202–4, 207–10, 222–23, 265–67

• spontaneity 97, 149, 155, 159, 171, 269

• SSTH 48, 185

• STSee Source Text

• Straniero Sergio, Francesco 141–45, 147–48, 152–53, 170, 174

• strategies 145–46, 149, 151–52, 154, 164, 168, 170, 187, 193–94, 237–38, 250–51

• Studies in Translation Theory and Practice 139, 213

• subjectivities 10, 213, 215–18, 221–22, 225–27

• substitution 53, 63, 65–66, 251

• superiority 16, 2, 22, 45, 126

• systems, cultural 19, 95, 98

• Takahashi, Tomoko 4, 9, 115, 139, 195–214, 265

• target audience 6, 37, 81, 144, 155, 195, 207–8, 211, 234, 247, 267

• teasing 66, 139, 151, 155, 157, 169, 174, 185, 270

• thalassemia 121, 123, 135

• theatre 7–8, 87–111, 122, 153, 160, 164, 266

• third space 215, 224

• transformation 17, 26, 89, 92, 96, 103, 105, 110, 192, 223, 233

• transgressions 72, 77

• translatability 45, 73, 82, 197, 207, 272

• translating humour 7, 182, 194, 196–97, 214, 216, 220–21, 258

• translation practice 212, 217

• translation research 112, 174

• Translation Studies (TS) 11–12, 38, 81–84, 136, 194, 197, 211–12, 234, 236, 254, 257–58, 260, 271–74

• translators, professional 120, 134, 140, 186

• translator’s invisibility 210–11, 213

• translator’s task 114, 181

• TSSee Translation Studies

• Tsakona, Villy 36, 39, 151–52, 172–74, 193

• Ubu 8, 88–89, 91–92, 93–94, 101, 106–8, 109, 111

• values 2, 6, 11, 17, 89, 94, 135, 144, 182, 192, 196
  • entertainment 9, 179, 182, 188, 191

• Vandaele, Jeroen 45, 61, 181–82, 184, 191, 194, 260, 274

• Venuti, Lawrence 15, 89, 112, 120, 137–39, 197, 210–214, 273

• Venzo, Paul 215–32, 267, 269

• verbal humour 182, 198

• verbal play 82, 137, 212

• viewers 145, 147, 238, 245–46, 250

• visibility 84, 210, 237, 254

• Wilson, Rita 19, 211, 213–214

• wordplay 41, 49–50, 53, 58, 60, 61–63, 65, 198, 203, 257, 260, 264–65, 272, 274
  • horizontal 41, 49
  • vertical49

• work
  • literary 76, 87, 180–81, 192, 222
  • self-translated 44, 46, 69, 116
  • canonical 87–88, 93, 99, 109

• Yoneyama, Hiroko 9, 179, 181–90, 192–93, 270

• Zabalbeascoa, Patrick 42, 45–47, 58–59, 61, 81, 85, 139, 228, 232, 267, 274