Part of
The Power of SatireEdited by Marijke Meijer Drees and Sonja de Leeuw
[Topics in Humor Research 2] 2015
► pp. 105–134
This chapter analyses a caricature, produced in 1753 by the watercolourist Paul Sandby entitled Burlesque sur le Burlesque. This caricature attacks the painter William Hogarth, in particular, his recently published aesthetic treatise, The Analysis of Beauty, and his stance in the English Academic debates of the 1750s – a series of events in which English artists debated whether or not they should migrate from private artistic academies to publicly funded and hierarchically organised arts academies on the continental model. The chapter explores the way in which Sandby targets his object, and through iconographical analysis, demonstrates how caricature operates visually as a literal puzzle that forefronts certain criticisms, and veil others.