Index
A
- absurdity
19, 81, 169, 194, 211, 218, 223, 231, 233
- affiliation
7, 100, 161, 164–165, 268
- ambient
259, 273, 278–279
- allusion
9, 233, 235, 249
- amusement
60, 83, 157, 163, 213, 222, 224
- applause
17, 107, 109, 111, 117, 123, 129
- asynchronous communication5
- audience
6, 12, 14, 17, 19, 132, 160, 175, 208, 234
- response
113, 124, 135, 137, 144, 146, 158
- studio
17, 128, 135, 144, 147
- audience-theory of humor12
B
- banter
8–9, 17, 81, 92–93, 95
- bilingual
- talk-in-interaction
83, 100
- biting
131, 133, 138, 165
-
bona fide
59–62, 65–67, 70, 73
;
see also serious mode
- bonding
20, 37, 83, 100, 121, 131, 133, 138, 140, 147, 156, 171, 175, 259, 264, 297–298
- butt
19, 116, 131, 137–138, 208, 213, 224, 263
;
see also target
C
- code
- alternation
78, 83, 97, 100
- mixing
80–82, 92, 97, 110
- switching
3, 78–80, 82–84, 87, 90, 96, 110, 114, 120, 130
- cognitive
- effects
20, 286, 289, 292
- comedian
5, 10, 17, 106–107, 119, 124, 136
- comedy
4, 81, 106, 123
see also stand-up comedy
- comic
- performance
106, 108, 123, 129
- communication
- internet-mediated
286, 292
- technology-mediated
9, 20, 257, 285, 292
- contextualization
79, 82, 286
- cue
2, 13, 79, 131–132, 138, 157, 175, 184–186, 190–191, 195–196
- conversational
- humor
19, 174, 207, 212, 214, 216, 224
- conversationalization
174–175
- creativity
5, 7, 19, 21, 212, 261, 294
- cue269
- contextualization
see contextualization cue
- paralinguistic
130, 133, 172
D
- deception
19, 206, 208, 223
- delay mechanism
16, 49–50
- digital
- communication
258, 261, 266
- disaffiliation
91, 164–165, 171
- disbelief
see ritualized disbelief
- discourse
- marker
59, 66, 69–70, 73, 97
- discursive asymmetry
18, 143, 146
- disparagement
17, 106, 112, 116–118, 221
E
- effect
- humorous
88, 92, 97, 264, 285
- effects
- non-propositional
20, 289, 292
- embarrassment
18, 158, 160–162, 165, 174
- entertainment
19, 81, 86, 143, 155–156, 187, 232, 234, 249
- exaggeration
9, 107, 186, 263, 271, 274
F
- face
163, 175
- threat
81, 83, 99–100, 127, 132
- Facebook
10, 20, 257, 279
- community
230, 236, 240, 264
- face-threatening act
16–17
- face-to-face interaction19
- fictional
- scenario
231–232, 235, 248–249
- fictionalization232
- joint
19, 231–232, 234, 238, 248
- footing
109, 130, 170, 173
G
- General Theory of Verbal Humor
see GTVH
- GTVH
11–12, 14, 30, 39, 185, 229, 251, 262–264, 270, 278
H
- humor
- co-constructed
6, 81, 295
-
conversational
19–20, 81, 83, 109, 160, 174, 207, 212, 214, 216, 224
- interactional
9–11, 13–14, 21, 31, 111, 279–280
- multimodal
259, 263–265, 278
- political
259, 262–264, 279–280
- self-deprecating
31, 109, 111, 298
- unintentional
83, 85, 94, 158
- humorous
- effect
88, 92, 97, 264, 285
- fictionalization
231, 240
- frame
16, 31, 35, 39, 49, 51, 71, 183
- mode
10, 17, 47, 49, 64, 83, 86, 95, 99
I
- identity
109–110
- construction
17, 31, 81, 85, 100, 185
- impersonation
19, 130, 216, 221, 223
- implicature
219, 284, 289
- incongruity
15–16, 18, 22, 29–30, 33–35, 42, 50–51, 81, 86, 88, 93, 100, 158, 169, 186, 198, 231, 240, 245–246, 248, 251, 262–263
- incongruous behavior
40, 49
- insert
- sequence
35, 41, 44, 50, 136
- interaction
1, 11
- face-to-face
8, 19–20, 249, 259, 298
- interactional
- humor
9–11, 13–14, 21, 31
- interpretative consensus19
- intertextuality
10, 233, 235, 249
- intonation
13, 91, 109, 113, 117, 119, 123, 130, 167
-
irony
9, 19, 31, 51, 62–63, 68, 71, 90, 132, 134, 136, 143, 158, 186, 206, 210–211, 213, 223, 269, 279
J
- jab line
16, 37, 39, 45, 49, 83, 88, 98, 119, 122, 128, 131, 263
- joint
- fictionalization
19, 231–232, 234, 238, 248
- laughter
133, 161, 171, 174–175
- joke
5, 8, 18, 63, 71, 85, 113, 115, 117, 119, 128–129, 285, 298
- canned
2, 4, 9, 11, 214, 229, 263, 287
- joking
61, 71, 160–161, 163–164, 168, 174, 213, 231, 295–296
K
- knowledge resources
12, 13, 263
see also GTVH
L
- laughable
18, 157, 165, 168–169, 171, 173, 175
- laughter
3–4, 13, 16, 18, 29, 34, 37, 39–40, 44–47, 49–51, 60–61, 81, 95, 109, 111, 114, 117–119, 123, 129–130, 132–133, 135, 138, 141–142, 146, 156–160, 167, 169–171, 173–175, 269, 296
- functions
160–163, 169, 174–175
- non-humorous
18, 157, 160, 165, 167
- response
146, 158, 174–175
M
- meme
10, 20, 230, 235, 246, 258, 261, 265, 268, 270, 276, 278, 299
- metalinguistic
- comment
59, 63, 66–67, 69
- misunderstanding of humor269
- mocking
8, 17, 112, 116, 120, 134, 211
N
- negotiation
-
non-bona fide
59–62, 64, 66–67, 70, 73, 105
;
see also non-serious mode
- non-native comic performance117
O
- online
- communication
230, 287, 292
- joint fictionalization
230, 250
P
- parody
19, 216, 221, 223, 261
- participation framework
94, 259, 279
- performance
5, 14, 108–109
- playfulness
7, 29, 42, 50–51, 62, 70, 127, 141, 157, 168, 235, 262, 294
- pretense
19, 62, 205, 208, 217, 223–224
- covert
19, 208, 210, 223–224
- overt
19, 208, 210, 212–213, 216–217, 222, 224, 240
- punch line
17–18, 37, 98, 107, 117, 119, 122, 131, 144, 263, 273–274, 285
R
- rapport building
128, 129, 134
- recontextualization
5, 7, 10, 251
- relevance theory
20, 284, 288, 300
- response
5, 16, 111–112, 124, 135, 138, 157, 276
- ritualized
- disbelief
16, 30, 35, 41–42, 44–45, 49–51
S
- sarcasm
8–9, 132, 136, 143, 211, 269, 274, 278–279
- scenario
109, 274, 285
- fictional
231–232, 235, 248–249
- script
186, 270
- opposition
2, 12, 18, 22, 30, 33, 39, 49, 83, 186, 191, 196, 198, 264, 270, 276
- scriptedness
106, 128, 159–160, 167, 175
- self-deprecating humor298
- self-deprecation
129, 209
- self-disparagement
17, 82, 106, 112, 116–118
- series
see television series
- sex
118, 120–121, 123–124, 189, 191, 218, 290, 299
- sincerity
59, 61, 67, 73, 211, 214
- sitcom
8–9, 187, 190, 198
- social
- media
5, 8, 10, 251, 260–261
- network
8, 240, 248, 250–251
- solidarity
6, 20, 37, 69, 79, 133, 157, 232, 297–299
- spontaneity
15–16, 159–160, 175
- stereotype
17, 19, 112, 115, 121, 299
- style
38, 119, 133, 138, 159, 175, 182–183, 190
- superiority
108, 163, 262
- switch
87, 100
- discourse organizational87
T
- target
12, 17, 39, 110, 116, 131, 136, 187, 199, 263, 265
- teasing
9, 17, 31, 51, 78, 89, 92–94, 99, 127, 130–136, 143, 145, 168, 224
- sequence
98, 128, 132–133, 147
- television
- series
8, 159, 181–182, 187, 198, 207
- transposition
136, 138, 141, 144
U
- uncanniness
186, 197, 220