Article published in:
Transnational Image Building: Linking up Translation Studies, Reception Studies and Imagology
Edited by Paola Gentile, Fruzsina Kovács and Marike van der Watt
[Translation Spaces 10:1] 2021
► pp. 115137
Alsop, Harry
Badtke, Thomas
2012 “ ‘Er ist wieder da’-Autor Timur Vermes – Um ‘Mein Kampf’ kommt man nicht rum” [“‘Er ist wieder da’ Author Timur Vermes – You Can’t Get Around ‘Mein Kampf’”].” ntv. Accessed 6 April 2020. https://​www​.n​-tv​.de​/leute​/buecher​/Um​-Mein​-Kampf​-kommt​-man​-nicht​-rum​-article7732166​.html
Batchelor, Kathryn
2018Translation and Paratexts. Translation Theories Explored. Abingdon, Oxon: Routledge.Google Scholar
Brauer, Wiebke
2006 “Schrumpfkur für Hitler [Reducing Hitler Down to Size].” SPIEGEL Kultur. Accessed 29 March 2020. https://​www​.spiegel​.de​/kultur​/gesellschaft​/moers​-parodie​-schrumpfkur​-fuer​-hitler​-a​-424980​.html
2020a “Vermes, Timur. Er ist wieder da.” Hardcover Edition. Accessed 3 April 2020, https://​www​.buchreport​.de​/bestseller​/buch​/isbn​/9783847905172​.htm/
2020b “Vermes, Timur. Er ist wieder da.” Paperback Edition. Accessed 3 April 2020, https://​www​.buchreport​.de​/bestseller​/buch​/isbn​/9783404171781​.htm/
Chittenden, Maurice, and Roger Waite
2007 “Mein Gott: Hitler Rages as Spurs Lose.” The Sunday Times. Accessed 30 September 2020, https://​www​.thetimes​.co​.uk​/article​/mein​-gott​-hitler​-rages​-as​-spurs​-lose​-lvbkhp3blmh
Connolly, Kate
2013 “Adolf Hitler Novel Tops German Bestseller List but Divides Critics.” The Guardian. Accessed 3 April 2020, https://​www​.theguardian​.com​/world​/2013​/feb​/05​/adolf​-hitler​-novel​-german​-bestseller
Des Pres, Terence
1988 “Holocaust Laughter?” In Writing the Holocaust, edited by Berel Lang, 216–233. New York: Holmes and Meier.Google Scholar
Donadio, Rachel
2015 “ ‘Look Who’s Back’: Germans Reflect on the Success of a Satire about Hitler.” The New York Times. Accessed 30 September 2020, https://​www​.nytimes​.com​/2015​/05​/05​/books​/look​-whos​-back​-germans​-reflect​-on​-the​-success​-of​-a​-satire​-about​-hitler​.html
Eley, Geoff
2017 “Contemporary Germany and Denial: Is ‘Nazism’ All There Is to Say?History Workshop Journal 841: 44–66. CrossrefGoogle Scholar
Fiedler, Cornelia
2013 “Bestseller-Roman ‘Er ist wieder da’: Ha, ha, Hitler [Bestselling Novel ‘Er ist wieder da’: Ha, ha, Hitler].” Süddeutsche Zeitung. Accessed 3 April 2020, https://​www​.sueddeutsche​.de​/kultur​/bestseller​-roman​-er​-ist​-wieder​-da​-ha​-ha​-hitler​-1​.1568685
Genette, Gérard
1997Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin. Literature, Culture, Theory 20. Cambridge: Cambridge University Press. CrossrefGoogle Scholar
Gilbert, Christopher J.
2013 “Playing with Hitler: Downfall and Its Ludic Uptake.” Critical Studies in Media Communication 30 (5): 407–424. CrossrefGoogle Scholar
Gilman, Sander L.
2000 “Is Life Beautiful? Can the Shoah Be Funny? Some Thoughts on Recent and Older Films.” Critical Inquiry 26 (2): 279–308. www​.jstor​.org​/stable​/1344124
Gölz, Peter
2012 “Haha Hitler! Coming to Terms with Dani Levy.” In Cinema and Social Change in Germany and Austria, edited by Gabriele Mueller and James M. Skidmore, 173–188. Waterloo: Wilfrid Laurier University Press.Google Scholar
Gray, Jonathan
2010Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. New York: New York University Press.Google Scholar
Grix, Jonathan, and Chantal Lacroix
2006 “Constructing Germany’s Image in the British Press: An Empirical Analysis of Stereotypical Reporting on Germany.” Journal of Contemporary European Studies 14 (3): 373–392. CrossrefGoogle Scholar
Haase, Christine
2006 “Ready for His Close-Up? Representing Hitler in ‘Der Untergang’ (Downfall, 2004).” Studies in European Cinema 3 (3): 189–199. CrossrefGoogle Scholar
Hardach, Sophie
Höbel, Wolfgang
2013 “Unvorstellbare Witzfigur – Der gewollte Bestseller: Die Hitler-Satire ‘Er ist wieder da“ verkaufte sich bislang mehr als 400 000-mal. [Unimaginable Comedian – The Desirable Bestseller: The Hitler Satire “Er ist wieder da” Has so Far Sold More than 400,000 Copies].” Der Spiegel 111 (2013): 130. Accessed 6 January 2021, https://​magazin​.spiegel​.de​/EpubDelivery​/spiegel​/pdf​/91488765
Jungen, Oliver
2012 “Diktator sucht Volk – Böses Erwachen: Die Hitler-Satire von Timur Vermes [Dictator Seeks Nation – Rude Awakening: The Hitler Satire by Timur Vermes].” Accessed 3 April 2020, https://​www​.buecher​.de​/shop​/belletristik​/er​-ist​-wieder​-da​/vermes​-timur​/products​_products​/detail​/prod​_id​/35568779​/#reviews
Kelly, Dorothy
1998 “Ideological Implications of Translation Decisions: Positive Self-and Negative Other Presentation.” Quaderns 11: 57–63.Google Scholar
Lasorsa, Dominic, and Jia Dai
2007 “When News Reporters Deceive: The Production of Stereotypes.” Journalism & Mass Communication Quarterly 84 (2): 281–298. CrossrefGoogle Scholar
Laster, Kathy, and Heinz Steinert
2003 “Eine neue Moral in der Darstellung der Shoah? – Zur Rezeption von La Vita e Bella [A New Morality in the Portrayal of the Shoah? – On the Reception of ‘La Vita e Bella’].” In Lachen über Hitler – Auschwitz-Gelächter? Filmkomödie, Satire und Holocaust, edited by Margrit Frölich, Hanno Loewry and Heinz Stienert, 181–198. Frankfurt am Main: edition text + kritik.Google Scholar
Leerssen, Joep
2016 “Imagology: On Using Ethnicity to Make Sense of the World.” Iberic@l, Revue d’études ibériques et ibéro-américaines 101: 13–31.Google Scholar
Lefevere, André
1992Translation, Rewriting, and the Manipulation of Literary Fame. Translation studies. London: Routledge.Google Scholar
Leith, Sam
2014 “’Look Who’s Back’, by Timur Vermes.” Financial Times. Accessed 3 April 2020, https://​www​.ft​.com​/content​/dff65380​-cbc7​-11e3​-9f27​-00144feabdc0
Moers, Walter
2005Adolf, Äch bin wieder da!! [Adolf, I’m back!!]. Munich and Zürich: Piper.Google Scholar
Morrison, Rebecca
Murmann, Volker
2013 “Timur Vermes’ Satire ‘Er ist wieder da’: Lustig-blöder Hitlerkrampf [Timur Vermes’ Satire ‘Er ist wieder da’: An Amusing, Stupid Hitler-Cramp].” die Tageszeitung. Accessed 3 April 2020, https://​taz​.de​/Timur​-Vermes​-Satire​-Er​-ist​-wieder​-da​/!5070624/
Niven, William John
2001Facing the Nazi Past: United Germany and the Legacy of the Third Reich. London: Routledge.Google Scholar
Nugent, Christine Richert
2010 German Vergangenheitsbewältigung, 1961–1999: Selected Historiographic Controversies and Their Impact on National Identity. Masters Thesis, Graduate School of Western Carolina University, Western Carolina University.Google Scholar
Oltermann, Philip
2014 “Germany Asks: Is It OK to Laugh at Hitler?The Observer. Accessed 3 April 2020, https://​www​.theguardian​.com​/books​/2014​/mar​/23​/germany​-finally​-poke​-fun​-hitler​-fuhrer
Paterson, Tony
Poole, Steven
2014 “Look Who’s Back by Timur Vermes Review – An Oddly Cosy Resurrection of Hitler.” The Guardian. Accessed 3 April 2020, https://​www​.theguardian​.com​/books​/2014​/apr​/30​/look​-whos​-back​-timur​-vermes​-review
Reichwein, Marc
2013 “ ‘Er ist wieder da’ – und will gar nicht wieder weg [‘He’s back’ – And Doesn’t Want to Go Away Again].” Welt. Accessed 3 April 2020, https://​www​.welt​.de​/kultur​/literarischewelt​/article118865211​/Er​-ist​-wieder​-da​-und​-will​-gar​-nicht​-wieder​-weg​.html
Rosenfeld, Gavriel D.
2014Hi Hitler! How the Nazi Past Is Being Normalized in Contemporary Culture. Cambridge: Cambridge University Press. CrossrefGoogle Scholar
Schmitz, Stefan
2012 “Heiße Ware unter dem Weihnachtsbaum [Hot Commodities under the Christmas Tree].” Stern. Accessed 3 April 2020, https://​www​.stern​.de​/kultur​/buecher​/hitler​-roman​--er​-ist​-wieder​-da​--heisse​-ware​-unter​-dem​-weihnachtsbaum​-3891728​.html
Strzelczyk, Florentine
2012 “ ‘Looking for an Old Man with a Black Moustache’: Hitler, Humour, Fake, and Forgery in Schtonk!” In Cinema and Social Change in Germany and Austria, edited by Gabriele Mueller and James M. Skidmore, 155–171. Waterloo: Wilfrid Laurier University Press.Google Scholar
Tahir Gürçağlar, Şehnaz
2011 “Paratexts.” In Handbook of Translation Studies, edited by Luc van Doorslaer and Yves Gambier, 113–116. Amsterdam: John Benjamins. CrossrefGoogle Scholar
Thorne, Matt
2014 “Look Who’s Back by Timur Vermes: Satirical Comedy Bringing Hitler to Modern Life.” Daily Express. Accessed 3 April 2020, https://​www​.express​.co​.uk​/entertainment​/books​/472027​/Look​-Who​-s​-Back​-by​-Timur​-Vermes​-Satirical​-comedy​-bringing​-Hitler​-to​-modern​-life
van Doorslaer, Luc
2019 “Embedding Imagology in Translation Studies (Among Others).” baltijskij accent 10 (3): 56–68. CrossrefGoogle Scholar
Vermes, Timur
2012aEr ist wieder da. Read by Christoph Maria Herbst. Cologne: Lübbe Audio, 6 hr, 51 min.Google Scholar
2012bEr ist wieder da. Cologne: Eichborn.Google Scholar
2014aEr ist wieder da. Band 171781. Paperback Edition. Cologne: Bastei Lübbe.Google Scholar
2014bLook Who’s Back. Translated by Jamie Bulloch. London: MacLehose Press.Google Scholar
Wallasch, Alexander
2013 “Der Führer spricht! [The Führer Speaks!].” The European. Accessed 3 April 2020, https://​www​.theeuropean​.de​/alexander​-wallasch​/5953​-timur​-vermes​-es​-ist​-wieder​-da
Williams, Seán M.
2019 “The Celebrification of Adolf Hitler.” Celebrity Studies 10 (2): 300–304. CrossrefGoogle Scholar
Wittlinger, Ruth
2004 “Perceptions of Germany and the Germans in Post-war Britain.” Journal of Multilingual and Multicultural Development 25 (5–6): 453–465. CrossrefGoogle Scholar
Wnendt, David
dir. 2015Er ist wieder da [Look Who’s Back]. Germany: Mythos Film, in co-production with Constantin Film and in co-production with Claussen Wöbke Putz Filmproduction, DVD, 116 min.Google Scholar