A comparative review of priming effects in language and music

Tillmann, Barbara; Bigand, Emmanuel

doi:10.1075/aicr.35.22til

Part of

Language, Vision and Music: Selected papers from the 8th International Workshop on the Cognitive Science of Natural Language Processing, Galway, 1999
Edited by Paul Mc Kevitt, Seán Ó Nualláin and Conn Mulvihill
[Advances in Consciousness Research 35] 2002
► pp. 231–240

A comparative review of priming effects in language and music

Barbara Tillmann | Université de Bourgogne, LEAD-CNRS, Dijon, France

Emmanuel Bigand | Université de Bourgogne, LEAD-CNRS, Dijon, France

Published online: 22 October 2002

https://doi.org/10.1075/aicr.35.22til

Cited by

Cited by 6 other publications

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Bigand, E., B. Tillmann, B. Poulin-Charronnat & D. Manderlier

2005. Repetition priming: Is music special?. The Quarterly Journal of Experimental Psychology Section A 58:8 ► pp. 1347 ff.

Bigand, Emmanuel, Bénédicte Poulin, Barbara Tillmann, François Madurell & Daniel A. D'Adamo

2003. Sensory versus cognitive components in harmonic priming.. Journal of Experimental Psychology: Human Perception and Performance 29:1 ► pp. 159 ff.

Liu, Chao-Lin, Juei-Yu Weng, Yi-Hsuan Chuang & Jie-Li Tsai

2010. 2010 International Conference on Technologies and Applications of Artificial Intelligence, ► pp. 66 ff.

MARGULIS, ELIZABETH HELLMUTH

2007. Surprise and Listening Ahead: Analytic Engagements with Musical Tendencies. Music Theory Spectrum 29:2 ► pp. 197 ff.

Margulis, Elizabeth Hellmuth & William H. Levine

2006. Timbre priming effects and expectation in melody. Journal of New Music Research 35:2 ► pp. 175 ff.

Wall, Leona, Robert Lieck, Markus Neuwirth & Martin Rohrmeier

2020. The Impact of Voice Leading and Harmony on Musical Expectancy. Scientific Reports 10:1

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