Article published In:
BabelVol. 63:5 (2017) ► pp.667–688
Re-assessing the ‘weight’ of translations within the context of translated soap operas
In translation studies, investigating translations beyond the implications, realities and difficulties of single texts and single
language combinations, viewing the larger picture surrounding translations and following the translations through to the impacts
they produce wherever they are received, is an integral part of the discipline. The study discussed in this article is an effort
to present food for thought for audiovisual translators of soap operas. Turkish soap operas have been aired in 90 countries around
the world, reaching over 400 million viewers, according to 2014 statistics from the sector. The aim of the study is to indicate
the type of translated soap operas preferred in different regions of the world; to explain, on the basis of feedback from experts,
the public and local and international media, why these are watched; and to investigate the translation modes and strategies used
to market the translations successfully in the receiver markets.
Article outline
- 1.Introduction
- 2.Reasons behind the success of Turkish soap operas
- 2.1Content and the manipulation of the content
- 2.1.1Portrayal of issues which are taboo in the viewer country
- 2.1.2Focus on family and values
- 2.1.3Creation of strong women characters
- 2.1.4TV policies in Turkey and censorship making originals acceptable for conservative audiences
- 2.2Similarities and creating empathy
- 2.2.1Cultural/linguistic similarities
- 2.2.2Religious/social similarities
- 2.2.3Shared history and commonalities
- 2.3Economic and political factors
- 2.3.1Portrayal of a synthesis of the West and the East
- 2.3.2Social and political changes and aspirations in the viewer country
- 3.Translations of Turkish soap operas
- 3.1Translations of the names of Turkish soap operas
- 3.2Dubbed Turkish soap operas
- 3.3Subtitled Turkish soap operas
- 3.4Adaptations and remakes of Turkish soap operas and Turkish remakes
- 3.5Censorship
- 4.Conclusion
-
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