Part of
Audio Description: New perspectives illustratedEdited by Anna Maszerowska, Anna Matamala and Pilar Orero
[Benjamins Translation Library 112] 2014
► pp. 11–28
Edited by Anna Maszerowska, Anna Matamala and Pilar Orero
[Benjamins Translation Library 112] 2014
► pp. 11–28
Chapter 1. Audiointroductions
References
Bordwell, David
2009 “(50) Days of Summer (movies) Part 2.” Observations on Film Art, September 12. Accessed March 18, 2013. [URL].
Di Giovanni, Elena, and Agnese Morettini
2012 “Audio Description Meets Audio Introduction: An Italian Experiment.” Paper presented at
Languages and the Media, 9th International Conference on Language Transfer in Audiovisual Media
, Berlin, Germany, 23 November, 2012.
Emerson, Jim
2009 “Some Ways to Watch Inglourious Basterds.” Scanners: Blog, August 24. Accessed March 18, 2013. [URL].
Fryer, Louise
2013 “Putting It into Words: The Impact of Visual Impairment on Perception, Experience and Presence.” PhD diss., Goldsmiths College, University of London.
Fryer, Louise, and Jonathan Freeman
2012a “Presence in Those with and without Sight: Implications for Virtual Reality and Audio Description.” Journal of CyberTherapy and Rehabilitation 5 (1): 15–23.
2012b “Cinematic Language and the Description of Film: Keeping AD Users in the Frame.” Perspectives: Studies in Translatology 21 (3): 412–426. 
Independent Television Commission (ITC)
Jankowska, Anna
2013 “Talking a British Idea to Poland: Audio Introductions for Voiced-over Films.” Paper presented at the
4th Advanced Research Seminar on Audio Description (ARSAD)
, Barcelona, Spain, March 13–14, 2013.
Pettitt, Bridget, Katharine Sharpe, and Steven Cooper
1996 “AUDETEL: Enhancing Telesight for Visually Impaired People.” British Journal of Visual Impairment 14 (2): 48–52.
Remael, Aline, and Nina Reviers
2013 “Combining Introductions and Audio Descriptions in Theatre.” Paper presented at the
4th Advanced Research Seminar on Audio Description (ARSAD)
, Barcelona, Spain, March 13–14, 2013.
Romero-Fresco, Pablo, and Louise Fryer
2013 “Could Audio Described Films Benefit from Audio Introductions? An Audience Response Study.” Journal of Visual Impairment and Blindness 107 (4): 287–285.
Romero-Fresco, Pablo
2013 “Accessible Filmmaking: Joining the Dots between Audiovisual Translation, Accessibility and Filmmaking.” Journal of Speciali Translation 20: 201–223.
Vilaró, Anna, and Pilar Orero
2013 “Leitmotif in Audio Description: Anchoring Information to Optimise Retrieval.” International Journal of Humanities and Social Science 3 (5): 56–64.
York, Greg
2007 “Verdi Made Visible: Audio Introduction for Opera and Ballet.” In Media for All. Subtitling for the Deaf, Audio Description and Sign Language, ed. by Jorge Díaz Cintas, Pilar Orero, and Aline Remael, 215–229. Amsterdam: Rodopi.
Cited by
Cited by 5 other publications
Fryer, Louise
2021. Accessing access: the importance of pre-visit information to the attendance of people with sight loss at live audio described events. Universal Access in the Information Society 20:4 ► pp. 717 ff. 
Greco, Gian Maria & Anna Jankowska
2020. Media Accessibility Within and Beyond Audiovisual Translation. In The Palgrave Handbook of Audiovisual Translation and Media Accessibility [Palgrave Studies in Translating and Interpreting, ], ► pp. 57 ff.
Iturregui-Gallardo, Gonzalo & Irene Hermosa-Ramírez
2023. Applying feminist translation strategies in audio description. Babel. Revue internationale de la traduction / International Journal of Translation / Revista Internacional de Traducción
Maszerowska, Anna
2015. Highlight the lights: Towards strategies for audio describing lighting in film. Perspectives 23:3 ► pp. 406 ff.
Rojo López, Ana María & Marina Ramos Caro
This list is based on CrossRef data as of 12 april 2024. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.