Chapter published in:Audio Description: New perspectives illustrated
Edited by Anna Maszerowska, Anna Matamala and Pilar Orero
[Benjamins Translation Library 112] 2014
► pp. 81–102
2005 Norma UNE 153020. Audiodescripción para personas con discapacidad visual. Requisitos para la audiodescripción y elaboración de audioguías [Audio description for visually impaired people. Guidelines for audio description procedures and for the preparation of audio guides]. Madrid: AENOR(English version in Rai, Greening and Petré 2010, Annexe 1).
Audio Description: Lifelong Access for the Blind (ADLAB)
2013 Report on Text Analysis and Development. Report no. 2, ADLAB Project. Accessed March 20, 2013. http://www.adlabproject.eu/.
Audio Description Project (An Initiative of the American Council of the Blind, Formerly AD International) (ADP)
2009 Accessed March 20, 2013. http://www.acb.org/adp/adi.html.
2013 “Audio Description of Cinematographic Language: A Comparative Study of Several Describers’ Approaches.” Paper presented at the 4th Advanced Research Seminar on Audio Description, Barcelona, Spain, March 13–14, 2013.
Bellamy, Jason, and Ed Howard
2009 “The Conversations: Quentin Tarantino (Part 2).” Accessed February 4, 2014. http://www.slantmagazine.com/house/2009/02/the-conversations-quentin-tarantino-part-2.
Benecke, Bernd, and Elmar Dosch
Bordoni, Andera, and Matteo Marino
Busarello, Eraldo, and Fabio Sordo
Casetti, Federico, and Francesco di Chio
The Described and Captioned Media Program (DCMP)
2008 Description Key: One of the DCMP’s Keys to Access. U.S. Department of Education: The Described and Captioned Media Program. Accessed February 4, 2014. http://www.descriptionkey.org/.
De Beni, Rossana, and Cesare Cornoldi
2012 “Tradurre per l’accessibilità. audiodescrizione e audiointroduzione del film Slumdog Millionaire ” [Translating for accessibility: audio description and audio introduction of Slumdog Millionaire ].” MA diss., University of Trieste, Italy.
2009 “Tarantino’s Inglourious Basterds 1. Film Kills.” Bright Lights Film Journal 66. Accessed February 4, 2014. http://brightlightsfilm.com/66/66ig1dima.php.
2010a “Cutting the Basterds.” [Web log post] Scanners: Blog, October 2. Accessed February 4, 2014. http://www.blogs.suntimes.com/scanners/2010/10/cutting_the_basterds.html.
2010b “Cutting the Basterds.” [Video file] Scanners: Blog, October 2. Accessed February 4, 2014. http://www.blogs.suntimes.com/scanners/2010/10/cutting_the_basterds.html.
Fryer, Louise, and Jonathan Freeman
Garsoffky, Bärbel, Markus Huff, and Stephen Schwan
2008 “Audio Description Guidelines for Greek: A Working Document.” In A Comparative Study of Audio Description Guidelines Prevalent in Different Countries, ed. by Sonali Rai, Joan Greening, and Leen Petré (2010), 105–108. London: Media and Culture Department, Royal National Institute of Blind People (RNIB).
Gonant, Frédéric, and Laure Morisset
2008 La charte de l’audiodescription [The audio description chart]. Accessed February 4, 2014. http://www.social-sante.gouv.fr/IMG/pdf/Charte_de_l_audiodescription_300908.pdf.
2005 “Audio Description: Art or Industry?” Accessed February 4, 2014. http://www.rainahaig.com/pages/AudioDescriptionAorI.html.
2013 “Matter or Meaning? The Use of Description in Museums and Galleries.” Paper presented at the 4th Advanced Research Seminar on Audio Description , Barcelona, Spain, March 13–14, 2013.
Huckin, Thomas, and James Coady
Independent Television Comission (ITC)
2000 Guidance on Standards for Audio Description. Accessed May 5, 2014. http://www.ofcom.org.uk/static/archive/itc/itc_publications/codes_guidance/audio_description/index.asp.html.
2009 “The Split-Screen Aesthetic: Connecting Meaning between Fragmented Frames.” MA diss., Montana State University, Bozeman, Montana.
Jiménez, Catalina, Ana Rodríguez, and Claudia Seibel
Kost, Claudia, Pamelo Foss, and John Lenzini
Kruger, Jan Louis
Kuhn, Annette, and Guy Westwell
Media Access Australia (MAA)
2012 Audio Description Guidelines. Accessed February 4, 2014. http://www.mediaaccess.org.au/practical-web-accessibility/media/audio-description-guidelines.
2009 “Quentin Tarantino and I clicked.” The Observer , December 6. Accessed February 4, 2014. http://www.guardian.co.uk/film/2009/dec/06/sally-menke-quentin-tarantino-editing.
2009 “Inglourious Basterds. d. Quentin Tarantino, 2009”. Catecinem, March 20. Accessed February 4, 2014. http://www.catecinem.wordpress.com/2011/03/20/inglourious-basterds/.
2010 Code on Television Access Services. Accessed May 5, 2014. http://stakeholders.ofcom.org.uk/binaries/broadcast/other-codes/ctas.pdf.
Rai, Sonali, Joan Greening, and Leen Petré
Remael, Aline, and Gert Vercauteren
2011 “Basisprincipes voor audiobeschrijving voor televisie en film” [Basics of audio description for television and film].” Workshops AD 2013 . Antwerp: Departement Vertalers and Tolken, Artesis Hogeschool.
2008 “Inglourious Basterds”. Film script.
Teasley, Alan, and Ann Wilder
2012 “Guided by Sound and Light. How do Film Techniques Guide our Attention in Film Processing”. Paper presented at the 25th Cats Conference, Victoria, BC, May 31, 2012.
2008 “The Language of Films”. Ken Stone’s Final Cut Pro Website, June 30. Accessed February 4, 2014. http://www.kenstone.net/fcp_homepage/language_of_film.html.
Cited by 2 other publications
Lopez, Mariana, Gavin Kearney, Krisztian Hofstädter & Gianluca Balla
This list is based on CrossRef data as of 02 may 2021. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.