Chapter published in:
Opera in Translation: Unity and diversity
Edited by Adriana Şerban and Kelly Kar Yue Chan
[Benjamins Translation Library 153] 2020
► pp. 135158
References

References

Primary sources

Libretti

Buckstone, John Baldwin
1828A New Don Juan! An Operatical, Satirical [&c.] Burletta. London.Google Scholar
Da Ponte, Lorenzo
1833Songs, duets, recitative, &c. &c. in Don Juan; an Opera, Adapted from the Original, etc., Trans. by S. Beazley. London: John Miller.Google Scholar
1938Don Giovanni. A Comic Opera in Two Acts. Trans. by Edward J. Dent. London: Oxford University Press.Google Scholar
1950Don Giovanni. A Comic Drama in Two Acts. Words by Lorenzo Da Ponte. Music by Wolfgang Amadeus Mozart. English Version by Ruth and Thomas Martin. New York: Program Publishing Company.Google Scholar
1983 “Don Giovanni. Dramma giocoso in Two Acts.” Trans. by Norman Platt and Laura Sarti, in Don Giovanni: Wolfgang Amadeus Mozart, 47–109. London: Calder.Google Scholar
Moncrieff, William T.
1817Giovanni in London; Or, the Libertine Reclaimed. An Operatic Extravaganza in Two Acts. London.Google Scholar
Müller, Ulrich, and Oswald Panagl
(eds) 1991Don Giovanni in New York: Lorenzo Da Pontes italienisch-englisches Libretto für die US-Erstaufführung von Mozarts Oper (1826). Mit dem Libretto des Oper “Mozart in New York” von Herbert Rosendorfer / Helmut Eder (1991). Anif / Salzburg: Verlag Ursula Müller-Speiser.Google Scholar
Sams, Jeremy
2013 “ Don Giovanni: A Libretto.” Areté 42: 33–113.Google Scholar

Vocal scores

Mozart, Wolfgang Amadeus
[1818] Don Juan, or the Libertine. A grand operatic drama, in two acts … Selected from … Mozart’s Il Don Giovanni, adapted for the English stage, and arranged from the score, by Henry R. Bishop … The poetry by J. Pocock. London: Goulding, D’Almaine, Potter & Co.Google Scholar
[1830?] Dear Love, while thee possessing. Aria … arranged & adapted … by T. H. Reynoldson [English version of Don Ottavio’s aria “Il mio Tesoro”]. Edinburgh: Paterson Roy & Co.Google Scholar
[1850] Don Juan; or the Libertine punished. (Il Don Giovanni) ossia (Il Dissoluto punito). Founded on the Spanish tale of L. Tirso de Molina by the Abbé da Ponte, and rendered into English from the Italian by J. Wrey Mould. Revised from the orchestral score by W. S. Rockstro. London: Boosey and Co.Google Scholar
[1871] Don Giovanni. An Opera in Two Acts … Translated into English, and Corrected According to the Original Score by Natalia Macfarren. London: Novello, Ewer and Co.Google Scholar
1961Don Giovanni. Opera in Two Acts […] English Version by W. H. Auden and Chester Kallman. New York: Schirmer.Google Scholar

Audio recordings

Mozart, Wolfgang Amadeus
2001Don Giovanni. Conducted by David Parry. English trans. by Amanda Holden. Chandos 3057(3), Opera in English.Google Scholar

Secondary sources

Apter, Ronnie, and Mark Herman
2016Translating for Singing: The Theory, Art and Craft of Translating Lyrics. London: Bloomsbury.Google Scholar
Auden, Wystan H. [and Chester Kallman
] 1962 “Translating Opera Libretti.” In The Dyer’s Hand and Other Essays, by Wystan H. Auden, 483–99. London: Faber and Faber.Google Scholar
Beethoven, Ludwig van
[1851] Fidelio, a Lyric Drama Taken from the French by Joseph Sonnleithner and Friedrich Treitschke and Rendered into English from the German by J. Wrey Mould … Revised from the Orchestral Score by W. S. Rockstro. London: Boosey and Co.Google Scholar
Carey, Hugh
1979Duet for Two Voices: An Informal Biography of Edward Dent. Compiled from His Letters to Clive Carey. Cambridge: Cambridge University Press.Google Scholar
Cowgill, Rachel
1998 “Re-gendering The Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage.” Cambridge Opera Journal 10 (1): 45–66. CrossrefGoogle Scholar
Degott, Pierre
2014 “Les enjeux de la traduction dans la réception de Haendel en Grande Bretagne entre 1945 et 1970” [The Issue of Translation in the Reception of Handel’s Works in Great Britain, 1945–1970]. La Revue Lisa 12 (6), https://​journals​.openedition​.org​/lisa​/6364, last accessed 23 March 2020. Crossref
Dent, Edward J.
1945A Theatre for Everybody: the Story of the Old Vic and Sadler’s Wells. London: Boardman.Google Scholar
1947Mozart’s Operas: A Critical Study. Oxford: Clarendon.Google Scholar
1979 “The Translation of Operas”. In Selected Essays, ed. by Hugh Taylor, 1–23. Cambridge: Cambridge University Press. [Originally published in Proceedings of the Musical Association 61 (1934/1935): 81–104]Google Scholar
Desblache, Lucile
2013 “Tales of the Unexpected: Opera as a New Arts of Glocalisation.” In Music, Text and Translation, ed. by Helen Julia Minors, 9–20. London: Bloomsbury.Google Scholar
Forbes, Elizabeth
1975 “Student Performances.” Opera 25 (4): 80.Google Scholar
Forster, Edward M.
[1905] 2001Where Angels Fear to Tread. Ed. by Oliver Stallybrass. Harmondsworth: Penguin.Google Scholar
Golomb, Harai
2005 “Music-Linked Translation (MLT) and Mozart’s Operas: Theoretical, Textual and Practical Perspectives.” In Song and Significance: Virtues and Vices of Vocal Translation, ed. by Dinda L. Gorlée, 121–162. Amsterdam: Rodopi.Google Scholar
Hocquard, Jean-Victor
1978Le Don Giovanni de Mozart. Paris: Aubier.Google Scholar
1979 “Commentaire musical et littéraire.” L’Avant-Scène Opéra 24: 35–125.Google Scholar
Jacobs, Arthur
1983 “ Don Giovanni. Kent Opera at Sadler’s Wells Theatre, April 23.” Opera 34 (6): 106.Google Scholar
Jouve, Pierre-Jean
1942Le Don Juan de Mozart. Paris: Plon.Google Scholar
Kerman, Joseph
1954 “Opera à la mode.” The Hudson Review 6 (4): 560–577. CrossrefGoogle Scholar
Kozinn, Allan
2000 “Ruth Martin, 86, Translator of Rare and Popular Operas.” The New York Times 16 December, https://​www​.nytimes​.com​/2000​/12​/16​/arts​/ruth​-martin​-86​-translator​-of​-rare​-and​-popular​-operas​.html, last accessed 23 March 2020.
Loewenberg, Alfred
1943Annals of Opera, 1597–1940. Cambridge: Heffer.Google Scholar
Marschall, Gottfried R.
2004 “Traduire l’opéra : quel défi !” [The Challenge of Opera Translation]. In La Traduction des livrets: Aspects théoriques, historiques et pragmatiques, ed. by Gottfried R. Marschall, 11–26. Paris: Presses de l’Université Paris-Sorbonne.Google Scholar
Milnes, Rodney
(ed.) 1975 “The Translator at Work Part 3.” Opera 26: 242–250.Google Scholar
Minter, Drew
2001 “Mozart: Don Giovanni (in English).” Opera News 66 (5): 57–58.Google Scholar
Noiray, Michel
1996 “Commentaire musical et littéraire [de Don Giovanni ].” L’Avant-Scène Opéra 172: 12–124.Google Scholar
Northcott, Richard
1920The Life of Sir Henry R. Bishop. London: Press Printers.Google Scholar
Rosenthal, Harold
1958Two Centuries of Opera at Covent Garden. London: Putnam.Google Scholar
1986 “British Opera Diary [Don Giovanni].” Opera 37 (2): 211–214.Google Scholar
Tråvén, Marianne
2005 “Musical Rhetoric – the Translator’s Dilemma: A Case for Don Giovanni .” In Song and Significance: Virtues and Vices of Vocal Translation, ed. by Dinda L. Gorlée, 103–120. Amsterdam: Rodopi.Google Scholar
Santley, Charles
1893Student and Singer: The Reminiscences of Charles Santley. London: Arnold.Google Scholar
Spiegelmann, Willard
1982 “The Rake, the Don, the Flute: W. H. Auden as Librettist.” Parnassus: Poetry in Review 10 (2): 171–187.Google Scholar
Weisstein, Ulrich
1970 “Reflections on a Golden Style: W. H. Auden’s Theory of Opera.” Comparative Literature 22 (2): 108–124. CrossrefGoogle Scholar
Westrup, Jack
1946 “Dent as Translator.” Music Review 7: 198–204.Google Scholar