The demonization of Ascar Wilde’s Salomé in Hedwig Lachmann’s german translation and in RichardStrauss’ opera: From saint to sinner

Kohlmayer, Rainer

doi:10.1075/btl.20.12koh

Part of

Translation as Intercultural Communication: Selected papers from the EST Congress, Prague 1995
Edited by Mary Snell-Hornby, Zuzana Jettmarová and Klaus Kaindl
[Benjamins Translation Library 20] 1997
► pp. 111–

From saint to sinner

The demonization of Ascar Wilde’s Salomé in Hedwig Lachmann’s german translation and in RichardStrauss’ opera

Rainer Kohlmayer

Published online: 21 August 1997

https://doi.org/10.1075/btl.20.12koh

Cited by

Cited by 2 other publications

Buts, Jan

2022. Invented languages, intertextuality, and indirect translation: Wilde’s Salomé in Esperanto. Translation Studies 15:2 ► pp. 125 ff.

Valdeón, Roberto A.

2022. The voice(s) of Julio Gómez de la Serna in Oscar Wilde’s Obras completas . Translation and Interpreting Studies 17:2 ► pp. 220 ff.

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