Synchronization in dubbing

Cited by 39 other publications

Ameri, Saeed, Masood Khoshsaligheh & Ali Khazaee Farid

2018. The reception of Persian dubbing: a survey on preferences and perception of quality standards in Iran. Perspectives 26:3 ► pp. 435 ff.

Asimakoulas, Dimitris

2018. Synchrony issues in comics. Language transfer and gender-specific characterisation in English translations of Greek Aristophanic comics. Journal of Graphic Novels and Comics 9:4 ► pp. 350 ff.

Baños, Rocío

2013. ‘That is so cool’: investigating the translation of adverbial intensifiers in English-Spanish dubbing through a parallel corpus of sitcoms. Perspectives 21:4 ► pp. 526 ff.

Baños, Rocío

2019. Translating reality TV into Spanish: when fast-food TV challenges AVT conventions. Perspectives 27:2 ► pp. 265 ff.

Baños1, Rocío

2014. Orality Markers in Spanish Native and Dubbed Sitcoms: Pretended Spontaneity and Prefabricated Orality. Meta 59:2 ► pp. 406 ff.

Bernabo, Laurena

2021. Whitewashing diverse voices: (de)constructing race and ethnicity in Spanish-language television dubbing. Media, Culture & Society 43:7 ► pp. 1297 ff.

Chen, Yuping

2019.  In Translating Film Subtitles into Chinese, ► pp. 1 ff.

Chua, Beng Huat

2012.  In The International Encyclopedia of Media Studies,

Delabastita, Dirk

2019.  In The Cambridge Guide to the Worlds of Shakespeare, ► pp. 1339 ff.

Díaz Cintas, Jorge & Pilar Orero

2010.  In Handbook of Translation Studies [Handbook of Translation Studies, 1], ► pp. 441 ff.

Gambier, Yves

2006. Orientations de la recherche en traduction audiovisuelle. Target. International Journal of Translation Studies 18:2 ► pp. 261 ff.

Huat, Chua Beng

2011.  In Genre in Asian Film and Television, ► pp. 222 ff.

Khoshsaligheh, Masood & Saeed Ameri

2016. Synchrony strategies in voiced-over English nature documentaries into Persian: implications for research and training. Journal of Media Practice 17:1 ► pp. 48 ff.

Koverienė, Indrė & Danguolė Satkauskaitė

2018.  In Readings in Numanities [Numanities - Arts and Humanities in Progress, 3], ► pp. 67 ff.

Kozulyaev, Alexey

2020.  In Translation Education [New Frontiers in Translation Studies, ], ► pp. 155 ff.

Lakew, Surafel M., Marcello Federico, Yue Wang, Cuong Hoang, Yogesh Virkar, Roberto Barra-Chicote & Robert Enyedi

2021.  In ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), ► pp. 7538 ff.

Lakew, Surafel M., Yogesh Virkar, Prashant Mathur & Marcello Federico

2022.  In ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), ► pp. 6242 ff.

Matamala, Anna

2020.  In The Palgrave Handbook of Audiovisual Translation and Media Accessibility, ► pp. 133 ff.

Mejías-Climent, Laura

2021.  In Enhancing Video Game Localization Through Dubbing, ► pp. 117 ff.

Minutella, Vincenza

2021.  In (Re)Creating Language Identities in Animated Films, ► pp. 75 ff.

Pakar, Elnaz & Masood Khoshsaligheh

2022. American House of Cards in Persian: culture and ideology in dubbing in Iran. Perspectives 30:3 ► pp. 487 ff.

Pedersen, Jan

2010. Audiovisual translation – in general and in Scandinavia. Perspectives 18:1 ► pp. 1 ff.

Pedersen, Jan

2020.  In The Palgrave Handbook of Audiovisual Translation and Media Accessibility, ► pp. 417 ff.

Pettit, Z.

2007. Translating Verbal and Visual Language inThe Piano. Perspectives 15:3 ► pp. 177 ff.

Qiu, Juerong

2021. Marked and unmarked: queerness in film translation in China. Asia Pacific Translation and Intercultural Studies 8:2 ► pp. 178 ff.

Renna, Rocca Floriana

2022.  In Concepts, Discourses, and Translations [Second Language Learning and Teaching, ], ► pp. 325 ff.

Reus, Tim

2020. Not a footprint to be seen: isolation in the interplay between words, music and image in two Dutch-language dubbed versions of ‘Let it go’. Perspectives 28:2 ► pp. 271 ff.

Sanchez, Nicolas

2019.  In The Cambridge Guide to the Worlds of Shakespeare, ► pp. 1369 ff.

Satkauskaitė, Danguolė, Miglė Onskulytė & Lina Abraitienė

2015. Deiktinė referencija kaip personažo įvaizdžio kūrimo priemonė dubliuotame animaciniame filme „Sniego laiškanešys“: lietuviškos, rusiškos ir angliškos versijos palyginimas. Coactivity: Philology, Educology 23:1 ► pp. 26 ff.

Scarpi, Daniele, Gabriele Pizzi & Stefano Prestini

2020. Dub or sub: effects of dubbing versus subtitling on TV advertising efficacy. Italian Journal of Marketing 2020:2-3 ► pp. 189 ff.

Sepielak, Katarzyna & Anna Matamala

2014. Synchrony in the voice-over of Polish fiction genres. Babel. Revue internationale de la traduction / International Journal of Translation 60:2 ► pp. 145 ff.

Shih, Pei Chun

2020. On the translation of Japanese politeness into Cantonese. Chinese Language and Discourse. An International and Interdisciplinary Journal 11:2 ► pp. 287 ff.

Spiteri Miggiani, Giselle

2019.  In Dialogue Writing for Dubbing, ► pp. 3 ff.

Sánchez-Mompeán, Sofía

2020.  In The Prosody of Dubbed Speech, ► pp. 19 ff.

Tang, Jun

2014. TranslatingKung Fu Panda's kung fu-related elements: cultural representation in dubbing and subtitling. Perspectives 22:3 ► pp. 437 ff.

Valdeón, Roberto A.

2011. Dysfluencies in simulated English dialogue and their neutralization in dubbed Spanish. Perspectives 19:3 ► pp. 221 ff.

Virkar, Yogesh, Marcello Federico, Robert Enyedi & Roberto Barra-Chicote

2021.  In ICASSP 2021 - 2021 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), ► pp. 7543 ff.

Yahiaoui, Rashid, Marwa J Aldous & Ashraf Fattah

2021. Functional and sociocultural attitudes of code-switching and its relation to the meaning-making process: The case of dubbing Kim Possible into Arabic. International Journal of Bilingualism 25:5 ► pp. 1349 ff.

张, 颜颜

2021. Exploring the Adaptation of Japanese Films to the Basic Principles of Film and Television Translation—By Comparing the Chinese Dubbing and Subtitling of the Translated Film Parasyte. Modern Linguistics 09:01 ► pp. 249 ff.

This list is based on CrossRef data as of 14 june 2022. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.