Chapter 7
Clear is sweet
Defining aesthetic sake taste terms with a usage-based approach
Taste terms such as soft for wine often have a special meaning that differs from their general definition. This chapter proposes a way to define terms of Japanese sake taste by employing (1) a usage-based approach, (2) “encyclopedic semantics” rather than a “dictionary view,” and (3) sense-making theory (Fukaya & Tanaka, 1996; Tanaka & Fukaya, 1998), drawing on data from a “sake tasting description corpus.” Sixteen high-frequency adjectivals (e.g., yawarakai ‘soft’) are selected and their sense(s) defined in a bottom-up and abductive fashion based on scores indicating the strength of co-occurrence between terms. The suggestion is that the target terms can have a sense related to taste, flavor, texture, time flow, etc. not normally provided by an ordinary dictionary.
Article outline
- 1.Introduction
- 2.Theoretical background
- 2.1Sense-making theory and epistemological background: How is taste as an event constructed in the mouth?
- 2.2Usage-based approach
- 2.3The terms under investigation: Aesthetic terms
- 3.Method
- 3.1Corpus and text coding (mining) tool
- 3.1.1Corpus
- 3.1.2Coding tool
- 3.2How to define adjectives and adjectival nouns
- 3.2.1Calculation of the co-occurrence score with KWIC
- 3.2.2Defining the target terms
- 4.Results
- 4.1Adjectives
- 4.1.1Yawarakai ‘soft’
- 4.1.2Karui ‘light’
- 4.1.3Katai ‘firm’
- 4.1.4Marui ‘round’
- 4.1.5Futoi ‘bold’
- 4.1.6Kōbashii ‘roasted aromatic’
- 4.1.7Yasashii ‘tender’
- 4.1.8Chikarazuyoi ‘powerful’
- 4.2Adjectival nouns
- 4.2.1Kirei ‘clean’
- 4.2.2Odayaka ‘calm’
- 4.2.3Sawayaka ‘fresh’
- 4.2.4Tōmei ‘clear’
- 4.2.5Fukuyoka ‘plump’
- 4.2.6Hanayaka ‘gorgeous’
- 4.2.7Maroyaka ‘mellow’
- 4.2.8Fukuzatsu ‘complex’
- 4.3Summary
- 5.Discussion
- 5.1Clear is sweet
- 5.2On Lehrer’s approach to lexical relationships
- 6.Conclusion
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Notes
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References
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Appendix