Romantic Poetry

Editor
| University of Western Ontario
HardboundAvailable
ISBN 9789027234506 (Eur) | EUR 190.00
ISBN 9781588111128 (USA) | USD 285.00
 
e-Book
ISBN 9789027297761 | EUR 190.00 | USD 285.00
 
Romantic Poetry encompasses twenty-seven new essays by prominent scholars on the influences and interrelations among Romantic movements throughout Europe and the Americas. It provides an expansive overview of eighteenth- and nineteenth-century poetry in the European languages. The essays take account of interrelated currents in American, Argentinian, Brazilian, Bulgarian, Canadian, Caribbean, Chilean, Colombian, Croatian, Czech, Danish, English, Estonian, Finnish, French, German, Greek, Hungarian, Irish, Italian, Mexican, Norwegian, Peruvian, Polish, Romanian, Russian, Serbian, Slovak, Spanish, Swedish, and Uruguayan literature. Contributors adopt different models for comparative study: tracing a theme or motif through several literatures; developing innovative models of transnational influence; studying the role of Romantic poetry in socio-political developments; or focusing on an issue that appears most prominently in one national literature yet is illuminated by the international context. This collaborative volume provides an invaluable resource for students of comparative literature and Romanticism.

SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Publishing status: Available
Table of Contents
Introduction
Angela Esterhammer
vii–xi
1. The Evolution of Sensibility and Representation
1.1 Autumn in the Romantic Lyric: An Exemplary Case of Paradigm Shift
Lilian R. Furst
3–22
1.2 Reflection as Mimetic Trope
Frederick Burwick
23–38
1.3 On Romantic Cognition
Maria Cieśla-Korytowska
39–53
1.4 Vörösmarty and the Poetic Fragment in Hungarian Romanticism
Mihály Szegedy-Maszák
55–61
1.5 Loss and Expectation: Temporal Entwinement as Theme and Figure in Novalis, Wordsworth, Nerval, and Leopardi
John M. Baker, Jr.
63–89
1.6 Poetry as Self-Consumption: Women Writers and Their Audiences in British and German Romanticism
Kari Lokke
91–111
2. The Evolution of Genre
2.1 Lyric Poetry in the Early Romantic Theory of the Schlegel Brothers
Ernst Behler
115–141
2.2 The Romantic Ode: History, Language, Performance
Angela Esterhammer
143–162
2.3 The European Romantic Epic and the History of a Genre
Irena Nikolova
163–180
2.4 The Sublime Sonnet in European Romanticism
Ian Balfour
181–195
2.5 Elegiac Muses: Romantic Women Poets and the Elegy
Patrick Vincent
197–221
3. Romantic Poetry and National Projects
3.1 Awakening Peripheries: The Romantic Redefinition of Myth and Folklore
George Bisztray
225–248
3.2 “National Poets” in the Romantic Age: Emergence and Importance
Virgil Nemoianu
249–255
3.3 Romanian Poetry and the Great Romantic Narrative about the Mission of the Poet
Monica Spiridon
257–267
3.4 Greek Romanticism: A Cosmopolitan Discourse
Gregory Jusdanis
269–286
3.5 Time and History in Spanish Romantic Poetry
Donald L. Shaw
287–303
3.6 The Experience of the City in British Romantic Poetry
Michael Gassenmeier and Jens Martin Gurr
305–331
3.7 “Sons of Song”: Irish Literature in the Age of Nationalism
Julia M. Wright
333–353
3.8 Near the Rapids: Thomas Moore in Canada
D.M.R. Bentley
355–371
3.9 Address and Its Dialectics in American Romantic Poetry
Frederick Garber
373–399
3.10 Romantic Poetry in Latin America
Gwen Kirkpatrick
401–416
4. Interpretations, Re-creations, and Performances of Romantic Poetry
4.1 Baudelaire’s Re-reading of Romanticism: Theorizing Commodities / The Commodification of Theory
Geraldine Friedman
419–441
4.2 Nachtigallenwahnsinn and Rabbinismus: Heine’s Literary Provocation to German-Jewish Cultural Identity
Thomas Pfau
443–460
4.3 Reception as Performance: The Case of Shelley in Germany
Susanne Schmid
461–472
4.4 Implications of an Influence: On Hölderlin’s Reception of Rousseau
Stanley Corngold
473–489
4.5 Organicist Poetics as Romantic Heritage?
John Neubauer
491–507
4.6 The Uses of Romantic Poetry: Feminine Subjects in Modern Spanish Culture
Susan Kirkpatrick
509–524
Index of Names
525–530
Index of Titles
531–537
“Ausführliche Namen- und Titelregister geben in Romatic Poetry Auskunft über das gesamte Spektrum dessen, was der Band umfasst; sie sind Fundgruben für denjeningen, der sich über Autoren, über Quellen, über Gemeinsamkeiten und Unterschiede von romantischer Poesie in der west-östlichen Welt informieren möchte. Auf diese Weise machen sie den Band zu einem unverzichtbaren Hilfsmittel für eine international interessierte Romatik-Forschung...”
Cited by

Cited by other publications

Bordoni, Silvia
2007. From Madame de Staël to Lord Byron: The Dialectics of European Romanticism. Literature Compass 4:1  pp. 134 ff. Crossref logo
Corinne Ondine Pache, Casey Dué , Susan Lupack & Robert Lamberton
2020.  In The Cambridge Guide to Homer, Crossref logo

This list is based on CrossRef data as of 01 may 2020. Please note that it may not be complete. Sources presented here have been supplied by the respective publishers. Any errors therein should be reported to them.

Subjects

Literature & Literary Studies

Comparative literature & literary studies
BIC Subject: DSB – Literary studies: general
BISAC Subject: LIT000000 – LITERARY CRITICISM / General
U.S. Library of Congress Control Number:  2001052830