A Comparative History of Literatures in the Iberian Peninsula

Volume II

Editors

César Domínguez

| Universidade de Santiago de Compostela & Sichuan University

Anxo Abuín González

| Universidade de Santiago de Compostela

Ellen Sapega

| University of Wisconsin-Madison

Hardbound – Available

ISBN 9789027234650 | EUR 190.00 | USD 285.00

e-Book –

ISBN 9789027266910 | EUR 190.00 | USD 285.00

Volume 2 of A Comparative History of Literatures in the Iberian Peninsula brings to an end this collective work that aims at surveying the network of interliterary relations in the Iberian Peninsula. No attempt at such a comparative history of literatures in the Iberian Peninsula has been made until now. In this volume, the focus is placed on images (Section 1), genres (Section 2), forms of mediation (Section 3), and cultural studies and literary repertoires (Section 4). To these four sections an epilogue is added, in which specialists in literatures in the Iberian Peninsula, as well as in the (sub)disciplines of comparative history and comparative literary history, search for links between Volumes 1 and 2 from the point of view of general contributions to the field of Iberian comparative studies, and assess the entire project that now reaches completion with contributions from almost one hundred scholars.

[Comparative History of Literatures in European Languages, XXIX] 2016. xiii, 765 pp.

Publishing status: Available

https://doi.org/10.1075/chlel.xxix

Table of Contents

Presidential Preface to Vol. 2 of A Comparative History of Literatures in the Iberian Peninsula Karen-Margrethe Lindskov Simonsen	xi–xiii
Introduction César Domínguez, Anxo Abuín González and Ellen Sapega	1–4
Section I. Images
Inter(-in)ventions: Images of national identity in the literatures of the Iberian Peninsula Dorothy Odartey-Wellington	5–10
Galician literature and the imaginary: Functions and problems Antón Figueroa and Elias J. Feijo Torres	11–19
“Catalonia is not Spain” Images of self and other in Catalan literature Stewart King	20–31
On the origins of images of gypsies Araceli Cañadas Ortega	32–42
The others in Golden Age drama Santiago Fernández Mosquera	43–54
Images of the “condemned” Europeans in the satiric works of Francisco de Quevedo Irene Bertuzzi	55–63
Vulnerability and the literary imagination in the Basque context: Julia Otxoa, Bernardo Atxaga, and Luisa Etxenike Annabel Martín	64–73
The odyssey of Spanish Jews: Un-homely Sefarad Dosinda Garcia-Alvite	74–86
Self-images and hetero-images in Portuguese youth literature Francesca Blockeel	87–99
Regional images and the struggle for life in Madrilenian literature Enrique Fernández Rivera	100–111
Newcomers and host nations: Literary images associated with immigrants in Spanish fictional narrative Dorothy Odartey-Wellington	112–124
Section II. Genres
Introduction: Laws and (inter-)texts Maria Fernanda de Abreu	125–130
Sefer ha-meshalim and the status of poetry in medieval Iberia Isabelle Levy	131–137
Pastoral. The pastoral romance Maria do Céu Fraga	138–154
Books of chivalry: Outline of a genre Isabel Almeida	155–170
The sonnet in the Iberian Peninsula in the sixteenth century Xosé Manuel Dasilva	171–183
The picaresque in Iberia and America (nineteenth to twentieth century) Maria Fernanda de Abreu	184–199
Religious and literary canons: Interferences and dissociations (sixteenth to eighteenth century) Zulmira C. Santos	200–205
The historical novel Maria de Fátima Marinho	206–216
The paths of a national idea of theatre in the Iberian Peninsula José Camões and Maria João Brilhante	217–239
The novel of adultery in Peninsular realist narrative Elena Losada Soler	240–255
Writing of the self. Iberian diary writing Enric Bou and Heike Scharm Cannon	256–267
Texts and images in contemporary Spanish children’s literature Euriell Gobbé-Mévellec	268–281
The essay Enric Bou and Ángel Otero-Blanco	282–292
Section III. Forms of mediation
Forms of mediation in the history of the literatures in the Iberian Peninsula Cesc Esteve and María José Vega	293–306
Imitatio, rewriting and tradition: Shields in Iberian epics Lara Vilà	307–318
Translation and cultural mediation in the fifteenth-century Hispanic kingdoms: The case of the Catalan-speaking lands Josep Pujol	319–326
Paratexts and mediation: The case of Ausiàs March in the sixteenth century Cesc Esteve	327–338
Quis libri legendi. The canon and the forms of its assimilation in Renaissance rationes studiorum Iveta Nakládalová	339–350
Translation in diaspora: Sephardic Spanish-Hebrew translations in the sixteenth century David Wacks	351–363
The Atlantic-Iberian Enlightenment: On the imperial-colonial and Morisco-Basque mediations of the Spanish Enlightenment Joseba Gabilondo	364–380
The anthology as instrument of mediation María Rábade	381–399
Cultural nationalism and school Isabel Clúa Ginés	400–408
The recent systemic repositioning of literature in the French Basque Country: Origins of a literary subfield Ur Apalategi	409–423
Censorship and narrative at the crossroads in Spain and Portugal: An overview of the literature translated in periods of dictatorship in the Iberian Peninsula Cristina Gómez Castro	424–437
Section IV. Cultural studies and literary repertoires
Forever young : Disciplinary anxiety, or the eternal (re)birth of Spanish cultural studies Anxo Abuín González	439–451
Elements for a critique of the paraliterary novel in the Iberian Peninsula, 1860-1890 Santiago Díaz Lage	452–465
“Popular” spectacles in Spain during the Restoration Serge Salaün	466–481
The phenomenon of the bestseller in the Iberian Peninsula David Viñas Piquer	482–497
Postdigital fiction: Exit and memory Germán Sierra	498–506
The relationship between popular contemporary music and literature: some examples from the Iberian Peninsula Joan-Elies Adell	507–519
“Light changes the placement of things” Immigration, gender, and resistance in hip-hop music María do Cebreiro Rábade Villar	520–530
Notes on the cinematographic canon and its relation to the theory of genres in a Spanish and Portuguese context José Antonio Pérez Bowie and Fernando González García	531–549
Television in Spain and Portugal: From the public monopoly to the new transmedia environment Concepción Cascajosa Virino	550–562
From the radio script to the sound script: An evolving/endangered species in Spain and Portugal Virginia Guarinos	563–569
Transformations of the graphic novel in Spain: the cases of Max and Miguelanxo Prado Ana Merino	570–578
Feminist, gender and LGBTQ studies in the Iberian Peninsula: A comparative panorama María Jesús Fariña Busto and Beatriz Suárez Briones	579–603
Epilogue
A view from Basque literature: The historian who mistook his literature for an island Frederik Verbeke	605–610
A view from Catalan literature: Iberian studies as comparative literature in thick description mode Joan Ramon Resina	611–620
A view from Galician literature: The state and future of Galician studies in English-speaking academia Gabriel Rei-Doval	621–630
A view from Portuguese literature: Critical notes towards a transnational perspective Paulo de Medeiros	631–638
A view from Spanish literature. A new armed vision: Comparative literature in the Iberian Peninsula Germán Gullón	639–645
A view from comparative history. International comparison: A historian's approach Heinz-Gerhard Haupt	646–649
A view from comparative literary history, I: Comparative literature and literary history Maria Alzira Seixo	650–652
A view from comparative literary history, II: A comparative history of literatures in the Iberian Peninsula? Santiago Pérez Isasi	653–663
References	665–722
Bioprofiles	723–740
Index	741–765

Cited by

Cited by 1 other publications

Pérez Isasi, Santiago

2021. In Studi Iberici. Dialoghi dall’Italia [Biblioteca di Rassegna iberistica , 22],

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Subjects & Metadata

Literature & Literary Studies

Comparative literature & literary studies

Romance literature & literary studies

Theoretical literature & literary studies

BIC Subject: DSA – Literary theory

BISAC Subject: LIT004280 – LITERARY CRITICISM / European / Spanish & Portuguese

ONIX Metadata

ONIX 2.1

ONIX 3.0

U.S. Library of Congress Control Number: 2009051900 | Marc record