To be specified published in:
Landscapes of Realism: Rethinking literary realism in comparative perspectives. Volume I: Mapping realism
Edited by Dirk Göttsche, Rosa Mucignat and Robert Weninger
[Comparative History of Literatures in European Languages XXXII] 2021
► pp. 761774
References

Works cited

Athanasourelis, John Paul
2012Raymond Chandler’s Philip Marlowe: The Hardboiled Detective Transformed. Jefferson, NC: Mcfarland.Google Scholar
Black, Joel
2010 “Crime Fiction and the Literary Canon.” In A Companion to Crime Fiction, edited by Charles J. Rzepka and Lee Horsley, 76–89. Chichester: Blackwell. CrossrefGoogle Scholar
Bloom, Clive
1998 “Introduction.” In Gothic Horror: A Reader’s Guide from Poe to King and Beyond. Basingstoke and London: Macmillan. CrossrefGoogle Scholar
Chandler, Frank Wadleigh
1899The Literature of Roguery, vol. 2. Boston and New York: Houghton Mifflin and Co.Google Scholar
Chandler, Raymond
1995 “The Simple Art of Murder.” In Raymond Chandler, Later Novels and other Writings, 977–92. New York: Library of America.Google Scholar
Conan Doyle, Arthur
1986Long Stories. London: John Murray.Google Scholar
Gardner, Erle Stanley
1965 “Getting away with murder.” Atlantic Monthly 215: 72–75.Google Scholar
Hammett, Dashiell
2005The Maltese Falcon. London: Orion.Google Scholar
Haycraft, Howard
1941Murder for Pleasure: The Life and Times of the Detective Story. New York and London: Appleton-Century.Google Scholar
1946The Art of the Mystery Story. New York: Grosset and Dunlap.Google Scholar
Holquist, Michael
1971 “Whodunit and Other Questions: Metaphysical Detective Stories in Post-War Fiction.” New Literary History 3.1: 135–56. CrossrefGoogle Scholar
Horsley, Lee
2005Twentieth-Century Crime Fiction. Oxford: Oxford University Press.Google Scholar
Knight, Stephen
1980Form and Ideology in Crime Fiction. London: Macmillan Press. CrossrefGoogle Scholar
2003 “The golden age.” In The Cambridge Companion to Crime Fiction, edited by Martin Priestman, 77–94. Cambridge: Cambridge University Press. CrossrefGoogle Scholar
Knox, Ronald
1946 “A Detective Story Decalogue” [1929] In The Art of the Mystery Story, edited by Howard Haycraft, 194–96. New York: Grosset and Dunlap.Google Scholar
Le Breton, André
1905Balzac: l’homme et l’œuvre. Paris: A. Colin.Google Scholar
McHale, Brian
1987Postmodernist Fiction. New York and London: Routledge.Google Scholar
Messac, Régis
1929Le «Detective Novel» et l’influence de la pensée scientifique. Paris: Honoré Champion.Google Scholar
Orwell, George
1968 “Tobias Smollett: Scotland’s Best Novelist” [1944] In George Orwell, The Collected Essays: Journalism and Letters of George Orwell. As I Please 1943–45, vol. 3, 244–48. London: Secker and Warburg.Google Scholar
Partridge, Eric
1995Dictionary of the Underworld [1950] London: Routledge.Google Scholar
Poe, Edgar Allan
2004The Selected Writings of Edgar Allan Poe. New York and London: W. W. Norton.Google Scholar
Porter, Dennis
2003 “The Private Eye.” In The Cambridge Companion to Crime Fiction, edited by Martin Priestman, 95–113. Cambridge: Cambridge University Press. CrossrefGoogle Scholar
Priestman, Martin
1991Detective Fiction and Literature: The Figure on the Carpet. Basingstoke: Macmillan. CrossrefGoogle Scholar
Rankin, Ian
1998 “Heroes Doing it by the Book.” The Times, May 18: 9.Google Scholar
Scaggs, John
2005Crime Fiction. London: Routledge. CrossrefGoogle Scholar
Van Dine, S. S.
1946 “Twenty Rules for Writing Detective Stories” [1928] In The Art of the Mystery Story, edited by Howard Haycraft, 189–93. New York: Grosset and Dunlap.Google Scholar