Part of
Mimesis in Contemporary Theory: An interdisciplinary approach: Volume 1: The literary and philosophical debateEdited by Mihai Spariosu
[Cultura Ludens 1:1] 1984
► pp. 27–
Edited by Mihai Spariosu
[Cultura Ludens 1:1] 1984
► pp. 27–
Subversive Mimesis
T.W. Adorno and the Modern Impasse of Critique
Cited by
Cited by 14 other publications
Benzer, Matthias
2012. Lifelong death penalty: Adorno, Beckett’s drama, sociology. Journal of Classical Sociology 12:1 ► pp. 94 ff. 
Borneman, John & Stefan Senders
2000. Politics without a Head: Is the "Love Parade" a New Form of Political Identification?. Cultural Anthropology 15:2 ► pp. 294 ff.
Miller, Tyrus
1994. Dismantling authenticity: Beckett, Adorno, and the ‘postwar‘. Textual Practice 8:1 ► pp. 43 ff.
Paddison, Max
1991. The Language-Character of Music: Some Motifs in Adorno. Journal of the Royal Musical Association 116:2 ► pp. 267 ff.
Rankin, Elizabeth & Leoni Schmidt
2009. The Apartheid Museum: Performing a Spatial Dialectics. Journal of Visual Culture 8:1 ► pp. 76 ff.
Zilberg, Elana
2007. Gangster in guerilla face. Anthropological Theory 7:1 ► pp. 37 ff.
[no author supplied]
2018. Rumor in the Archive. In None Like Us, ► pp. 107 ff.
[no author supplied]
2018. Bibliography. In None Like Us, ► pp. 173 ff.
[no author supplied]
2018. Introduction. In None Like Us, ► pp. 1 ff.
[no author supplied]
2018. My Beautiful Elimination. In None Like Us, ► pp. 29 ff.
[no author supplied]
2018. Interstice. In None Like Us, ► pp. 83 ff.
[no author supplied]
2018. Notes. In None Like Us, ► pp. 135 ff.
[no author supplied]
2018. The History of People Who Did Not Exist. In None Like Us, ► pp. 91 ff.
[no author supplied]
2018. On Failing to Make the Past Present. In None Like Us, ► pp. 63 ff.
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