Chapter 12
The mirror and multiplicity
Photographic books for the young during the United States’ Black Arts Movement of the 1970s
Black creators in the 1970s used the photographic picturebook to recreate black identity and history. Whether tethering
images to the logic of the alphabet, as do Yusef Iman and Jean Carey Bond, or deploying images to disrupt narratives of American
history, as do Toni Morrison and June Jordan, creators recognized the multiple aesthetic and political possibilities engendered by an
assemblage of images. The photograph seeks to mirror by fixing places and people on the page; and some narratives productively pull
against closure, embracing instead the ongoing process of knowing black history through interpreting the sequence of photographs.
Article outline
- The Black Arts Movement: Abecedaries ground the image
- Weusi Alfabeti naturalizes a black alphabet
- A is for Africa frames beauty through women and girlhood
- Disrupting historiography through images
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Notes
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References