Part of
Photography in Children's LiteratureEdited by Elina Druker and Bettina Kümmerling-Meibauer
[Children’s Literature, Culture, and Cognition 17] 2023
► pp. vii–xvi
Edited by Elina Druker and Bettina Kümmerling-Meibauer
[Children’s Literature, Culture, and Cognition 17] 2023
► pp. vii–xvi
List of figures
Figure 1.The cover of Zacharias Topelius’ translation En Barndomsdag published in Sweden and Finland 1879
24
Figure 2.Advertising a “Family Soirée” containing the theatricalization of Topelius En Barndomsdag and Axel Löthners musical
composition at Rådhuset i Köping, in Arboga Tidning May 3, 1880
29
Figure 3.Detail from Axel Löthner’s partitur to En Barndomsdag containing song and piano to the tableaux depicting the dead
bird
31
Figure 4.The tableau depicting the dead bird from Topelius’ translation of En Barndomsdag. Stockholm: Alb. Bonnier,
1879
35
Figure 5.The worn out and taped cover to Axel Löthner’s partitur Sex sånger vid Piano till En Barndomsdag af M. Scherer och H. Engler
med text af Zacharias Topelius published 1880
39
Figure 1.Photograph from Taylor Isaac Headland’s Our Little Chinese Cousin. Boston, MA: L. C. Page & Company,
1903
44
Figure 2.Illustration from Isaac Taylor Headland’s Our Little Chinese Cousin. Boston, MA: L. C. Page & Company,
1903
47
Figure 3.Page from John Thomson’s Illustrations of China and Its People. London: Sampson Lowe, Marston, Lowe and Searle,
1873–1874
52
Figure 4.Page from John Thomson’s Illustrations of China and Its People. London: Sampson Lowe, Marston, Lowe and Searle,
1873–1874
58
Figure 5.“Child eating rice with chopsticks”. Photograph from Mrs. J. F. Bishop’s
Chinese Pictures: Notes on Photographs. London: Cassell and Company, 1900
60
Figure 6.“Mode of Carrying Cash and Babies”. Photograph from Mrs. J. F. Bishop’s Chinese Pictures: Notes on Photographs.
London: Cassell and Company, 1900
62
Figure 1.Photograph by Edward Steichen from Mary Steichen Calderone’s The First Picture Book. New York: Harcourt, Brace and
Company, 1930. The photograph shows an arrangement of wooden toy trains
76
Figure 2.Photograph by Edward Steichen from Mary Steichen Calderone’s The First Picture Book. New York: Harcourt, Brace and
Company, 1930. The photograph shows toy blocks
81
Figure 3.Photograph by Tana Hoban from Shapes and Things. New York: Macmillan, 1970. Used by permission of Miela Ford. The
photograph shows a paper flower
83
Figure 1.Front cover of (Lenin i komsomol’tsy). Photo-illustration by Vladimir Savel’ev. Moscow, Petrograd: Molodaia
gvardiia, 1923. Courtesy of Marina Karasik, from the collection of Mikhail Karasik
95
Figure 2.El Lissitzky. USSR Russische Ausstellung (USSR, Russian exhibition, 1929). Poster for the exhibition in the Museum
of Decorative and Applied Arts in Zürich (March 24–April 28, 1929)
96
Figure 3.Page from Nikolai Vladimirsky’s Pesnia o Tane (Song of Tania). Photo-illustration by Serguei Sen’kin. Moscow: Novaia
Moskva iunosheskii sektor, 1926. Courtesy of Cotsen Children’s Library, Special Collections, Princeton University Library
102
Figure 4.Page from Aleksandr Bezymensky’s Tragediinaia noch’ (Tragic Night).
Photo-illustration by E. Pernikov and Vladimir Griuntal’. Moscow: Gos, izd-vo “Khudozh. lit.”, 1935. Courtesy of Columbia University
Library
104
Figure 5.A page from Nikolai Bulatov and Pavel Lopatin’s Puteshestvie po elektrolampe (The Journey Across the Light Bulb).
Photo and montage by M. Makhalov. Moscow & Leningrad: TsK VLKSM, 1937. Courtesy of Cotsen Children’s Library, Special Collections,
Princeton University Library
109
Figure 6.A page from Ian Larri’s Neobyknovennye prikliucheniia Karika i Vali (The Extraordinary Adventures of Karik and
Valia). Photo-illustration by S. Petrovich. Moscow & Leningrad: TsK VLKSM.´, 1937
111
Figure 7.A page from Alexander Vvedensky’s Katina kukla (Katya’s Doll). Photograph by G. I. Grachev. Moscow & Leningrad:
TsK VLKSM Izd-vo detskoi literatury, 1936
115
Figure 8.A page from Samuel Marshak’s Chetyre kontsa (The Four Endings). Photo-illustration by M. Tsekhanovsky and S.
Petrovich. Moscow, 1938
118
Figure 1.Book cover by Jerzy Janisch of Alina Lan’s Kometa Halley’a (Halley’s Comet). Lviv: Filomat, 1934
128
Figure 2.Illustration by Aleksander Krzywobłocki from Alina Lan’s Kometa Halley’a (Halley’s Comet). Lviv: Filomat,
1934
130
Figure 3.Book cover by Franciszka Themerson of Stefan Themerson’s, O stole, który uciekł do lasu (The Table That Ran Away to
the Woods). Warsaw: Nasza Księgarnia, 1963. © Franciszka Themerson. Used by permission of Jasia Reichardt
132
Figure 4.Cover by Adam Kilian of Piotr Wojciechowski’s Lew kololoru marchewki (The Carrot-Colored Lion). Warsaw: Biuro
Wydawnicze „RUCH”, 1971. Used by permission of Jaroslaw Kilian
134
Figure 5.Illustration by Stanisław Zamecznik for Stanisław Szydłowski’s Idzie
kot (A Cat Is Walking). Warsaw: Biuro Wydawnicze „RUCH”, 1968. Used by permission of Marta Maria Zamecznik
136
Figure 6.Illustration by Bohdan Butenko for Kwapiszon, beczka i pamiątki po wielkim astronomie (Kwapiszon, the Barrel and the
Great Astronomer Souvenirs). Warsaw: Nasza Księgarnia, 1978. Used by permission of Monika Grochowska
137
Figure 7.Cover of Bohdan Butenko’s Pościg w kurorcie (A Chase in a Resort). Warsaw: Nasza Księgarnia, 1976. Used by
permission of Monika Grochowska
139
Figure 1.Cover of Bruno Munari’s Le macchine di Munari. Torino: Einaudi, 1942. © Bruno Munari. Tutti i diritti riservati alla
Maurizio Corraini s.r.l. / All rights reserved to Maurizio Corraini s.r.l.
154
Figure 2.Munari’s dynamic graphical montage. Illustration from Bruno Munari’s Cappuccetto Giallo. Torino: Einaudi, 1972. ©
Bruno Munari. Tutti i diritti riservati alla Maurizio Corraini s.r.l. / All rights reserved to Maurizio Corraini s.r.l.
157
Figure 3.Munari’s drawings on the surfaces of stones. Double spread from Bruno Munari’s Da lontano era un’isola. Milano: Emme
Edizioni, 1971. © Bruno Munari. Tutti i diritti riservati alla Maurizio Corraini s.r.l. / All rights reserved to Maurizio Corraini
s.r.l.
160
Figure 4.Real or imaginative island? Double spread from Bruno Munari’s Da lontano era
un’isola. Milano: Emme Edizioni, 1971. © Bruno Munari. Tutti i diritti riservati alla Maurizio Corraini s.r.l. / All rights
reserved to Maurizio Corraini s.r.l.
160
Figure 5.“Toddler in a grump, toddler in the dump.” Graphical layout of doublespreads from Enzo Arnone and Bruno Munari’s Ciccì
Coccò’s first edition by FotoSelex in 1982 (above) and the new edition by Corraini in 2000 (below). © Enzo Arnone. Tutti i
diritti riservati alla Maurizio Corraini s.r.l. / All rights reserved to Maurizio Corraini s.r.l.
163
Figure 1.“She had seen great tanks along the roadside”. Photograph from Madeline Brandeis. Little Jeanne of
France. Children of All Lands Stories. New York: Grosset & Dunlap, 1929, p. 161. Copyright Gutenberg.org.
175
Figure 2.Cover of Madeline Brandeis. The Little Dutch Tulip Girl. “Children of All Lands Stories”. New York: Grosset &
Dunlap, 1929
178
Figures 3 and 4.Covers of Dominique Darbois. Noriko la petite japonaise. “Enfants du monde”. Paris: Nathan, 1961, and Dominique
Darbois. Natacha la petite russe. “Enfants du monde”. Paris: Nathan, 1966. Used by permission of Françoise
Denoyelle
179
Figure 5.“Then Margot told a story to Jeanne”. Photograph from Madeline Brandeis. Little Jeanne of France.
New York: Grosset & Dunlap, 1929, p. 186. Copyright Gutenberg.org.
183
Figure 6.“A Dijon mustard shop”, Photograph from Madeleine Brandeis. Little Jeanne of France. New York:
Grosset & Dunlap, 1929, p. 169. Copyright Gutenberg.org.
184
Figure 1.Private portrait of Anna Riwkin, undated, ©Anna Riwkin/Judiska Museet,
Stockholm
191
Figure 2.Elly Jannes & Anna Riwkin, Elle-Kari, ca. 1949–1950. ©Anna Riwkin/Moderna Museet, Stockholm
193
Figure 3.Astrid Lindgren & Anna Riwkin, Jackie bor i Holland, 1963. ©Anna Riwkin/ Moderna Museet, Stockholm
196
Figure 4.Anna Riwkin, A Korean girl, 1956. ©Anna Riwkin/Moderna Museet, Stockholm
197
Figure 5.Anna Riwkin, Stina Taikon lagar mat i sin husvagn, 1954. ©Anna Riwkin/Moderna Museet, Stockholm
199
Figure 6.Anna Riwkin, “The Dutch Boy”, 1948. ©Anna Riwkin/Moderna Museet, Stockholm
201
Figure 7.Astrid Lindgren & Anna Riwkin, Jackie bor i Holland, 1963. ©Anna Riwkin/Moderna Museet, Stockholm
202
Figure 8.Private photography of Anna Riwkin and Lilibet, undated ca. 1950–1960. ©Anna Riwkin/Judiska Museet, Stockholm
205
Figure 9.Israeli boy, undated. ©Anna Riwkin/Moderna Museet, Stockholm
207
Figure 1.Girl Staring into a Bakery Window, London, circa 1935. Photograph by Edith Tudor-Hart. Photo: Wien Museum. © the property of the
estate of W. Suschitzky. Used by permission of Peter Suschitzky
214
Figure 2.Photo by Edith Tudor-Hart from Yvonne Cloud’s The Basque Children in
England. London: Victor Gollancz, 1937. © the property of the estate of W. Suschitzky. Used by permission of Peter
Suschitzky
217
Figure 3.Photo by Edith Tudor-Hart from Moving and Growing: Physical Education in the Primary School. London: Her Majesty’s
Stationery Office, 1952. © the property of the estate of W. Suschitzky. Used by permission of Peter Suschitzky
223
Figure 4.Photo by Edith Tudor Hart, from Moving and Growing: Physical Education in the Primary School. London: Her Majesty’s
Stationery Office, 1952. Used by permission from the National Gallery of Australia, Canberra
224
Figure 5.Photo by Edith Tudor Hart, from Moving and Growing: Physical Education in the Primary School. London: Her Majesty’s
Stationery Office, 1952. © the property of the estate of W. Suschitzky. Used by permission of Peter Suschitzky
225
Figure 1.Cover of Bullermax by Horst Beseler (text) and Edith Rimkus (photo). Berlin: Kinderbuchverlag, 1964. Used by
permission of Ulrike Beseler
237
Figure 2.Doublespread from Bullermax by Horst Beseler (text) and Edith Rimkus (photo). Berlin: Kinderbuchverlag, 1964. Used
by permission of Ulrike Beseler
238
Figure 3.Cover of Matti im Wald by Horst Beseler (text) and Edith Rimkus (photo). Berlin: Kinderbuchverlag, 1966. Used by
permission of Ulrike Beseler
240
Figure 4.Doublespread from Matti im Wald by Horst Beseler (text) and Edith Rimkus (photo). Berlin: Kinderbuchverlag, 1966.
Used by permission of Ulrike Beseler
241
Figure 5.Photo by Edith Rimkus from Horst Beseler’s Matti im Wald. Berlin: Kinderbuchverlag, 1966. Used by permission of
Ulrike Beseler
242
Figure 6.Cover of Kleiner Bruder Staunemann by Hannes Hüttner (text) and Lotti Ortner (photo). Berlin: Kinderbuchverlag,
1966
245
Figure 7.Photo by Lotti Ortner from Hannes Hüttner’s Kleiner Bruder Staunemann. Berlin: Kinderbuchverlag, 1966
247
Figure 1.Doublespread from Golomb, Dikla’s Eti Ve-Na’ama (Eti and Na’ama).
Photograph by Ervin Farkash. Tel Aviv: Amichai, 1961. Used by permission of Joseph Oraln
261
Figure 2.Photograph by Ervin Farkash from Golomb, Dikla’s Eti Ve-Na’ama (Eti and Na’ama). Tel Aviv: Amichai, 1961. Used by
permission of Joseph Oraln
263
Figure 3.Photograph by Baruch Raviv from Dvora Omer’s Masa le-erets ha-geshem (Journey to the Land of Rain). Ramat Gan:
Massada, 1968. Used by permission of Gil Raviv and Yael Raviv-Ferber
266
Figure 4.Photograph by Peter Merom from Natan Yonatan’s Lilakh mi-kvutsat Ilanot (Lilach of Kibbutz Ilanot). Tel Aviv:
Ha-kibutz ha-mehuad, 1963. Used by permission of Bouky Boaz
269
Figure 5.Photograph by Peter Merom from Natan Yonatan’s Lilakh mi-kvutsat Ilanot (Lilach of Kibbutz Ilanot). Tel Aviv:
Ha-kibutz ha-mehuad, 1963. Used by permission of Bouky Boaz
270
Figure 1.“P is for Power and P is for Pride”. Page from Yusef Iman’s Weusi Alfabeti. Brooklyn, NY: Uhuru Sasa School, 1972.
Permission to use Weusi Alfabeti images and graphics provided by Antoinette Brown, Uhuru Sasa, Pre-School Director,
granted by Malika Iman
281
Figure 2.“K is for knowledge, and king”. Page from Yusef Iman’s Weusi Alfabeti. Brooklyn, NY: Uhuru Sasa School, 1972.
Permission to use Weusi Alfabeti images and graphics provided by Antoinette Brown, Uhuru Sasa, Pre-School Director,
granted by Malika Iman
283
Figure 3.“S is for school”. Page from Yusef Iman’s Weusi Alfabeti. Brooklyn, NY: Uhuru Sasa School, 1972. Permission to use
Weusi Alfabeti images and graphics provided by Antoinette Brown, Uhuru Sasa, Pre-School Director, granted
by Malika Iman
284
Figure 4.“Y is for our youth”. Page from Yusef Iman’s Weusi Alfabeti.
Brooklyn, NY: Uhuru Sasa School, 1972. Permission to use Weusi Alfabeti images and graphics provided by Antoinette Brown,
Uhuru Sasa, Pre-School Director, granted by Malika Iman
285
Figure 5.“D is for Doll”. Page from Jean Carey Bond’s A is for Africa. New York: Franklin Watts, 1969. Copyright Jean Carey
Bond, used by permission of Jean Carey Bond, Ruth Bond, and Carey Bond
289
Figure 6.“K is for Kerchief”. Page from Jean Carey Bond’s A is for Africa. New York: Franklin Watts, 1969. Copyright Jean
Carey Bond, used by permission of Jean Carey Bond, Ruth Bond, and Carey Bond
290
Figure 7.Smoky Mokes, Original Cover to the Sheet Music, public domain. Reproduced in The Black Book
293
