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Part of
An Ecology of the Russian Avant-Garde Picturebook
Sara Pankenier Weld
[
Children’s Literature, Culture, and Cognition
9] 2018
► pp.
v
–
vi
◄
previous
next
►
Table of contents
Table of figures
vii
Acknowledgements
xiii
Introduction: A natural history of the Russian avant-garde picturebook
1
Part I
Ex nihilo nihil fit: The evolution of the Russian picturebook
Chapter 1
Precursors of the avant-garde picturebook
31
Chapter 2
Origins of the revolutionary picturebook
49
Chapter 3
Aesthetic renewal from the primitivist periphery
61
Part II
Unnatural selection: Censorship and ideology
Chapter 4
Dual audience and double vision: Aesopian depths and hidden subtexts
79
Chapter 5
The unspoken and the unspeakable: Political allegory in picturebooks
93
Chapter 6
Revolutionary rhetoric and the semiotics of size
115
Part III
Adaptations: Re-orienting the picturebook
Chapter 7
Early Soviet images of America in picturebooks
133
Chapter 8
The infantilization of thought and theory in books for children
149
Chapter 9
Authorial appearances in picturebooks
163
Part IV
A question of survival: Facing limitations
Chapter 10
Metatextual exploits in writings for children
183
Chapter 11
The obliteration of the avant-garde aesthetic: The beginning of the end
195
Chapter 12
The extinction of the Russian avant-garde picturebook
211
Bibliography
219
Subject index
This article is available free of charge.
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