Chapter published in:
Body Part Terms in Conceptualization and Language Usage
Edited by Iwona Kraska-Szlenk
[Cognitive Linguistic Studies in Cultural Contexts 12] 2020
► pp. 100114
References

References

Aluede, Charles O.
(2006) “The Anthropomorphic Attributes of African Musical Instruments: History and Use in Esan, Nigeria”. Anthropologist, 8 (3), 157–160. CrossrefGoogle Scholar
Aristotle
(2014) “On the Soul”, Book II. In: Jonathan Barnes (ed.). The Complete Works of Aristotle: The Revised Oxford Translation, One Volume Digital Edition. Princeton: Princeton University Press. 1437–1478.Google Scholar
Banks, Margaret D.
(2001) “Lyra (ii)”. In: Deane Root (EIC), Grove Music Online. Oxford: Oxford University Press, http://​www​.oxfordmusiconline​.com​/grovemusic​/view​/10​.1093​/gmo​/9781561592630​.001​.0001​/omo​-9781561592630​-e​-0000053804, accessed on 20 April 2018.
Bates, Eliot
(2012) “The Social Life of Musical Instruments”. Ethnomusicology 56 (3), 363–395. CrossrefGoogle Scholar
Belk, Russel W.
(1988) “Possessions and the Extended Self”. Journal of Consumer Research, 15, 139–168. CrossrefGoogle Scholar
Brunner, Horst
(2001) “Bar form”. In: Deane Root (EIC), Grove Music Online. Oxford: Oxford University Press, http://​www​.oxfordmusiconline​.com​/grovemusic​/view​/10​.1093​/gmo​/9781561592630​.001​.0001​/omo​-9781561592630​-e​-0000002045, accessed 17 November 2017. Crossref
Cochlaeus, Johannes
(1514) Tetrachordum musices. Nuremberg: Fridericus Peypus.Google Scholar
De Moravia, Hyeronymus
(1963) “Tractatus de musica”. In: Edmond de Coussemaker (ed.), Scriptorum de musica medii aevi nova series a Gerbertina altera [4 vols]. Paris: Durand, reprinted ed., Hildesheim: Olms, 1:89–94 and 139–154, available on http://​boethius​.music​.indiana​.edu​/tml​/13th​/IERTRA2, accessed 14 November 2017.
De Muris, Johannes
(1963) “Summa”. In: Scriptores ecclesiastici de musica sacra potissimum, [3 vols.], ed. Martin Gerbert (St. Blaise: Typis San-Blasianis 1784; reprint ed., Hildesheim: Olms, 1963), 3: 190–248, available on http://​boethius​.music​.indiana​.edu​/tml​/14th​/MURSUM, accessed 14 November 2017.
De Vaan, Michiel
(2008) Etymological Dictionary of Latin and the other Italic Languages. Leiden and Boston: Brill.Google Scholar
Doubleday, Veronica
(2008) “Sounds of Power: An Overview of Musical Instruments and Gender”. Ethnomusicology Forum, 17 (1), 3–39. CrossrefGoogle Scholar
Gluhak, Alemko
(1993) Hrvatski etimološki rječnik. Zagreb: August Cesarec.Google Scholar
Hiley, David and Thomas B. Payne
(2014) “2. Polyphony and secular monophony to c1260”. In: Bent, Ian D.Notation”, Deane Root (EIC), Grove Music Online. Oxford: Oxford University Press, http://​www​.oxfordmusiconline​.com​/grovemusic​/view​/10​.1093​/gmo​/9781561592630​.001​.0001​/omo​-9781561592630​-e​-0000020114, accessed 17 April 2018.
Hughes, Andrew
(2001) “Franco of Cologne”. In: Deane Root (EIC), Grove Music Online. Oxford: Oxford University Press, http://​www​.oxfordmusiconline​.com​/grovemusic​/view​/10​.1093​/gmo​/9781561592630​.001​.0001​/omo​-9781561592630​-e​-0000010138, accessed 20 April 2018. Crossref
Johnson, Anne and Raymond Erickson
(2012) “Cantilena” (2003) In: Riethmüller, Albrecht and Heinz Heinrich Eggebrecht (eds.). Handwörterbuch der musikalischen Terminologie [digital edition by Markus Bandur]. Stuttgart: Franz Steiner Verlag.Google Scholar
Kövecses, Zoltán
(2010) Metaphor: A Practical Introduction [2nd edition]. New York: Oxford University Press.Google Scholar
Kraska-Szlenk, Iwona
(2014) Semantics of Body Part Terms: General Trends and a Case Study of Swahili. München: LINCOM Europa.Google Scholar
Lakoff, George and Mark Johnson
(1980) Metaphors We Live By. Chicago and London: The University of Chicago Press.Google Scholar
Listenius, Nikolaus
(1533) Rudimenta Musicae Planae. Wittenberg: Georgius Rhau.Google Scholar
(1537) Musica Nicolai Listenii, ab authore denuo recognita. Wittenberg: Georgius Rhau.Google Scholar
Lučić, Franjo
(1997) Polifona kompozicija. Zagreb: Školska knjiga.Google Scholar
Partridge, Eric
(2006) Origins: A Short Etymological Dictionary of Modern English [4th edition]. London and New York: Routledge. CrossrefGoogle Scholar
Rault, Lucie
(2000) Musical Instruments: A World Survey of Traditional Music-Making. London: Thames and Hudson.Google Scholar
Temperley, Nicholas
(2011) “Coda”. In: Alison Latham (ed.). The Oxford Companion to Music. Oxford: Oxford University Press, http://​www​.oxfordreference​.com​/view​/10​.1093​/acref​/9780199579037​.001​.0001​/acref​-9780199579037​-e​-1473, accessed 17 November 2017.
Tinctoris, Johannes
(Early 1480s) De inventione et usu musice (lost; fragments available on http://​earlymusictheory​.org​/Tinctoris​/texts​/deinventioneetusumusice/, accessed 14 November 2017).
(1494) Terminorum musicae diffinitorium. Treviso: Gerardus de Lisa.Google Scholar
Zbikowski, Lawrence M.
(2002) Conceptualizing Music: Cognitive structure, Theory and Analysis. Oxford and New York: Oxford University Press. CrossrefGoogle Scholar