Theory of Performing Arts
n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.
[Critical Theory, 5] 1987. viii, 153 pp.
Publishing status: Available
© John Benjamins Publishing Company
Table of Contents
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Foreword
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vii
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I. Critical theory and performing arts
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1
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1. A general socio-semiotic model
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3
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2. Towards a theatre semiotics
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25
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3. Theatrology and literary studies
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37
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II. Fundamental controversies
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53
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1. Research methodology
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55
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2. Communication and cognition
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69
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3. Pragmatics and discourse
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79
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4. The code: irrelevant concept?
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87
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III. New perspectives and new instruments
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95
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1. The visual paradigm and the scene
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97
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2. Readable and visible dimensions: Opera and theatre
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109
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3. Reception and relation
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117
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4. Constructing coherence
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125
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5. The spectacular paradigm
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137
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References
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147
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Cited by
Cited by other publications
CALKOWSKI, MARCIA S.
1991. a day at the Tibetan opera: actualized performance and spectacular discourse.
American Ethnologist 18:4 ► pp. 643 ff. 
Helbo, André
2016. Semiotics and performing arts: contemporary issues.
Social Semiotics 26:4 ► pp. 341 ff.
Rossolatos, George
2017. What’s in a thang? Dancing to brand image with Miley Cyrus’ multimodal dance spectacle.
Arts and the Market 7:1 ► pp. 101 ff.
Saltz, David Z.
1995. When is the Play the Thing?—Analytic Aesthetics and Dramatic Theory.
Theatre Research International 20:3 ► pp. 266 ff.
Sindoni, Maria Grazia & Fabio Rossi
2016. “Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation.
Social Semiotics 26:4 ► pp. 385 ff.
Sindoni, Maria Grazia, Janina Wildfeuer & Kay L. O’Halloran
2016. The expanding galaxy of performing arts: extending theories and questioning practices.
Social Semiotics 26:4 ► pp. 325 ff.
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