To be specified published in:
English Text Construction
Vol. 10:1 (2017) ► pp. 3758

Full-text

Rewriting ‘white’ genres in search of Afro-European identities
References

References

Altnöder, Sonja
2011The art of travel and the translation of selves. In Identität in den Kulturwissenschaften: Perspektiven und Fallstudien zu Identitäts- und Alteritätsdiskursen, Sonja Altnöder, Martin Lüthe & Marcel Vejmelka (eds). Trier: Wissenschaftlicher Verlag Trier, 35–52.Google Scholar
Arana, R. Victoria & James Procter
2009Mike Phillips (1941 - ). In Twenty-First-Century “Black” British Writers, R. Victoria Arana (ed.). Detroit: Gale, 229–234.Google Scholar
Ashcroft, Bill, Gareth Griffiths & Helen Tiffin
2013 [2000]Postcolonial Studies: The Key Concepts. London and New York: Routledge. CrossrefGoogle Scholar
Bernard, Louise
2009Bernardine Evaristo (28 May 1959 - ). In Twenty-First-Century “Black” British. R. Writers, Victoria Arana (ed.). Detroit: Gale, 119–127.Google Scholar
Black, Jeremy
1997 [1992]The British Abroad: The Grand Tour in the Eighteenth Century. Phoenix Mill: Sutton.Google Scholar
Boltanski, Luc
2014Mysteries & Conspiracies: Detective Stories, Spy Novels and the Making of Modern Societies. Cambridge and Malden, MA: Polity Press.Google Scholar
Chakrabarty, Dipesh
2007 [2000]Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton University Press.Google Scholar
Cuder Domínguez, Pilar
2011Black bodies in history: Bernardine Evaristo’s fiction. In Cultural Migrations and Gendered Subjects: Colonial and Post-Colonial Representations of the Female Body, Silvia Pilar Castro Borrego & María Isabel Romero Ruiz (eds). Newcastle: Cambridge Scholars Publishers, 55–74.Google Scholar
Edwards, Justin D. & Rune Graulund
(eds) 2011Postcolonial Travel Writing: Critical Explorations. Houndmills, Basingstoke: Palgrave Macmillan. CrossrefGoogle Scholar
Evaristo, Bernardine
2006 [2005]Soul Tourists. London: Penguin.Google Scholar
Evaristo, Bernardine 2008CSI Europe: African trace elements. Fragments. Reconstruction. Case histories. Motive. Personal. Wasafiri 23 (4): 2–7. CrossrefGoogle Scholar
Fischer-Hornung, Dorothea & Monika Mueller
(eds) 2003Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction. Madison: Fairleigh Dickinson University Press.Google Scholar
Gephardt, Katarina
2014The Idea of Europe in British Travel Narratives, 1789–1914. Surrey: Ashgate.Google Scholar
Gregoriou, Christiana
2007Deviance in Contemporary Crime Fiction. Houndmills, Basingstoke: Palgrave Macmillan. CrossrefGoogle Scholar
Hauthal, Janine
2016Travelling with ghosts: Europe as imaginary homeland in Dead Europe and Soul Tourists . In Anglistentag 2015 Paderborn: Proceedings, Christoph Ehland , Ilka Mindt & Merle Tönnies (eds). Trier: Wissenschaftlicher Verlag Trier, 343–353.Google Scholar
Holland, Patrick & Graham Huggan
1998Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: University of Michigan Press.Google Scholar
Hooper, Karen
2006On the road: Bernardine Evaristo interviewed by Karen Hooper. The Journal of Commonwealth Literature 41 (1): 3–16. CrossrefGoogle Scholar
Huggan, Graham
2011Editorial. Moving Worlds 11 (2): 1–6.Google Scholar
Kennedy, Liam
1999Black noir: Race and urban space in Walter Mosley’s detective fiction. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 224–239.Google Scholar
López, Marta Sofía
2012Racism, violence and identity: The crime fiction of Mike Phillips. Wasafiri 27 (3): 57–61. CrossrefGoogle Scholar
Matzke, Christine & Susanne Mühleisen
2006Introduction. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 1–16.Google Scholar
McLeod, John
2009European tribes: Transcultural diasporic encounters. In Comparing Postcolonial Diasporas. Michelle Keown, David Murphy & James Procter (eds). Houndmills, Basingstoke: Palgrave Macmillan, 19–36. CrossrefGoogle Scholar
2010Extra dimensions, new routines: Contemporary Black writing of Britain. Wasafiri 25 (4): 45–52. CrossrefGoogle Scholar
2011Transcontinental shifts: Afroeurope and the fiction of Bernardine Evaristo. In Afroeuropean Configurations: Readings and Projects, Sabrina Brancato (ed.). Newcastle upon Tyne: Cambridge Scholars Publishing, 168–182.Google Scholar
Moretti, Franco
2000Conjectures on world literature. New Left Review 1: 54–68.Google Scholar
2003More conjectures. New Left Review 20: 73–81.Google Scholar
Neumann, Birgit
2009Die Rhetorik der Nation in britischer Literatur und anderen Medien des 18. Jahrhunderts. Trier: Wissenschaftlicher Verlag Trier.Google Scholar
Nunius, Sabine
2009Coping with Difference: New Approaches in the Contemporary British Novel (2000–2006). Berlin: LIT Verlag.Google Scholar
Nyman, Jopi
2000Under English Eyes: Constructions of Europe in Early Twentieth-Century British Fiction. Amsterdam and New York: Rodopi.Google Scholar
2009Home, Identity, and Mobility in Contemporary Diasporic Fiction. Amsterdam and New York: Rodopi.Google Scholar
Pepper, Andrew
1999Bridges and boundaries: Race, ethnicity, and the contemporary American crime novel. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 240–259.Google Scholar
2010The “hard-boiled” genre. In A Companion to Crime Fiction, Charles J. Rzepka & Lee Horsley (eds). Chichester: Wiley-Blackwell, 140–151. CrossrefGoogle Scholar
Phillips, Mike 2000A Shadow of Myself. London: HarperCollins.Google Scholar
2001London Crossings: A Biography of Black Britain. London and New York: Continuum.Google Scholar
Pirker, Eva Ulrike
2009Keine weiße Geschichte: Mike Phillips’ Thriller über ein geteiltes und ein vereintes Europe A Shadow of Myself . In Geschichte im Krimi: Beiträge aus den Kulturwissenschaften, Barbara Korte & Sylvia Paletschek (eds). Köln: Böhlau, 241–254.Google Scholar
2010The unfinished revolution: Black perceptions of Eastern Europe. In Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture , Barbara Korte, Eva Ulrike Pirker & Sissy Helff (eds). Amsterdam and New York: Rodopi, 123–143.Google Scholar
Plummer, Patricia
2006aTranscultural British crime fiction: Mike Phillips’s Sam Dean novels. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective , Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 255–270.Google Scholar
2006bCreating transcultural crime fiction: An interview with Mike Phillips. In Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective, Christine Matzke & Susanne Mühleisen (eds). Amsterdam and New York: Rodopi, 271–287.Google Scholar
Porter, Dennis
1991Haunted Journeys: Desire and Transgression in European Travel Writing. Princeton: Princeton University Press.Google Scholar
Pratt, Mary Louise
1992Imperial Eyes: Travel Writing and Transculturation. New York: Routledge. CrossrefGoogle Scholar
Reddy, Maureen T.
2003Traces, Codes, and Clues: Reading Race in Crime Fiction. New Brunswick, NJ and London: Rutgers University Press.Google Scholar
Rosenberg, Ingrid von
2010If… Bernardine Evaristo’s (gendered) reconstructions of Black European history. ZAA – Zeitschrift für Anglistik und Amerikanistik 58 (4): 381–395.Google Scholar
Rupp, Jan
2007The genre of and the genres in: Crime in Black British fiction. In Gattungstheorie und Gattungsgeschichte, Marion Gymnich, Birgit Neumann & Ansgar Nünning (eds). Trier: Wissenschaftlicher Verlag Trier, 277–292.Google Scholar
Rzepka, Charles J.
2005Detective Fiction. Cambridge: Polity.Google Scholar
2010Introduction: What is crime fiction? In A Companion to Crime Fiction, Charles J. Rzepka & Lee Horsley (eds). Chichester: Wiley-Blackwell, 1–9. CrossrefGoogle Scholar
Scaggs, John
2005Crime Fiction. London and New York: Routledge.Google Scholar
Spurr, David
1993The Rhetoric of Empire: Colonial Discourse in Journalism, Travel Writing, and Imperial Administration. Durham: Duke University Press.Google Scholar
Stein, Mark
2004Black British Literature: Novels of Transformation. Columbus: Ohio State University Press.Google Scholar
Sternberg, Claudia
2001Mike Phillips on migration, inventing Europe and his novel A Shadow of Myself: An interview. ZAA – Zeitschrift für Anglistik und Amerikanistik 49 (1): 385–393.Google Scholar
Toplu, Sebnem
2011Fiction Unbound: Bernardine Evaristo. Newcastle Upon Tyne: Cambridge Scholars Publishing.Google Scholar
Tournay-Theodotou, Petra
2011Reconfigurations of “home as a mythic place of desire”: Bernardine Evaristo’s Soul Tourists . In Projections of Paradise: Ideal Elsewheres in Postcolonial Migrant Literature, Helga Ramsey-Kurz & Geetha Ganapathy-Doré (eds). Amsterdam and New York: Rodopi, 105–121.Google Scholar
Velickovic, Vedrana
2012Melancholic travellers and the idea of (un)belonging in Bernardine Evaristo’s Lara and Soul Tourists . Journal for Postcolonial Writing 48 (1): 65–78. CrossrefGoogle Scholar
Wachinger, Tobias 2001Happy occidentalism: Christopher Hope’s Darkest England and the concept of a mission in reverse. In Colonies – Missions – Cultures in the English-Speaking World: General and Comparative Studies, Gerhard Stilz (ed.). Tübingen: Stauffenburg, 361–372.Google Scholar
Wambu, Onyekachi
1998Introduction. In Empire Windrush: Fifty Years of Writing about Black Britain, Onyekachi Wambu (ed.). London: Gollancz, 19–29.Google Scholar
Wells, Claire
1999Writing black: Crime fiction’s other. In Diversity and Detective Fiction, Kathleen Gregory Klein (ed.). Bowling Green: Bowling Green State University Popular Press, 205–223.Google Scholar