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Series editor’s preface	xi–xii
Acknowledgements	xiii
Introduction	1–22
Chapter 1. The cinema(tic) novel: Definitions and brief historical overview	3–78
Chapter 2. Pop Art and Puig’s polyphonic pop narrative	79–113
Chapter 3. From reel to real: The fusion of reality and fiction in Puig’s cinematic discourse in Betrayed by Rita Hayworth	115–145
Chapter 4. Dancing a Heartbreak Tango with Hollywood stars and their Boquitas Pintadas	147–162
Chapter 5. The Buenos Aires Affair	163–178
Chapter 6. The Spider Woman’s polyphonic web of desire	179–216
Chapter 7. Puig’s characters and their mythical identity in Pubis angelical	217–255
Conclusion	257–274
Works cited	275–297
Appendix. Puig’s timeline	299–311
Index	313–325

The Cinematic Novel and Postmodern Pop Fiction

The case of Manuel Puig

Works cited

Literature & Literary Studies