Ruptured Commons
e-Book – Open Access
ISBN 9789027246608
At a time when we have all lived through profound and unexpected disruptions to our shared spaces, routines, economies, societies, and work-lives, this book considers the nature and implications of rupture, the commons, and their conjoining. Addressing rupture and disruption through the lens of literary and cultural studies, this volume traverses genres — film, fiction, theatre, poetry, and the graphic novel — and continents, and addresses histories and identities as ecologies. The focus is resolutely contemporary, with nearly all of the texts being analyzed produced within the last decade. Beginning with the history of, and debates about, Garrett Hardin’s famous “tragedy of the commons,” Ruptured Commons engages with texts and cultures of disaster wherein artistic expression becomes a form of protest and a path to change. This collection both critically examines our arrival at and understanding of this moment, and explores diverse, and hopeful, visions for the future embedded within contemporary culture.
[FILLM Studies in Languages and Literatures, 19] 2024. xvii, 239 pp.
Publishing status: Available
Published online on 26 September 2024
Published online on 26 September 2024
© John Benjamins
Available under the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) 4.0 license.
For any use beyond this license, please contact the publisher at [email protected].
Table of Contents
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Series editor’s preface | pp. ix–x
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Acknowledgements | pp. xi–xii
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Contributors | pp. xiii–xvi
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List of figures | pp. xvii–xviii
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IntroductionAnna Guttman and Veronica J. Austen | pp. 1–13
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Part I. Common(ing) problems
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Chapter 1. Risk and responsibility in Kamila Shamsie’s Burnt ShadowsJohn Clement Ball | pp. 16–32
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Chapter 2. An escape artist: Fleeing the commons in Nadav Lapid’s filmsLincoln Z. Shlensky | pp. 33–54
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Part II. Ruptured spaces
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Chapter 3. A work, or a walk, in progress: Associative practice in Ivan Vladislavić’s Portrait with Keys: The City of Johannesburg UnlockedKristine Kelly | pp. 56–74
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Chapter 4. Drawing life in limbo: Refugee lifeworlds in Kate Evans’s Threads: From the Refugee CrisisJonathan Nash | pp. 75–98
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Part III. Fractured histories
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Chapter 5. Narrating entanglements of British Colonialism and German National Socialism: Barbara Yelin’s Irmina as a disruptive historyEeva Langeveld and Rita Maricocchi | pp. 100–118
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Chapter 6. Performing the archive: Resisting Black female erasure on stage, page, and fabricElisabeth Knittelfelder | pp. 119–137
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Part IV. Disrupted ecologies
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Chapter 7. Planetary crisis and the sympoietics of the pestJesse Arseneault | pp. 140–158
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Chapter 8. ‘Dangerous, Ugly Air’: Reckoning with atmospheric and photosynthetic injustice in Dying for GoldHelene Strauss | pp. 159–179
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Part V. Healing and regeneration
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Chapter 9. Mothering the anthropocene: Entropic satire in Richard Flanagan’s The Living Sea of Waking DreamsRūta Šlapkauskaitė | pp. 182–203
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Chapter 10. Discovering the “in-common” in Magnet Theatre’s Every Year, Every Day, I Am WalkingJill Planche | pp. 204–225
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AfterwordAnna Guttman and Veronica J. Austen | pp. 226–230
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Index | pp. 231–239
Subjects
Literature & Literary Studies
Main BIC Subject
DSBH5: Literary studies: post-colonial literature
Main BISAC Subject
LIT000000: LITERARY CRITICISM / General