Part of
Where is Adaptation?: Mapping cultures, texts, and contexts
Edited by Casie Hermansson and Janet Zepernick
[FILLM Studies in Languages and Literatures 9] 2018
► pp. 107124
References
Ashley, Tim
2013Review of “Mozart: Don Giovanni” by Dmitri Tcherniakov. The Guardian, 28 November. [URL].Google Scholar
Bennett, Susan
(1990) 1997 Theatre Audiences: A Theory of Production and Reception. 2nd ed. London: Routledge.Google Scholar
Bradby, David and David Williams
1988Directors’ Theatre. Basingstoke, UK: Macmillan.DOI logoGoogle Scholar
Brecht, Bertolt
(1936) 1964. “Alienation Effects in Chinese Acting.” In Brecht on Theater, edited and translated by John Willett, 91–96. New York: Hill and Wang.Google Scholar
Campana, Alessandra
2012 “Genre and Poetics.” In The Cambridge Companion to Opera Studies, edited by Nicholas Till, 202–224. Cambridge: Cambridge University Press.DOI logoGoogle Scholar
Crawford, Trish
2014 “Against the Grain Theatre Updates Mozart.” The Toronto Star, December 10. [URL].Google Scholar
Douglas, Mary
1966Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge.DOI logoGoogle Scholar
Elam, Kier
1980The Semiotics of Theatre and Drama. London: Routledge.DOI logoGoogle Scholar
Fish, Stanley E.
1976 “Interpreting the ‘Variorum.’” Critical Inquiry 2 (3): 465–485. [URL].DOI logoGoogle Scholar
Goehr, Lydia
1992The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. New York: Oxford University Press.Google Scholar
Goodman, Nelson
1968Languages of Art: An Approach to a Theory of Symbols. Indianapolis, IN: Bobbs-Merrill.Google Scholar
Guccini, Gerardo
2002 “Directing Opera.” In Opera on Stage, edited by Lorenzo Bianconi and Giorgio Pestelli, translated by Kate Singleton, 125–176. Chicago: University of Chicago Press.Google Scholar
Hutcheon, Linda
(2006) 2013A Theory of Adaptation. 2nd ed. New York: Routledge.DOI logoGoogle Scholar
Ivany, Joel
2014 “ Don Giovanni with a Truly Albertan Twist: #UncleJohn .” Made in Banff, July 25. [URL]; [URL].Google Scholar
Kaptainis, Arthur
2015 “Opera Review: Mozart’s Don Giovanni Falls Hard under COC’s Heavy Hand and Curtain.” The National Post, January 28. [URL].Google Scholar
McFarlane, Brian
1996Novel to Film: An Introduction to the Theory of Adaptation. Oxford: Clarendon Press.Google Scholar
Morris, Christopher
2012 “ ‘Too Much Music’: The Media of Opera.” In The Cambridge Companion to Opera Studies, edited by Nicholas Till, 95–116. Cambridge: Cambridge University Press.DOI logoGoogle Scholar
Ouzounian, Richard
2015 “Miss Seeing COC’s Don Giovanni at your Peril.” The Toronto Star, January 25. [URL].Google Scholar
Payne, Nicholas
2005 “Opera in the Marketplace.” In The Cambridge Companion to Twentieth-Century Opera, edited by Mervyn Cooke, 306–320. Cambridge: Cambridge University Press.DOI logoGoogle Scholar
Rimmon-Kenan, Shlomith
2002Narrative Fiction: Contemporary Poetics. 2nd ed. London: Routledge.Google Scholar
Ritchie, Ian
2014 “#UNCLEJOHN Review.” Opera Going Toronto. [URL].Google Scholar
2015 “ Don Giovanni Review.” Opera Going Toronto. [URL].Google Scholar
Robins, Brian
2013 “Regietheater – The Death of Opera?Early Music World, January. [URL].Google Scholar
Siwakoti, Aaraksh
2014 “Opera with a Modern Twist.” The Crag and Canyon, July 29. [URL].Google Scholar
Stam, Robert
2000 “Beyond Fidelity: The Dialogics of Adaptation.” In Film Adaptation, edited by James Naremore, 54–76. New Brunswick, NJ: Rutgers University Press.Google Scholar